In February, Carla Simon’s “Alcarràs” walked off with Spain’s first Berlin Golden Bear in nearly 40 years as Spain notched up its biggest main competition presence at the Berlinale since 1997.
This May, Spain has four movies selected for Cannes – Albert Serra’s Competition entry “Pacifiction”; Rodrigo Sorogoyen’s “The Beasts,” in Premiere; Elena López Riera’s Directors’ Fortnight bow “The Water”; and José Luis López Linares’ “Goya, Carrière and the Ghost of Buñuel,” a Cannes Classics doc feature. That reps a Cannes presence roughly on par with recent standout years such as 2018 and 2019.
With Netflix launching “Through My Window” in February, three of the streaming giant’s five most-watched non-English language movies are from Spain.
The big money is now in TV. Meanwhile Spanish cinema, a darling of arthouse crowds during Spain’s 1975-1982 transition to democracy, is once more back on the international radar, though faced by huge...
This May, Spain has four movies selected for Cannes – Albert Serra’s Competition entry “Pacifiction”; Rodrigo Sorogoyen’s “The Beasts,” in Premiere; Elena López Riera’s Directors’ Fortnight bow “The Water”; and José Luis López Linares’ “Goya, Carrière and the Ghost of Buñuel,” a Cannes Classics doc feature. That reps a Cannes presence roughly on par with recent standout years such as 2018 and 2019.
With Netflix launching “Through My Window” in February, three of the streaming giant’s five most-watched non-English language movies are from Spain.
The big money is now in TV. Meanwhile Spanish cinema, a darling of arthouse crowds during Spain’s 1975-1982 transition to democracy, is once more back on the international radar, though faced by huge...
- 5/19/2022
- by John Hopewell
- Variety Film + TV
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