This film has an odd cast--a bunch of non-French actors playing French people without traces of accents. It's hard to imagine Robert Mitchum as being a man living in Normandy, but he and Greer Garson both star in "Desire Me"--along with Richard Hart.
The film begins shortly after WWII. Garson has been living alone since the war began--her husband (Mitchum) in a German concentration camp. She'd since received word that he was dead, but she still is holding out hope that he'll return. A man arrives (Hart) who tells Garson that he was Mitchum's friend and saw him die while trying to escape--and he knows so many, many details about her that his story about being Mitchum's best friend made sense.
A bit later in the film, things began to stop making sense. While Garson had fallen in love with Hart, he proved to be very moody and unpredictable--so much so that it makes you wonder how Garson would want to be with this guy. Some of this was done because it fit in with the plot--some of it was due to sloppy writing.
Eventually, Hart gets Garson to agree to sell her husband's old business and move to Paris with him. However, in true Hollywood fashion, Mitchum arrives in town--and it's obvious Hart is a liar and cheat. This leads to a showdown between the two men--and Hart seems quite willing to kill his 'old friend'.
While this film has some interesting moments and the romance between Garson and Hart is nice to watch (at least at first), the film is far-fetched and a bit confusing. The part that had me shaking my head was Garson's reaction to Mitchum's return--behaving like a woman guilty of something. Were they trying to imply she'd slept with Hart? If not, why the guilt and why would she tell her beloved husband that she would leave him?! In fact, none of this made any sense---and I really wanted it to. And, following the showdown, Garson's reaction seemed even more bizarre---what was motivating her?! Why did she act that way?! Didn't this all seem pretty sloppy?! Apparently others thought the same, as the film was seen as a big disappointment--and I can see why. With this locale and the basic script idea, it should have been a lot better--and more polished and coherent.
The film begins shortly after WWII. Garson has been living alone since the war began--her husband (Mitchum) in a German concentration camp. She'd since received word that he was dead, but she still is holding out hope that he'll return. A man arrives (Hart) who tells Garson that he was Mitchum's friend and saw him die while trying to escape--and he knows so many, many details about her that his story about being Mitchum's best friend made sense.
A bit later in the film, things began to stop making sense. While Garson had fallen in love with Hart, he proved to be very moody and unpredictable--so much so that it makes you wonder how Garson would want to be with this guy. Some of this was done because it fit in with the plot--some of it was due to sloppy writing.
Eventually, Hart gets Garson to agree to sell her husband's old business and move to Paris with him. However, in true Hollywood fashion, Mitchum arrives in town--and it's obvious Hart is a liar and cheat. This leads to a showdown between the two men--and Hart seems quite willing to kill his 'old friend'.
While this film has some interesting moments and the romance between Garson and Hart is nice to watch (at least at first), the film is far-fetched and a bit confusing. The part that had me shaking my head was Garson's reaction to Mitchum's return--behaving like a woman guilty of something. Were they trying to imply she'd slept with Hart? If not, why the guilt and why would she tell her beloved husband that she would leave him?! In fact, none of this made any sense---and I really wanted it to. And, following the showdown, Garson's reaction seemed even more bizarre---what was motivating her?! Why did she act that way?! Didn't this all seem pretty sloppy?! Apparently others thought the same, as the film was seen as a big disappointment--and I can see why. With this locale and the basic script idea, it should have been a lot better--and more polished and coherent.