a stunner of a bodice ripper
Having finished the first season and rewatched it a half dozen times as I wait impatiently for Showtime to unveil the second season of "The Tudors," I have to admit that this show has intrigued me in the history surrounding Henry VIII and his unfortunate wives better than any before it. The producers say it's "80% accurate," and that's an apt description, but what impressed me so much was that within that 80% are some little-known and often overlooked moments that make for great drama. Like the fact that the little wrestling match between Henry of England and Charles of France actually did take place, or that the only time Queen Katharine lost her cool in all that she was forced to endure was over the succession, and subsequent threat to her daughter's rights to the throne. Even certain of the dialogue is ripped right from the pages of history.
True, things are pushed out of order so as to move the story along at a more rapid pace, and the worst bastardization of history comes in the form of the preposterous mingling of Henry's sisters Margaret and Mary into one individual (oddly enough, they don't even bother to push through the fact that one marriage lasted eighteen years and produced several children, which would have given them a lead-in for producing a later series built on this one about the heirs to the throne), but the reality is that this is solid film-making. The production value is exquisite, the original score is absolutely gorgeous, and then there are the performances.
It is a downright shame that Maria Doyle Kennedy and Sam Neil were given no mentions in the Emmy nominations, because while the rest of the cast is outstanding, they really deserve critical acclaim. Kennedy's Katharine of Aragon is perhaps the most authentic and sympathetic depiction ever to reach the silver screen, large or small, and the audience has responded to her with overwhelmingly positive emotions. I know that she broke my heart more than once, as much as made me want to stand up and cheer, particularly in the eighth episode. Neil is not quite as unlikable as Wolsey could be, but in the second half of the first season hits his stride and is absolutely phenomenal in the finale.
The one thing that rather disenchanted me was the amount of pointless sex and skin revealed on the part of random ladies of the court. Henry certainly had his flings but they were not as often as depicted, and to be perfectly honest, one is left wondering what he sees in these naked trollops when he has a far more beautiful and enchanting wife lingering in the background. (It also doesn't give the audience much empathy for Henry, who seems incapable of "making love." Even his eventual tryst with Anne Boleyn has more primal boredom to it than wooing.) I know it was a low ploy by Showtime, cashing in on the "sex sells" shallowness of our culture, but the story is much more profoundly lingering without it.
True, things are pushed out of order so as to move the story along at a more rapid pace, and the worst bastardization of history comes in the form of the preposterous mingling of Henry's sisters Margaret and Mary into one individual (oddly enough, they don't even bother to push through the fact that one marriage lasted eighteen years and produced several children, which would have given them a lead-in for producing a later series built on this one about the heirs to the throne), but the reality is that this is solid film-making. The production value is exquisite, the original score is absolutely gorgeous, and then there are the performances.
It is a downright shame that Maria Doyle Kennedy and Sam Neil were given no mentions in the Emmy nominations, because while the rest of the cast is outstanding, they really deserve critical acclaim. Kennedy's Katharine of Aragon is perhaps the most authentic and sympathetic depiction ever to reach the silver screen, large or small, and the audience has responded to her with overwhelmingly positive emotions. I know that she broke my heart more than once, as much as made me want to stand up and cheer, particularly in the eighth episode. Neil is not quite as unlikable as Wolsey could be, but in the second half of the first season hits his stride and is absolutely phenomenal in the finale.
The one thing that rather disenchanted me was the amount of pointless sex and skin revealed on the part of random ladies of the court. Henry certainly had his flings but they were not as often as depicted, and to be perfectly honest, one is left wondering what he sees in these naked trollops when he has a far more beautiful and enchanting wife lingering in the background. (It also doesn't give the audience much empathy for Henry, who seems incapable of "making love." Even his eventual tryst with Anne Boleyn has more primal boredom to it than wooing.) I know it was a low ploy by Showtime, cashing in on the "sex sells" shallowness of our culture, but the story is much more profoundly lingering without it.
- KatharineFanatic
- 19 juill. 2007