Nia DaCosta‘s “Candyman” is a sequel to the 1992 horror classic, which features a beloved score by Philip Glass, and for composer Robert Aiki Aubrey Lowe, it was a matter of finding the right balance of tie-ins to the original while putting his own spin on it.
“We had a lot of conversations very early on in the process about the score … and for me it was very important to be able to reference the original film in some way but to try to steer clear of anything that was too concretely connected to the film,” Lowe tells Gold Derby during our Meet the Experts: Composers panel (watch above). “I did in the end rework one of Philip Glass’ original pieces [‘The Music Box’] but that was the last thing I did. I had completed the entire score before I even approached a consideration of what that would be because...
“We had a lot of conversations very early on in the process about the score … and for me it was very important to be able to reference the original film in some way but to try to steer clear of anything that was too concretely connected to the film,” Lowe tells Gold Derby during our Meet the Experts: Composers panel (watch above). “I did in the end rework one of Philip Glass’ original pieces [‘The Music Box’] but that was the last thing I did. I had completed the entire score before I even approached a consideration of what that would be because...
- 1/22/2022
- by Joyce Eng
- Gold Derby
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