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Academy Award-nominated actress Abigail Breslin is one of the most sought-after actors of her generation. Her unique and charismatic talents have contributed to her versatile roles in both comedy and drama.

Recently, Breslin headlined the first season of the horror-comedy series, Scream Queens (2015), opposite Emma Roberts, Lea Michele and Jamie Lee Curtis, and starred in the coveted role of "Baby" in ABC/Lionsgate's recreation of the pop-culture classic, Dirty Dancing (2017).

Abigail Kathleen Breslin was born in New York City, New York, to Kim and Michael Breslin, a telecommunications expert and consultant. She has two sibling, Ryan Breslin and Spencer Breslin, who is also an actor. She is of Irish, Austrian Jewish, and English descent.

Abigail has acted since she was a small child. She is widely recognized for her role in the critically-acclaimed Little Miss Sunshine (2006), the irreverent, antic comedy which created a sensation at the 2006 Sundance Film Festival, Breslin played the role of "Olive", an ambitious young girl who is obsessed with winning a beauty pageant. For her performance, she received a Best Actress Award from the Tokyo International Film Festival and was nominated for an Academy Award, SAG and BAFTA Best Supporting Actress awards. In addition, she was honored as ShoWest's "Female Star of Tomorrow" in 2008, and made her Broadway debut in 2010 in "The Miracle Worker".

Her many credits include Ender's Game (2013), Haunter (2013), The Call (2013), Rango (2011), Janie Jones (2010), Zombieland (2009), My Sister's Keeper (2009), New Year's Eve (2011), Raising Helen (2004), The Ultimate Gift (2006), The Santa Clause 3: The Escape Clause (2006), No Reservations (2007), Definitely, Maybe (2008), Nim's Island (2008), Kit Kittredge: An American Girl (2008) and M. Night Shyamalan's 2002 film, Signs (2002), opposite Mel Gibson.

Breslin was seen in The Weinstein Company film, August: Osage County (2013), opposite Meryl Streep, Ewan McGregor, Julia Roberts, Sam Shepard, Dermot Mulroney and Juliette Lewis. She starred in the coveted role of "Jean Fordham", the daughter of Julia Roberts' and Ewan McGregor's characters.

She starred in the Lionsgate film, Maggie (2015), opposite Arnold Schwarzenegger. The film follows a teenage girl (Breslin) from a small town in the Midwest, who becomes infected by a disease that slowly turns her into a zombie. The film premiered at the 2015 Tribeca Film Festival in New York and was released on May 8, 2015.

In October of 2015, Harper Collins published Breslin's first book, "This May Sound Crazy". The book is based on her popular Tumblr "Mixtapes & Winter Coats", in which she writes honest, funny and emotional observations on her daily life as a young adult.

Emmy Award-winning Sarah Michelle Gellar was born on April 14, 1977 in New York City, the daughter of Rosellen (Greenfield), who taught at a nursery school, and Arthur Gellar, who worked in the garment industry. She is of Russian Jewish and Hungarian Jewish descent.

Eating in a local restaurant, Sarah was discovered by an agent when she was four years old. Soon after, she was making her first movie An Invasion of Privacy (1983). Besides a long list of movies, she has also appeared in many TV commercials and on the stage. Her breakthrough came with the television series Swans Crossing (1992). In 1997, she became known to the cinema audience when she appeared in two movies: I Know What You Did Last Summer (1997) and Scream 2 (1997). But she is most commonly known for her title role in the long-running television series Buffy the Vampire Slayer (1997). She also won an Emmy Award for her performance as Kendall Hart on the soap opera All My Children (1970).

Sarah has since starred in many films, including Simply Irresistible (1999), Cruel Intentions (1999), and the live-action Scooby-Doo (2002) movies as the lovable Daphne Blake. She also provided her voice to several movies, including Small Soldiers (1998), Happily N'Ever After (2006) and TMNT (2007), starred in the box office hit The Grudge (2004), and co-starred with Robin Williams and James Wolk in the television series The Crazy Ones (2013).

She resides in Los Angeles, California, with her husband, Freddie Prinze Jr.. They have been married since 2002, and have two children.

Anthony Michael Hall was born in West Roxbury, Massachusetts. His parents are Mercedes Hall, an actress-blues and jazz singer, and Larry Hall, who owned an auto body shop. His stepfather is a show-business manager. His sister, Mary Christian, is also a performer. He has Irish and Italian ancestry. Hall's given name was Michael Anthony Thomas Charles Hall, but he adopted the Anthony Michael moniker upon finding that another Michael Hall was already a member of the Screen Actors' Guild.

