This is today's French commercial cinema by the numbers: gamin plucky young woman character, check. Over the top if beautiful actress, check. Aging, wise woman, check. Well- preserved dotty grandmother in pearls and Hermes scarf, check. Anguished artist with long- suffering wife, check. Sexy young male actor as counterpoint to gamin plucky young actress, check. Lots of shots of Paris with accordion music, check. Recognizable foreign actor in cameo role, check. Gerard Depardieu -- oops, he missed out on this one. Fire his agent!
All that cynicism aside, this is still an enjoyable, frothy film. It is not quite as imaginative as Amelie, but it is better than much of the French cinema that is being churned out these days. The three plot lines are skillfully woven together and the outcome will satisfy all but the most hard-hearted. Now I guess the question will be, who'll play all these characters when the movie is bought by an American studio and rewritten to take place in New York.
There's got to be something in there for Keanu Reeves and Jennifer Garner, non?
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