
‘Sketch’ Review: A Tender Tony Hale Anchors an Audacious, Intensely Colorful Tween Adventure

If you were to take the wide-eyed wonder of a Steven Spielberg, the impish mischief of a Joe Dante, plus the vibrant visuals of prime Pixar and somehow blitz them together in a Magic Bullet blender, the resulting concoction might well resemble Sketch, an audaciously gonzo first feature by Seth Worley.
Although the tween tale may be admittedly lacking in singular originality, it more than compensates for all its borrowed bits with a Skittles-hued sugar rush of a live-action romp, with an unusual take on family therapy in which a 10-year-old girl’s grief manifests in violent drawings come to life.
Working with an engaging, spirited cast and a talented visual effects crew, Worley, a VFX aficionado whose prior directorial output has been mainly in the field of corporate-branded videos, turns out a hard-to-resist, all-ages crowd tickler that seems certain to land distribution on the heels of its Toronto International Film Festival bow.
Although the tween tale may be admittedly lacking in singular originality, it more than compensates for all its borrowed bits with a Skittles-hued sugar rush of a live-action romp, with an unusual take on family therapy in which a 10-year-old girl’s grief manifests in violent drawings come to life.
Working with an engaging, spirited cast and a talented visual effects crew, Worley, a VFX aficionado whose prior directorial output has been mainly in the field of corporate-branded videos, turns out a hard-to-resist, all-ages crowd tickler that seems certain to land distribution on the heels of its Toronto International Film Festival bow.
- 9/9/2024
- by Michael Rechtshaffen
- The Hollywood Reporter - Movie News
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