Hall began acting in commercials at the age of seven, and his breakthrough role was as Rusty Griswold in Vacation (1983) alongside Chevy Chase and Beverly D'Angelo. Following the success of Vacation (1983), Hall entered the defining period of his career, starring in three John Hughes classics: Sixteen Candles (1984), The Breakfast Club (1985) and Weird Science (1985). Wanting to avoid being typecast, Hall turned down roles in two subsequent 1986 Hughes films, Pretty in Pink (1986) and Ferris Bueller's Day Off (1986). His early television credits include the Emmy Award-winning "The Gold Bug", in which he played the young Edgar Allan Poe, as well as the TV movie Rascals and Robbers: The Secret Adventures of Tom Sawyer and Huck Finn (1982), and specials "The Body Human" and "Orphans, Waifs and Wards". On stage, he appeared in the Lincoln Center Festival's production of "St. Joan of the Microphone".

Following a one-year stint on Saturday Night Live (1975), excessive drinking and partying threatened to sidetrack Hall's career. However, he was able to regain control and has been sober since 1990, the year he played the role of Jim in Edward Scissorhands (1990). After a series of minor roles in the 1990s, he starred as Microsoft chairman Bill Gates in the television movie Pirates of Silicon Valley (1999). Since that time, Hall has focused on television work, including an 81-episode run on Stephen King's The Dead Zone (2002), but has managed to take on film projects as well, including the role of Mike Engel in The Dark Knight (2008).

In addition to acting, Hall has also pursued his musical talents, as songwriter and lead singer of his band, Hall of Mirrors, which was formed in 1998. Hall helps at-risk youth via the Anthony Michael Hall Literacy Club and lives in Los Angeles, Caifornia.

Adrien Nicholas Brody was born in Woodhaven, Queens, New York, the only child of retired history professor Elliot Brody and Hungarian-born photographer Sylvia Plachy. He accompanied his mother on assignments for the Village Voice, and credits her with making him feel comfortable in front of the camera. Adrien attended the American Academy of Dramatic Arts and LaGuardia High School for the Performing Arts in New York.

Despite a strong performance in The Thin Red Line (1998), time constraints forced the director to edit out much of Adrien's part. In spite of his later work with Spike Lee and Barry Levinson, he never became the star many expected he would become until Roman Polanski called on him to play a celebrated Jewish pianist in Nazi-occupied Warsaw. He pulled off a brilliant performance in The Pianist (2002), drawing on the heritage and rare dialect of his Polish-born grandmother, as well as his father, who lost family members during the Holocaust, and his mother, who fled Communist Hungary as a child during the 1956 uprising against the Soviet Union.

Rob McElhenney was born on 14 April 1977 in Philadelphia, Pennsylvania, USA. He is a writer and producer, known for It's Always Sunny in Philadelphia (2005), Mythic Quest (2020) and Latter Days (2003). He has been married to Kaitlin Olson since 27 September 2008. They have two children.

Robert Carlyle was born in Maryhill, Glasgow, Scotland, to Elizabeth, a bus company employee, and Joseph Carlyle, a painter and decorator. He was raised by his father after his mother left him when he was four. At the age of 21, after reading Arthur Miller's "The Crucible," he enrolled in acting classes at the Glasgow Arts Centre. In 1991, together with four other actors, he founded the Raindog theatre company (named after Tom Waits' album "Rain Dog," one of Carlyle's favorites), a company dedicated to innovative work. Danny Boyle's film Trainspotting (1996) marked his breakthrough.

Julie Christie, the British movie legend whom Al Pacino called "the most poetic of all actresses," was born in Chabua, Assam, India, on April 14, 1940, the daughter of a tea planter and his Welsh wife Rosemary, who was a painter. The young Christie grew up on her father's plantation before being sent to England for her education. Finishing her studies in Paris, where she had moved to improve her French with an eye to possibly becoming a linguist (she is fluent in French and Italian), the teenager became enamored of the freedom of the Continent. She also was smitten by the bohemian life of artists and planned on becoming an artist before she enrolled in London's Central School of Speech Training. She made her debut as a professional in 1957 as a member of the Frinton Repertory of Essex.

