One thing film can do is trigger the imagination in ways impossible elsewhere.
What we apparently have here is a film based on a comic. There's what I call an "excuse story" about a half-lost soul. Such stories allow the filmmaker to simply noodle about as he or she wishes. It worked for me in "Mirrormask." But not here. I think its because I'm especially sensitive to coherence of image. If the images let me enter a world, I do deeply. But if they come from different minds and sketch different worlds, it just seems as if I am seeing unrelated billboards.
That's what happens here. Oh, there are many things to appreciate; the unexpected turns of reality which at first seem novel but soon become repetitive, mere chapter headings. Some of these are clever.
The one thing that absolutely hypnotized me wasn't in the film proper but was a small inset on the left as the credits rolled by on the right. An animated scene of perhaps two or three seconds is repeated over and over again, sometimes starting a bit earlier or later. Sometimes its backwards. Its of the two kitty children posing with their mother on the beach. The father is the photographer and we sometimes see his arm as he pushes one of the children into the shot where it stays for only a moment before grabbing the mother.
The music tinkles underneath as if automated. We watch this thing cycle and cycle, modulating in the cycles. Its so much more engaging; you develop a backstory that relates to the movie and is so much richer in depth and engagement than anything in the film.
A rather amazing experience, and it was worth watching the movie as setup for that.
Ted's Evaluation -- 3 of 3: Worth watching.
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