***This review may contain spoilers***
The direction and performances in Leave are terrific, even though the underlying premise of the film isn't particularly original. More seasoned viewers may recognize elements from such films as An Occurrence at Owl Creek Bridge or Jacob's Ladder, where the entire narrative is essentially a waking dream/nightmare or hallucination in the mind of a character who is dying or about to die.
But the issue here isn't one of originality. "We tell ourselves stories in order to live," Joan Didion famously said. But we can also tell ourselves stories in order to learn how to die. It may be a story we've heard before, but that doesn't necessarily make it any less powerful.
So while I suspected Leave was moving in a (to me) somewhat familiar direction, I found the cumulative effect of the film overwhelming. As both a medical professional and as a private person, I have had to deal with the reality of losing patients and loved ones. But each passing is its own unique journey. Even through great suffering, some do not want to let go---they cling fiercely to what's left of their lives. Who can blame them? But there comes a time when all of us must say goodbye, yet when and how we finally choose to say it is a process as complex as it is unpredictable. Leave asks us to bear witness to one man's coming to terms with this inevitability.
I suppose there are people who are made angry or afraid by films that touch them at this primal, emotionally raw level, but essentially they're cutting themselves off from some of the greatest dramas ever written. They should probably stick with safe, unchallenging fare--loud, empty toys like the latest Transformers iteration or paint-by-numbers rom-com. Some can live on a diet of popcorn and little else.
Meanwhile, some of us will continue seeking out films such as Leave, which aren't afraid to ask the (literally) ultimate questions that all of us as human beings will eventually have to face.
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