Christie was not fond of the stage, even though it allowed her to travel, including a professional gig in the United States. Her true métier as an actress was film, and she made her debut in the science-fiction television series A for Andromeda (1961) in 1961. Her first film was a girlfriend part in the Ealing-like comedy Crooks Anonymous (1962), which was followed up by a larger ingénue role in another comedy, The Fast Lady (1962). The producers of the James Bond series were sufficiently intrigued by the young actress to consider her for the role that subsequently went to Ursula Andress in Dr. No (1962), but dropped the idea because she was not busty enough.

Christie first worked with the man who would kick her career into high gear, director John Schlesinger, when he choose her as a replacement for the actress originally cast in Billy Liar (1963). Christie's turn in the film as the free-wheeling Liz was a stunner, and she had her first taste of becoming a symbol if not icon of the new British cinema. Her screen presence was such that the great John Ford cast her as the young prostitute in Young Cassidy (1965). Charlton Heston wanted her for his film The War Lord (1965), but the studio refused her salary demands.

Although Amercan magazines portrayed Christie as a "newcomer" when she made her breakthrough to super-stardom in Schlesinger's seminal Swinging Sixties film Darling (1965), she actually had considerable work under her professional belt and was in the process of a artistic quickening. Schlesinger called on Christie, whom he adored, to play the role of mode Diana Scott when the casting of Shirley MacLaine fell through. (MacLaine was the sister of the man who would become Christie's long-time paramour in the late 1960s and early '70s, Warren Beatty, whom some, like actor Rod Steiger, believe she gave up her career for. Her "Dr. Zhivago" co-star, Steiger -- a keen student of acting -- regretted that Christie did not give more of herself to her craft.)

As played by Christie, Diana is an amoral social butterfly who undergoes a metamorphosis from immature sex kitten to jaded socialite. For her complex performance, Christie won raves, including the Best Actress Awards from the Academy of Motion Picture Arts and Sciences and the British Film Academy. She had arrived, especially as she had followed up "Darling" with the role of Lara in two-time Academy Award-winning director David Lean's adaptation of Boris Pasternak's Doctor Zhivago (1965), one of the all-time box-office champs.

Christie was now a superstar who commanded a price of $400,000 per picture, a fact ruefully noted in Charlton Heston's diary (his studio had balked at paying her then-fee of $35,000). More interested in film as an art form than in consolidating her movie stardom, Christie followed up "Zhivago" with a dual role in Fahrenheit 451 (1966) for director François Truffaut, a director she admired. The film was hurt by the director's lack of English and by friction between Truffaut and Christie's male co-star Oskar Werner, who had replaced the the more-appropriate-for-the-role Terence Stamp. Stamp and Christie had been lovers before she had become famous, and he was unsure he could act with her, due to his own ego problems. On his part, Werner resented the attention the smitten Truffaut gave Christie. The film is an interesting failure.

Stamp overcame those ego problems to sign on as her co-star in John Schlesinger's adaptation of Thomas Hardy's Far from the Madding Crowd (1967), which also featured two great English actors, Peter Finch and Alan Bates. It is a film that is far better remembered now than when it was received in 1967. The film and her performance as the Hardy heroine Bathsheba Everdene was lambasted by film critics, many of whom faulted Christie for being too "mod" and thus untrue to one of Hardy's classic tales of fate. Some said that her contemporary Vanessa Redgrave would have been a better choice as Bathsheba, but while it is true that Redgrave is a very fine actress, she lacked the sex appeal and star quality of Christie, which makes the story of three men in love with one woman more plausible, as a film.

Although no one then knew it, the period 1967-68 represented the high-water mark of Christie's career. Fatefully, like the Hardy heroine she had portrayed, she had met the man who transformed her life, undermining her pretensions to a career as a movie star in their seven-year-long love affair, the American actor Warren Beatty. Living his life was always far more important than being a star for Beatty, who viewed the movie star profession as a "treadmill leading to more treadmills" and who was wealthy enough after Bonnie and Clyde (1967) to not have to ever work again. Christie and Beatty had visited a working farm during the production of "Madding Crowd" and had been appalled by the industrial exploitation of the animals. Thereafter, animal rights became a very important subject to Christie. They were kindred souls who remain friends four decades after their affair ended in 1974.

