Roy Rogers was the epitome of the stylized singing cowboy of the mid 20th century. This movie and others with Roy Rogers and Dale Evans are probably better received by those who have an understanding of the real relationship and lifestyles of Roy Rogers and Dale Evans off screen.
Typically the Roy Roger movies and television series were very stylized between black and white morality. This movie breaks the mold to the extent that while at heart, Roy plays an honest cowboy, his solution to being falsely arrested is to become a fugitive from justice. He also forces his way into a barn on private property when his mare goes into foal and fights the owner and ranch hands when they insist that he leaves.
As with most "hero" movies, the truth comes out in the end when Dale Evans becomes to believe in Roy's innocence which is ultimately proved and the bad guys go to jail.
On the surface this movie had Roy's fancy clothes and saddle, pistols and rifles, beautiful horses, cowboy singing, and even a square dance on horseback. By the 1940's, this was one version of the west that the movie companies presented to the public.
As a side note, it is always interesting to reflect upon the style of any movie made just before, during, or after the depression or WII.
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