Opening on a scene where a double suicide has taken place, the beginning of Youth of the Beast is filmed in black and white, but with the introduction of the violent, raucous Mizuno Joji, Shishido Joe, the film becomes emblazoned with pastel colors! Well, maybe not, but Youth of the Beast is one of Nikkatsu's earliest and Suzuki's first color films. Displaying color usage that would please Thomas Wolfe, Youth of the Beast takes on the stereotype of the yakuza being noble outlaws who fight against the system to preserve traditional Japanese culture. The yakuza in this film resemble more the modern mold: drug dealers, pimps, and extortionists. It is amidst this crowd that Jo tries to establish himself. Beating up random people, harassing waiters, hiring the services of several bargirls, and then saying that he does not have the money to pay, Jo at first is accosted by members of the Nomoto family, but because he is able to impress them with his considerable fighting skills, he is asked to join the gang. With it bespectacled, cat-loving, knife-chunking boss, the Nomoto family makes a chunk of its money by extorting local business owners. Employing such tactics as setting people's heads on fire by using a can of hairspray as a blowtorch, Jo quickly establishes himself as someone not to be messed with and it seems that the Nomoto family has within its ranks a strong guy to further their cause. However, is this man to be trusted? Behind Nomoto's back, Jo also mingles with the Sanko gang, Nomoto's chief rival. Stating that he is only doing it for the money, Jo gives a number of Nomoto's secrets to the Sanko boss. However, is Jo truly in it solely for the money? Visiting the wife of the detective whose body, along with his lover's, was discovered in the opening scene and avoiding other's at the service, it seems that Jo has something to hide
With the recent releases of four classic Suzuki films, Gate of Flesh, Story of a Prostitute, and Fighting Elegy being the other three, Suzuki fans have had a number of good films in which they can sink their teeth into. One of four films Suzuki directed in 1963, Youth of the Beast displays a number of elements that would become familiar aspects of his later films, such as the creative use of color and surreal backgrounds. Also, while primarily a serious film, Youth of the Beast has a comic element as well and, of course, Shishodo Joe is awesome!
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