This movie mainly serves as a showreel for Peter Levy's vast talents as cinematographer, with some flashy moves by director Stephen Hopkins. That aside, the plot seems to pause occasionally for the lush camera-crane shots to end. Given a fairly by-the-numbers story, the acting is quite good, but its less entertainment, more visual candy.
Both Hopkins and Levy have gone on to bigger and better projects, so someone liked this film a lot!
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