• Warning: Spoilers
    In Korea, the pickpocket Sook-Hee (Tae-ri Kim) is hired by the Japanese heiress Lady Hideko (Min-hee Kim) to be her personal servant. Hideko is supported by her Uncle Kouzuki (Jin-woong Jo) and the gold-digger "Count Fujiwara" (Jung-woo Ha), who is indeed son of peasants, wants to marry her to steal her inheritance. Sook-Hee is a small-time thief of the ring of the conman "Count Fujiwara" and is sent to help him in the confidence game. But soon Hideko and Sook- Hee get close to each other and become lovers. But Sook-Hee is pressed by Fujiwara to betray her friend. When Fujiwara marries Hideko, they go with Sook-Hee to an asylum and the nurses hold Sook- Hee believing that she is Hideko. Why Hideko poses of servant and leaves Sook-Hee in the asylum to stay with Count Fujiwara?

    "Ah-ga-ssi", a.k.a. "The Handmaiden", is a classy South Korean erotic thriller divided in three parts and directed by Chan-wook Park. The first part is slow paced and shows the development of the relationship among Sook-Hee, Lady Hideko and "Count Fujiwara". The second part shows the abusive relationship of Uncle Kouzuki and Hideko since her childhood. The third part has many twists and shows the fate of each leader character. The cinematography is very beautiful and the eroticism is elegant and stylish. The screenplay has surprising plot points. My vote is eight.

    Title (Brazl): "A Criada" ("The Maid")