While it received generally positive reviews upon its release, and captured the imaginations of an entire generation of younglings, The Phantom Menace has garnered an almost toxic reputation on the internet in the years since. Sure, it's not a perfectly structured film, and yes, there are more than a few dopey decisions, but the sheer spectacle and sense of fun in Star Wars: Episode I cannot be denied. George Lucas' return to a galaxy far, far away is a triumph of creative vision. A movie that overcomes any and all of its narrative deficiencies through the pure drive of its creator to wow, thrill, and inspire.
The Phantom Menace is chapter one of the Star Wars Saga, and it feels very much like the beginning of a larger story. It introduces all of the important players in the saga, including Obi-Wan Kenobi, The Jedi Council, and Anakin Skywalker, the tragic hero who we know will one day become the legendary Darth Vader. On a micro level, the plot revolves around an intergalactic trade war that leads to tensions between the Trade Federation and the inhabitants of the peaceful, Garden of Eden-like planet called Naboo. Jedis Obi-Wan Kenobi (Ewan McGregor), and Qui-Gon Jinn (Liam Neeson), are sent as peacekeepers to protect the planet's leader, Queen Amidala (Natalie Portman) from the evil Trade Federation and the ancient Sith Lord, Darth Maul, one of the most frightening and iconic characters ever to come out of the Star Wars universe. The Trade Federation plot does not have the same level of buoyant escapism as the originals', but it's not far off. The politics are kept at a minimum, and they only serve to create bad guys for our heroes to fight. The more important element of Episode I's story is the extended introduction of young Anakin Skywalker to this new Star Wars universe. The most interesting beats of the story center around Anakin and his mother, and The Jedi council's trepidation regarding the boy Qui-Gon suspects is the Chosen One. You get the sense that there is something special, yet sinister about the young podracing phenom from Tatooine. It's a great aspect of the film that largely goes unrecognized.
None of the pieces of the plot really mean much for the prequel trilogy's overarching story of the downfall of Anakin Skywalker, but The actual conflict of Episode I is largely unimportant. At it's core, The Phantom Menace serves as a feature length introduction to George Lucas' new (old) Star Wars Universe. Episode I is the prologue to the Saga, telling a simple story that puts the pieces in place for later films while still standing on its own. On that level, it's kind of brilliant. Lucas takes a universe that was, as sweeping as it felt, still confined to a small collection of characters, and tears the lid off. The Phantom Menace does more to create a fictional history and detailed lore for the Star Wars universe than any other film. All of a sudden, this universe was no longer just a backdrop for the characters to play around in. It became a real place, with real politics, history, tradition, and age-old myths of its own. Remarkable if you ask me.
Next to their storytelling, Star Wars movies have always been known for their special effects. With 16 years between movies, George Lucas' ILM team had the chance to perfect all of their award-winning visual effects, and perfect they did. Incorporating a litany of techniques from miniatures and animatronics to innovative use of CGI, The Phantom Menace is a breathtaking film to look at. Every single shot of The Phantom Menace is a work of art, and the sheer amount of imagination put into the world is worthy of praise. From the environments to the vehicles, the costumes, and the creatures, everything in this universe is unique, and ILM and company craft them with an unrivaled eye for detail. So strong is Lucas' vision of this world, that the plotting and dialogue are almost unnecessary. The visual storytelling of The Phantom Menace is that uncommonly strong.
That expert craftsmanship extends to the action sequences. George Lucas' strengths as an editor and technician translate to more than a few show-stopping set-pieces. My favorite of which is young Anakin's bid for freedom, a kinetic and thrilling race across the vast deserts of Tatooine. The Podrace is a visually stunning and genuinely tense showcase of absolute speed. It still remains one of the most fun sequences in recent movie history. The same goes for the climactic three-way lightsaber duel at the end of the film. With brilliant visual effects, fast-paced and furious choreography, and a euphoric sense of scope, it brought something brand new to the Star Wars Universe, large-scale lightsaber duels. The battles, both in space and on land, stand out as old-fashioned, innocent fun. Despite a few silly moments, they tap into that Saturday matinee spectacle that resonates with the kid in us all.
I love The Phantom Menace, despite its quirks. The script is clunky, especially in the first act where the plot seems to spin its wheels. There are slow moments and plenty of silly gags that fall flat. But my God, this movie is fun to watch! The visual splendor, the larger-than-life action set-pieces, the grand fun of the whole thing, The Phantom Menace is irresistible entertainment. An event movie with this kind of innocent charm is something unique in Hollywood, and that child-like earnestness is what makes this movie particularly endearing for me. The Phantom Menace might be different from the original trilogy in certain aesthetics, but importantly, not in feel. For the majority of this movie's runtime, it exudes the same brand of vibrant movie magic that made A New Hope a beloved classic. I won't call TPM a classic. I have my hangups with it, but I personally cannot bring myself to dislike this movie. Star Wars: Episode I works as an introduction to a brand new world, and as a stand-alone adventure that celebrates the innocent fun of the Original Star Wars.
86/100
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