Christie's last box-office hit in which she was the top-liner was Petulia (1968) for Richard Lester, a film that featured one of co-star George C. Scott's greatest performances, perfectly counter-balanced by Christie's portrayal of an "arch-kook" who was emblematic of the '60s. It is one of the major films of the decade, an underrated masterpiece. Despite the presence of the great George C. Scott and the excellent Shirley Knight, the film would not work without Julie Christie. There is frankly no other actress who could have filled the role, bringing that unique presence and the threat of danger that crackled around Christie's electric aura. At this point of her career, she was poised for greatness as a star, greatness as an actress.

And she walked away.

After meeting Beatty, Julie Christie essentially surrendered any aspirations to screen stardom, or at maintaining herself as a top-drawer working actress (success at the box office being a guarantee of the best parts, even in art films.) She turned down the lead in They Shoot Horses, Don't They? (1969) and Anne of the Thousand Days (1969), two parts that garnered Oscar nominations for the second choices, Jane Fonda and Geneviève Bujold. After shooting In Search of Gregory (1969), a critical and box office flop, to fulfill her contractual obligations, she spent her time with Beatty in Calfiornia, renting a beach house at Malibu. She did return to form in Joseph Losey's The Go-Between (1971), a fine picture with a script by the great Harold Pinter, and she won another Oscar nomination as the whore-house proprietor in Robert Altman's minor classic McCabe & Mrs. Miller (1971) that she made with her lover Beatty. However, like Beatty himself, she did not seek steady work, which can be professional suicide for an actor who wants to maintain a standing in the first rank of movie stars.

At the same time, Julie Christie turned down the role of the Russian Empress in Nicholas and Alexandra (1971), another film that won the second-choice (Janet Suzman) a Best Actress Oscar nomination. Two years later, she appeared in the landmark mystery-horror film Don't Look Now (1973), but that likely was as a favor to the director, Nicolas Roeg, who had been her cinematographer on "Fahrenheit 451," "Far From the Madding Crowd" and "Petulia." In the mid '70s, her affair with Beatty came to an end, but the two remained close friends and worked together in Shampoo (1975) (which she regretted due to its depiction of women) and Heaven Can Wait (1978).

Christie was still enough of a star, due to sheer magnetism rather than her own pull at the box-office, to be offered $1 million to play the Jacqueline Kennedy Onassis character in The Greek Tycoon (1978) (a part eventually played by Jacqueline Bisset to no great acclaim). She signed for but was forced to drop out of the lead in Agatha (1979) (which was filled by Vanessa Redgrave) after she broke a wrist roller-skating (a particularly southern Californian fate!). She then signed for the female lead in American Gigolo (1980) when Richard Gere was originally attached to the picture, but dropped out when John Travolta muscled his way into the lead after making twin box-office killings as disco king Tony Manera in Saturday Night Fever (1977) and greaser Danny Zuko in Grease (1978). Christie could never have co-starred with such a camp figure of dubious talent. When Travolta himself dropped out and Gere was subbed back in, it was too late for Christe to reconsider, as the part already had been filled by model-actress Lauren Hutton. It would take 15 years for Christie and Gere to work together.

Finally, the end of the American phase of her movie career was realized when Christie turned down the part of Louise Bryant in Reds (1981), a part written by Warren Beatty with her in mind, as she felt an American should play the role. (Beatty's latest lover, Diane Keaton, played the part and won a Best Actress Oscar nomination.) Still, she remained a part of the film, Beatty's long-gestated labor of love, as it is dedicated to "Jules."

Julie Christie moved back to the UK and become the UK's answer to Jane Fonda, campaigning for various social and political causes, including animal rights and nuclear disarmament. The parts she did take were primarily driven by her social consciousness, such as appearing in Sally Potter's first feature-length film, The Gold Diggers (1983) which was not a remake of the old Avery Hopwood's old warhorse but a feminist parable made entirely by women who all shared the same pay scale. Roles in The Return of the Soldier (1982) with Alan Bates and Glenda Jackson and Merchant-Ivory's Heat and Dust (1983) seemed to herald a return to form, but Christie -- as befits such a symbol of the freedom and lack of conformity of the '60s -- decided to do it her way. She did not go "careering," even though her unique talent and beauty was still very much in demand by filmmakers.

At this point, Christie's movie career went into eclipse. Once again, she was particularly choosy about her work, so much so that many came to see her, essentially, as retired. A career renaissance came in the mid-1990s with her turn as Gertrude in Kenneth Branagh's ambitious if not wholly successful Hamlet (1996). As Christie said at the time, she didn't feel she could turn Branagh down as he was a national treasure. But the best was yet to come: her turn as the faded movie star married to handyman Nick Nolte and romanced by a younger man in Afterglow (1997), which brought her rave notices. She received her third Best Actress Oscar nomination for her performance, and showed up at the awards as radiant and uniquely beautiful as ever. Ever the iconoclast, she was visibly relieved, upon the announcement of the award, to learn that she had lost!

