• Many reviewers are complaining about this movie being "slow" because of the plot. What makes this movie slow is the pacing and uneven structure. The plot itself fine and actually pretty interesting - a hunter accidentally kills someone in the woods and decides not to tell anyone about it. He finds a stash of money with the body and uses it to better his Son. That's a good story. Unfortunately, it's the poor direction, editing and writing of this movie that really destroy what is a pretty good premise.

    Honestly (the more I think about it), with the exception of an interesting story (at least at the beginning) and a great performance by Rockwell, this film is a complete mess. There are numerous scenes that don't fit or just don't make sense. Though Rockwell is fantastic, many of his character's actions are completely idiotic. I blame a poor script filled with convenient characters that serve as nothing more than stereotypical plot devises. Neo-noir films can break rules and be implausible, but that's because they usually have a pacing that builds to a great climax, making you forgot about all the plot holes and illogical characters.

    Rockwell's character is the only person in the movie with any depth. Which is a testament to Rockwell, because the writer does not do anything to help us relate to this guy. I guess, to a degree, that might be the point - this unlucky chap could be any of us. But at a certain point I wanted more focus on the psychological weight of his murder, a Tell Tale Heart kind of thing, and less No Country For Old Men 2.

    I didn't hate this movie. It does create a nice atmosphere, but there's too much wrong with it to really enjoy it for more than 10 minutes at a time at any point. Thank goodness for Rockwell, or it would have been completely unwatchable.

    Check out Cold In July or Blue Ruin - those films show you how to do neo-noir thrillers right.