Poll: Oscar-nominated Rivalries

A poll by ElMaruecan82

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When Evil is Relative

You don't choose your family... no family is perfect... fair enough. Movies have taught us that one can be flawed, bad or downright evil but still be good with the family. However, there are cases where the harm was directed toward the family and that's harder to forgive. These villains or main antagonists all harmed one or many relatives (by blood, marriage or adoption) during the film, some did far worse. We're not discussing their popularity (winners would be too obvious) but their level of hatefulness. Simply put, which evil relative was the worst? After voting, you might discuss the list here

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The Climax Types

The climax is the final confrontation of all the conflicting forces in the movie, in a generally spectacular or emotional manner leading to the resolution, for better or for worse. So, if you judge a story by the height it reaches, then there's no good movie without a good climax. Here are different types of cinematic climaxes based on the situations (rather than the settings, contexts or even the genres). Generally speaking, which climax type is your favorite or satisfies you the most? After voting, you may discuss the list here

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Which of these teams do you feel is the most memorable? Discuss this list here

Climax for Breakfast

Well, it goes like men, there are 'night' movies and 'morning' movies... Indeed, when it comes to dramas, nighttime is generally an ideal setting for climactic scenes as darkness emphasizes danger and allows violence to reach its highest point. Then, the sun can rise peacefully, lighting hopes for a brighter future... But sometimes, the night plays the "quiet before the storm" part or let things escalate until they can finally implode at dawn, in the morning or let's just say a few hours before noon. This is a compilation of memorable climactic scenes that take scene at a moment viewers can identify as the morning, either because it's shown or strongly implied (some pictures don't match in order to avoid spoiling the ending). Not necessarily from your favorite film, which of these morning climaxes is your favorite? After voting, you might discuss the list here

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Good vs. Good!

When good characters compete against bad characters it's easy to choose sides. But when good characters have to deal with good ones things can become complicated. In which of these situations with good characters competing against other good ones, was the most difficult for you to choose side? Discuss the list here!

"Say 'Hello' To Our Big Al!"

Today is the 77th birthday of A Pal Icon: Al Pacino. On this occasion, I thought of asking which of the classic characters he played is the most iconic... but I guess it would have inevitably turned the poll to a "Corleone vs. Montana" face-off, interesting but predictable. Now, how about exploring one of the most defining aspect of his cinematic legacy: quotability. Indeed, Al Pacino is probably one of the most quotable actors of his generation with so many sayings, shouts, warnings, shouts, yells and screams again and last but not least, speeches that forever enriched Pop-Culture. So, even if you're not a fan of the actor, if you could pick just one, which is your favorite from these 35 Al Pacino's memorable quotes? (one that doesn't come from a speech or a monologue except if it's a conclusion that can be considered a classic quote in its own right?) Keep your choice close, your vote closer and discuss the poll here PS: 60% of the list still belongs to his two most legendary roles : 12 quotes from Michael Corleone and 9 from Tony Montana

Four 'New Hollywood' Icons and 18 stellar performances ...

Which of these 18 Oscar-nominated performances from the Big 4 of Acting : Al Pacino, Robert De Niro, Dustin Hoffman and Jack Nicholson, all between 1967 and 1980, is your favorite? Discuss here The term 'New Hollywood' refers to the equivalent of the French 'New Wave' in America, a period during which directors took some distance from the Golden Age heritage and could express their personal artistic vision on the screen, like true authors, making movies of gripping realism and thought-provoking social commentaries. It all started in 1967 with the groundbreaking "Bonnie and Clyde", "The Graduate" and "In the Heat of the Night" and ended at the eve of the Blockbuster era with such successes as "Jaws" and "Star Wars" ... the last notable films from the New Hollywood era were "Apocalypse Now", "Raging Bull" before the commercial failure of "Heaven's Gate" would put the final nail in the coffin. Between 1967 and 1980, four actors emerged as the most defining of their generations, grabbing the most oscar nominations from any actor : Al Pacino and Jack Nicholson (5 nominations each), Dustin Hoffman and Robert De Niro (4) for playing such iconic characters as Ben Braddock or Ratso, Michael Corleone or Sonny Wortzik, J.J. Gittes or R.P. McMurphy, Travis Bickle or Jake La Motta. They would all be nominated in 1974. Which of these 18 Oscar-nominated performances is your favorite? Discuss here

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