Christie lived with left-wing investigative journalist Duncan Campbell (a Manchester Guardian columnist) since 1979, first in Wales, then in Ojai, California, and now in London's East End, before marrying in January 2008. In addition to her film work, she has narrated many books-on-tape. In 1995, she made a triumphant return to the stage in a London revival of Harold Pinter's "Old Times", which garnered her superb reviews.

In the decade since "Afterglow," she has worked steadily on film in supporting roles. Christie -- an actress who eschewed vulgar stardom -- proved to be an inspiration to her co-star Sarah Polley, the remarkably talented Canadian actress with a leftist political bent who also abhors Hollywood. Of her co-star in No Such Thing (2001) and The Secret Life of Words (2005), Polley says that Christie is uniquely aware of her commodification by the movie industry and the mass media during the 1960s. Not wanting to be reduced to a product, she had rebelled and had assumed control of her life and career. Her attitude makes her one of Polley's heroes, who calls her one of her surrogate mothers. (Polley lost her own mother when she was 11 years old.)

Both Christie and Polley are rebels. Sarah Polley had walked off the set of the big-budget movie that was forecast as her ticket to Hollywood stardom, Almost Famous (2000), to have a different sort of life and career. She returned to her native Canada to appear in the low-budget indie The Law of Enclosures (2000), a prescient art film in that director John Greyson offset the drama with a background of a perpetual Gulf War three years before George W. Bush invaded Iraq, touching off the second-longest war in U.S. history. Taking a hiatus from acting, Polley went to Norman Jewison's Canadian Film Centre to learn to direct, and direct she has, making well-regarded shorts before launching her feature film debut, Away from Her (2006), which was shot and completed in 2006 but held for release until 2007 by its distributor.

Polley, who had longed to be a writer since she was a child actress on the set of the quaint family show Avonlea (1990) wrote the screenplay for her adaptation of Alice Munro's short story "The Bear Went Over the Mountain" with only one actress in mind: Julie Christie. Polley had first read the short story on a flight back from Iceland, where she had made "No Such Thing" with Christie, and as she read, it was Julie whom she pictured as Fiona, the wife of a one-time philandering husband, who has become afflicted with Alzheimer's disease and seeks to save her hubby the pain of looking after her by checking herself into a home.

After finishing the screenplay, it took months to get Christie to commit to making the film. Julie turned her down after reading the script and pondering it for a couple of months, saying "No" even though she liked the script. Polley then had to "twist her arm" for another couple of months. But alas, Julie has a weakness for national treasures: Just like with Branagh a decade ago, the legendary Julie Christie could not deny the Great White North's Sarah Polley, and commit she did. Polley then found out why Christie is so reticent about making movies:

"She gives all of herself to what she does. Once she said yes, she was more committed than anybody."

According to David Germain, a cinema journalist who interviewed Christie for the Associated Press, "Polley and Christie share a desire to do interesting, unusual work, which generally means staying away from Hollywood.

"'It's been a kind of greed and a kind of egotism, but it's not necessarily wanting to avoid the Hollywood thing, but in fact, it incorporates wanting to avoid the Hollywood thing, because the Hollywood thing is so inevitably not original,' Christie said. 'It's avoiding non-originality, so that means you're really down to a very small choice.'"

The collaboration between the two rebels yielded a small gem of a film. Lions Gate Films was so impressed, it purchased the American distribution rights to the film in 2006, then withheld it until the following year to build up momentum for the awards season.

Julie Christie's performance in "Away From Her" is superb, and already has garnered her the National Board of Review's Best Actress Award. She will likely receive her fourth Academy Award nomination, and quite possibly her second Oscar, for her unforgettable performance, a labor of love she did for a friend.

We, the Julie Christie fans who have waited decades for the handful of films made by the numinous star: Would we have wanted it any other way? We are the Red Sox fans of the movies, once again rewarded with a world-class masterpiece by our heroine. Perhaps, like all human beings, we want more, but we have learned over the last thirty-five years to be content with the diamonds that are Julie's leading performances that she gives just once a decade, content to feel that these are a surfeit of riches, our surfeit of riches, so great is their luminescence.

