Review

  • Warning: Spoilers
    A marriage of convenience to New York environmental activist Brontë (Andie MacDowell) gets French waiter Georges (Gérard Depardieu) a green card to work in America. Brontë gets a sort of "green card" too, in the form of permission to rent an apartment with a rooftop greenhouse. In fact, the colour green is in almost every scene: an emerald green lamp, a nicely placed green wine bottle in several shots, Brontë's clothes, and of course, plants, which appear in pretty much every interior shot –the apartment, a friend's house, restaurants. The exception is Brontë's bedroom (where she's always alone), which is desert colours. This is a very interior movie, and I love how Weir focuses on little details –feet coming down the stairs, the peephole in the front door, water dripping from leaves in the greenhouse –to make the closed spaces interesting.

    The first time we see Georges and Brontë together, they are saying goodbye on the steps of the courthouse after tying the knot. Suspicion from Immigration agents forces the pair to try proving they have a real marriage. They quickly find that they can't stand each other. But the circumstances force them to spend time learning the details of each other's radically different lives, and then repeat them to the Immigration officials in tones of love and admiration, in order to sound like they are mad for each other. Eventually it has an unexpected effect. The point is that acting and speaking like you love someone can actually bring about what it pretends. I think that's true, even though it goes against conventional ideas of being "genuine", which can simply be an excuse for rudeness.

    This serious theme is mixed with several situations drawn from the comedy of errors handbook. Green Card has one of the funniest scenes of all time, in my opinion, in which Georges must find a way to convince a room full of New York society people that he's an accomplished musical composer. The laughter is generated by the kind of tension between straight-lacedness and mayhem of a Marx Brothers routine. Bebe Neuwirth as Brontë's friend Lauren is wonderful, nothing remotely like her Lilith character in Cheers, and her reaction to Georges in the musical episode makes the scene even more hilarious.