With final Oscar ballots in Academy voters’ hands as of April 15, we’re continuing with our fourth annual series of interviews with Academy voters from different branches for their honest takes on what got picked, overlooked, and overvalued in this odd, extended pandemic year. Interview edited for brevity.
The pandemic has exposed the award season in the way a certain type of movie gets nominated. Usually there’s been struggle within the Academy: “How can we get popular blockbusters in too, along with indie fare and awards-type movies, so the public will know what the movies are and get excited about the show?” Because of the pandemic, most big movies got pushed into the next calendar year, so we are left with small movies.
This year has underlined a problem that was always there. The public can’t get too excited about films that are barely seen outside of Oscar voters and journalists.
The pandemic has exposed the award season in the way a certain type of movie gets nominated. Usually there’s been struggle within the Academy: “How can we get popular blockbusters in too, along with indie fare and awards-type movies, so the public will know what the movies are and get excited about the show?” Because of the pandemic, most big movies got pushed into the next calendar year, so we are left with small movies.
This year has underlined a problem that was always there. The public can’t get too excited about films that are barely seen outside of Oscar voters and journalists.
- 4/20/2021
- by Anne Thompson
- Thompson on Hollywood
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