• Everything in this film is ugly (except Christina Ricci), but it is meant to be like that, so in that sense, there is something to be said about the skillful writing and directing of the film. The acting is also very impressive, at least the majority of it. Vincent Gallo is sickeningly convincing as the ugly, disgusting man portrayed in the film, who is bent on seeking revenge on the man who he blames for his unjust stint in prison. Oddly enough, even though his performance provides a deep feeling of discomfort at times, it was an incredible performance. It is difficult to imagine Gallo as anything other than the kind of person that he played in this movie.

    Christina Ricci was just as beautiful as she alway is in her movies, but even though she was a very relieving character to watch while being bombarded with the misanthropic Billy Brown (Gallo), she also played the most unrealistic and unconvincing part in the film. Let's think about the logic here. A dirty and scruffy man is released from prison, he kidnaps this girl who would be attractive even if she wasn't a movie star, his communication with her is limited to impatient demands and insults intended to harm, and she freakin' falls in love with him. He never said a single nice word to her, with the exception of his forced and slight apology after he is finally able to relieve himself at the beginning of the film. Their entire relationship is so ridiculously unrealistic that it almost overshadows every other thing that the film accomplishes.

    Besides that, some of the scenes were downright boring. A good majority of the scenes that took place when they went to Billy's parents' house comes to mind. The editing was botched with the point of view shots at the dinner table, as well. Buffalo '66 is not a pretty film, but it is meant to be ugly. It would have been a great film had it not been for the unlikely relationship between Layla (Ricci) and Billy Brown, as well as the slightly messed editing and an overly abrupt transformation of Brown's mentality at the end of the film. The message of the film, despite the film's appearance, is actually pretty healthy. It has a lot to say about the pointlessness of revenge, but even that as well as some fascinating camera work in the strip club at the end of the movie are not enough to save this film from cinematic obscurity. This is the type of film that you watch to study different writing and directing styles, you don't watch something like this to enjoy it.