The Most Beautiful Girl in the World Review: From Studio Lights to Island Nights

As Valentine’s Day offerings flood streaming platforms, Netflix’s latest Indonesian rom‑com stakes its claim with a story that reflects global fascination with reality dating shows and personal transformation. Director Robert Ronny places the sleek, studio‑bound world of The Most Beautiful Girl in the World beside the lush tropics of an uncharted island, framing a narrative that engages both local viewers and international audiences attuned to Bollywood’s penchant for grand gestures and heartfelt emotion.
Reuben Wiraatmadja, played by Reza Rahadian, inherits his late father’s media empire on one condition: he must marry “the most beautiful girl in the world” within six months. Enter Kiara (Sheila Dara Aisha), the principled producer whose resistance to superficiality sparks the friction that powers the film’s charm.
Through rapid‑fire TV sequences and quieter, sun‑drenched survival scenes, the picture merges sentimental romance with a playful critique of commodified attraction.
Reuben Wiraatmadja, played by Reza Rahadian, inherits his late father’s media empire on one condition: he must marry “the most beautiful girl in the world” within six months. Enter Kiara (Sheila Dara Aisha), the principled producer whose resistance to superficiality sparks the friction that powers the film’s charm.
Through rapid‑fire TV sequences and quieter, sun‑drenched survival scenes, the picture merges sentimental romance with a playful critique of commodified attraction.
- 22/04/2025
- por Vimala Mangat
- Gazettely
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