By Sean Barry
Reboots of long-established franchises have regularly been recurring in the Japanese entertainment industry. For example, the ongoing “Shin Japan Heroes Universe” has modernized numerous classic pieces of tokusatsu history with movies such as “Shin Godzilla,” “Shin Ultraman,” and the upcoming “Shin Kamen Rider.” Reboots have also taken a unique direction in present-day cinema’s independent side. Such an example is reimagining a long-lost piece of Japanese cinema. That is the case with the outlandish low-budget film “The Great Buddha Arrival.”
on Amazon
The original “The Great Buddha Arrival” is a lost 1934 independent kaiju movie directed by pioneer filmmaker Yoshiro Edamasa who served as a mentor to many filmmakers, including special effects director Eiji Tsuburaya. Its place in Japanese cinema is rather significant as it was one of the earliest pieces of daikaiju filmmaking ever constructed, predating the original “Godzilla” directed by Ishiro Honda, by two decades.
Reboots of long-established franchises have regularly been recurring in the Japanese entertainment industry. For example, the ongoing “Shin Japan Heroes Universe” has modernized numerous classic pieces of tokusatsu history with movies such as “Shin Godzilla,” “Shin Ultraman,” and the upcoming “Shin Kamen Rider.” Reboots have also taken a unique direction in present-day cinema’s independent side. Such an example is reimagining a long-lost piece of Japanese cinema. That is the case with the outlandish low-budget film “The Great Buddha Arrival.”
on Amazon
The original “The Great Buddha Arrival” is a lost 1934 independent kaiju movie directed by pioneer filmmaker Yoshiro Edamasa who served as a mentor to many filmmakers, including special effects director Eiji Tsuburaya. Its place in Japanese cinema is rather significant as it was one of the earliest pieces of daikaiju filmmaking ever constructed, predating the original “Godzilla” directed by Ishiro Honda, by two decades.
- 6/11/2022
- by Guest Writer
- AsianMoviePulse
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