When it came to Eleanor Powell, a great dancer, MGM didn't go all out to make her more appealing in vehicles that could show her talents better. This film, reminds us of another of Ms. Powell's films, "Ship Ahoy", with a similar kind of setting, which in retrospect, showed no imagination on the studio's part. She didn't even merit a Technicolor picture, something that "Honolulu" could have used to enhance its star. Like the other film, this one was directed by Edward Buzzell. Even the costumes by Adrian, seemed third rate and unflattering to the star.
The story is silly enough. A famous actor, Brooks Mason, whose female fans love to tear off his clothes when he goes to premieres, meets an identical "twin" in the figure of George Smith, a dull pineapple grower from Honolulu. Mason makes a proposition to Smith that he can't refuse: How about impersonating Mason in New York, where he is supposed to be seen in connection with the new picture being promoted.
In the meantime, Dorothy March, a dancer, is seen on board the ship that is bringing her to Honolulu. The real Brooks Mason, now passing himself as George Smith, is discovered by Dorothy's friend Millie. Mason makes believe he is from Hawaii, even though he has no clue about the place. Things get more complicated when Smith's real fiancée, Cecilia Grayson enters the picture. Her father has it in for George, whom he blames for making him lose a deal.
While we already know where this story is going, and how it will end, it is worth the time because Eleanor Powell's dancing. The musical numbers aren't as elaborate as some MGM productions; it's an easy time at the movies. Robert Young, in his dual role is fine. Gracie Allen and George Burns are also good in their roles. Rita Johnson, who always had sophisticated roles of women who end up not marrying the leading man, is seen as Cecelia. Clarence Kobs, Eddie "Rochester" Anderson and Ruth Hussey play supporting roles.
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