The U.K. government’s decision last week to shut down the pioneering BFI Young Audiences Content Fund sent shockwaves around the industry. Among those incensed was Anna Home, chair of the Children’s Media Foundation (Cmf), a non-profit organization focused on securing the best media choices for young people on all platforms. Home, a BAFTA-winning TV producer whose credits include “Grange Hill” and “Jackanory,” shares her thoughts on the matter in an exclusive column for Variety.
The U.K.’s TV industry is a creative powerhouse that is up there with the best in the world. It survives on a mix of international investment, commercial funding and public subsidy and the kids’ sector is in the same mould. But there are some subtle differences that makes kids a special case in a country which has a long history of supporting its culture through public service funding. The recent closure...
The U.K.’s TV industry is a creative powerhouse that is up there with the best in the world. It survives on a mix of international investment, commercial funding and public subsidy and the kids’ sector is in the same mould. But there are some subtle differences that makes kids a special case in a country which has a long history of supporting its culture through public service funding. The recent closure...
- 2/4/2022
- by Anna Home
- Variety Film + TV
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