Lindsay Wagner is Kate Kerner, a Washington computer programmer whose 16 year old daughter Jesse (Renee Humphrey) is `turned out' ie seduced into the life of a prostitute with the help of pimps Eric Lambert (Chad Lowe) and Russell (Kurt Baltz).
Kate has copper-red long hair which looks simply awful on Wagner, who wears a wig of grey-blonde color when she poses as a prostitute to get information on Jesse's whereabouts. Although inclined to utilise a hair flicking mannerism, Wagner's best moments are when parodying the misogynistic lyrics of rap music, arguing with a disinterested prostitute when showing her Jesse's picture, the Bionic smashing open of a door with a fire extinguisher, and the confrontation with Jesse which makes her leave home. In the latter Wagner's face slapping is unconvincing, but she intones `He is using you' and in reaction to Jesse's I don't want your help `Well, you don't have a choice' with force, and supplies a jittery broken reaction to Jesse's exit.
The teleplay by Eric Blakeney, based on a true story, presents Kate as a weak mother who is too lenient with Jesse, as a reaction to the conservatism of her own mother Edna Burton (Piper Laurie) who is a Judge! Perhaps the red hair is supposed to be a remnant of Kate's rebelliousness, since she is a former biker's moll, and abandoned mother. Although given that the context makes Jesse's unhappiness seem relatively inexplicable, Blakeney does provide a funny phrase in `the ferocity of a butterfly'.
Director Peter Levin doesn't make Wagner's transformation into a prostitute funny, the way he does her friend Peggy (Deirdre O'Connell), and he cuts away from Wagner's telling off a `don't-give-a-crap-attitude' cop which reads as over-reaction anyway.
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