
‘Dying’ Review: Lars Eidinger Stars as a Harried Orchestra Conductor in a Moving and Funny German Family Saga

Unabashedly sporting the most inauspicious of titles, a three-hour running time and a logline that features terminally ill elders and self-destructive descendants, German feature Dying (Sterben) looks like a hard sell on paper. And yet writer-director Matthias Glasner’s crisscrossing family drama manages to be exceedingly funny, often in some of its darkest moments, as well as expectedly sad.
Anchored by a nuanced, detailed performance by Lars Eidinger as Tom, an orchestra conductor juggling all manner of personal and professional commitments, and pitch-perfect turns by Corinna Harfouch, Lilith Stangenberg and Ronald Zehrfeld as the rest of his combustible nuclear family, this richly rewards the time investment it requires. Sure, a few trims here and there wouldn’t have necessarily ruined it, and some might suggest this could work better as a multi-part limited series for upscale TV.
But it’s hard to imagine watching the musical performance set pieces anywhere...
Anchored by a nuanced, detailed performance by Lars Eidinger as Tom, an orchestra conductor juggling all manner of personal and professional commitments, and pitch-perfect turns by Corinna Harfouch, Lilith Stangenberg and Ronald Zehrfeld as the rest of his combustible nuclear family, this richly rewards the time investment it requires. Sure, a few trims here and there wouldn’t have necessarily ruined it, and some might suggest this could work better as a multi-part limited series for upscale TV.
But it’s hard to imagine watching the musical performance set pieces anywhere...
- 19.2.2024
- von Leslie Felperin
- The Hollywood Reporter - Movie News
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