In the early ’90s, Francis Ford Coppola predicted the future: “Suddenly, one day some little fat girl in Ohio is gonna be the new Mozart,” he said, “and make a beautiful film with her father’s little camcorder, and for once this whole professionalism about movies will be destroyed, forever, and it will really become an art form.”
He was on the right track, but the revolution of lo-fi camerawork actually came from a couple of bored Danes. Just a few years after Coppola’s proclamation, directors Lars von Trier and Thomas Vinterberg joined a few of their cohorts in scribbling out 10 rules to inform their work going forward.
The Dogme 95 Manifesto was a call-to-arms for filmmakers eager to escape the confines of commercial production and transform cinema into a fully creative endeavor. That involved a stripping away of artifice on virtually every level of production. Shot with cheap camcorders...
He was on the right track, but the revolution of lo-fi camerawork actually came from a couple of bored Danes. Just a few years after Coppola’s proclamation, directors Lars von Trier and Thomas Vinterberg joined a few of their cohorts in scribbling out 10 rules to inform their work going forward.
The Dogme 95 Manifesto was a call-to-arms for filmmakers eager to escape the confines of commercial production and transform cinema into a fully creative endeavor. That involved a stripping away of artifice on virtually every level of production. Shot with cheap camcorders...
- 8/19/2022
- by Eric Kohn
- Indiewire
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