• As a jaded lifelong horror fan I'm always on the lookout for that rare gem which entertains without cheapening the genre. There's been a deluge of crap produced over the past decade; the usual indicators are murky blue cinematography from injudicious use of gels, formulaic or gimmicky story lines, copycat themes, or cheesy humor.

    The Children has none of these problems. It's one of the most original horror dramas to pop up in years, a breath of fresh air. It's also subtle in its build-up of suspense and occasional injections of humor. Which probably explains why viewers who judge a horror film by the volume of blood and guts dumped on screen might not "get" this film.

    Set in one basic location (a prime requisite for indie horror funding these days) the script takes advantage of a beautiful rural setting to avoid the claustrophobic limitations of the typical and obvious "creepy location" most straight-to-vid horror flicks are set in.

    The script is smart, a sort of Children of the Damned but much more naturalistic. In a nutshell, it chronicles a two-day holiday family get together during which the small children gradually succumb to a virus and become bratty little devils who wreak havoc on the adults.

    The direction is straightforward but artful, incorporating punchy detail shots and dynamic editing techniques for maximum impact on a budget. The acting is superb. Unlike the cold glaring "Damned" kids, these are real life toddlers whose emotions escalate from vulnerable reliance to psychotic sadism. Performances are excellent all around from a very attractive cast. Particularly amazing are the child actors, who are never less than convincing in extremely demanding roles.

    Perhaps more aptly described as an "intensely horrific drama" than straight out horror film, this is an ideal chiller for anyone who values creative film-making and intelligent stories over gratuitous effects. That said, it is loaded with disturbing moments, and would probably give the average soccer mom nightmares for months.