Fred Zinnemann's "From Here to Eternity" is really more of a soap opera than a war story. Still, it is very well done, and very entertaining. The main attraction isn't World War II, or the soap opera story lines - the main attractions in "From Here to Eternity" are the actors' performances.
Montgomery Clift's is the "main attraction" performance. He makes his character the central figure, despite other story lines, and his performance is mesmerizing. Every look Clift gives, every facial tic, every syllable is fascinating to watch. And, it's all very natural
very character-driven. Not that all the others aren't terrific, too. Burt Lancaster is a close second, and everyone performs exceptionally well.
Mr. Clift's performance helps elevate both the other performances, and the film in general. Check out how great he makes all the other actors, "look" simply by playing a bugle. This is a case where an actor's performance affects both the other players in the scene, and even leaves its impressions in scenes where the actor doesn't appear. If you take Clift out of the film, you have a much more ordinary movie.
I'm not sure, however, what/if the film is trying to say about war - is it making a statement of some kind? The main story is: Will Mr. Clift's character box (fight)
or, won't he fight (box)? I guess he is bullied into fighting, but does not initiate fighting (he blinds a man, symbolically, by knocking him out in an unseen fight). I am not sure if I got the film's message, or even if there was one.
I would have also made either MORE EXPLICIT or MORE SUBTLE the whole prostitution part - it was a place to have sex during the time, I guess. Donna Reed and the other women were prostitutes, I guess. Since they couldn't make it more explicit, they toned it down to make us really think these men went to town so they could exchange "nice" smiles with "nice" women. Elsewhere, Mr. Lancaster and Ms. Kerr's sound like they've had physical relations, when, it looked, to me, like they'd only been hit by a wave. I know this was the '50s, but filmmakers had developed many subtle ways of relaying this information
for the prior half century...
So, what it boils down to: This is a great wartime soap opera, with great performances.
********* From Here to Eternity (8/5/53) Fred Zinnemann ~ Montgomery Clift, Burt Lancaster, Frank Sinatra, Deborah Kerr
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