• While I can't really rave about this move, I also certainly can't say it wasn't interesting. On one hand, it is a typical "poliziani", a hard-boiled and violent Italian crime thriller about Mafia criminals and corrupt or vigilante police, but on the other hand, it is also a women's picture featuring no-clothes-horse Edwige Fenech in one of her more dramatic (as opposed to hysterical) roles.

    Fenech plays Anna a young, naive provincial woman who falls in love with a brutal and abusive gangster who, at the behest of his godfather (top-billed Richard Conte)involves her first in smuggling then in prostitution. She tries to leave the life after her mobster hubby goes to prison. She gives birth to a son and falls in love with a respectable doctor, but of course her past soon catches up to her.

    This is a rather schizophrenic movie. It is has the typical violence of a poliziani, and Fenech performs her usual quota of nude/sex scenes (the most interesting scene though features not Fenech, but a bizarre stripping clown--that's right, a clown). The ending though is incredibly sappy and tear-jerking. I can't imagine anyone who liked the early part of the movie liking the end and vice versa. I suppose it could be a good date movie for women who want to see Fenech emote and men who want to see Fenech undress (it beats the hell out of a Renee Zellweger romantic comedy, anyway).