Claire graduated from Northwestern University in Evanston, Illinois with a degree in Theater. She began performing on stage at age 5 in The Mountain Play Theater Company's production of "The King and I" in Mill Valley, CA. She continued acting extensively on stage before moving to Los Angeles after college. She has also trained at The Groundlings, Upright Citizens Brigade, and Improv Olympic, and resides in Brooklyn.

Peter Capaldi was born in Glasgow, Scotland, to Nancy (Soutar) and Gerald John Capaldi. His parents owned an ice cream business. He is of Italian (from his paternal grandfather), Scottish, and Irish descent. Capaldi attended drama classes and was accepted into the Glasgow School of Art. After graduating he secured his breakthrough role in Local Hero (1983). Prior to becoming an actor he also worked as a graphic designer for BBC Scotland TV.

Peter was announced as the Twelfth Doctor in Doctor Who (2005) on 4th August 2013 on a BBC special programme. He had to hide it from his daughter who remarked to him why it is his name never came up during the buzz. It was a huge relief not to have to keep the secret anymore. His agent called and said "Hello Doctor" when informing him he had gotten the part.

Standing 6 feet 9 inches tall, Garrett grew up in Woodland Hills outside of Los Angeles. His father was a hearing aid specialist working in geriatrics and his mother was a housewife. Garrett spent a whopping six weeks at UCLA before going into stand-up comedy full time. He began performing his act at various Los Angeles comedy clubs, getting his start at the Ice House in Pasadena and the Improv in Hollywood. In 1984, he became the first $100,000 grand champion winner in the comedy category of Star Search (1983). This led to his first appearance, at age 23, on The Tonight Show Starring Johnny Carson (1962), making him one of the youngest comedians ever to perform on the show. In 1986, Garrett told a joke the talent booker warned him against and he hasn't been on the show since. Following his "Tonight Show" appearance, Garrett's career took off, garnering him headlining gigs at several national venues as well as opening spots for legends including Diana Ross and Liza Minnelli. He has headlined at Bally's Park Place and co-headlined with The Temptations at Trump Plaza. He has also worked at The Sands Hotel in Las Vegas with Frank Sinatra, Caesar's Palace with David Copperfield, and Smokey Robinson, Harrah's with Sammy Davis Jr. and The Beach Boys, and Radio City Music Hall with Julio Iglesias. In 1989, the Las Vegas Review Journal named him the Best Comedian working on the strip. Changing gears, he made his way into the world of television. He struck gold with Everybody Loves Raymond (1996). Apart from his supporting role in sitcoms, he has also done voice-overs and appeared in a few films. In 1998, Garrett made a real-life proposal to his then real-life girlfriend, Jill Diven, on the set of Everybody Loves Raymond (1996). Garrett currently resides in Hollywood, California with his two Labradors Retrievers, Gus and Mabel.

She was born in Sunderland but raised just down the coast in Peterlee where she was educated at Peterlee Comprehensive. At 14 she joined the local drama group which led to a part in the children's tv series 'Quest of Eagles' and appeared in some television commercials including one as a shop assistant in a 'Mates' condom ad and one for Carlsberg Lager. At 17 she auditioned for 3 drama schools and was turned down by all of them but she didn't mention to them that she was a member of the National Youth Theatre or that she had been on TV. She moved to London at 18 intending to go to art college but a year later still wanting to act she paid for acting lessons to learn the techniques she felt she needed. Only twice she says that she was affected by nerves, the first was when she was taking her driving test, the other was when she was up for a BAFTA Award She's directed a short film 'Speed', about car thieves for Tyne Tees Television.

TV viewers first caught notice of Skyler Samuels when she became a junior correspondent at just 8 years old and went on to be a Disney Channel regular on shows like "Wizards of Waverly Place," "The Suite Life," and "That's So Raven." By age 16, Skyler was the title character of ABCFamily's "The Nine Lives of Chloe King." It was while filming that show in San Francisco that she first visited Stanford University; she became a Stanford Cardinal two years later. After Stanford, she returned to TV in a sci-fi role: playing telepathic triplets in "Marvel's The Gifted."

Venezuelan born Humberly González is a Canadian actress who first got a taste for acting in high school. That love progressed through the Theatre program at Keyano College, and on to the National Theatre School in Montreal. Now Toronto based, Humberly got her start doing guest roles on Orphan Black(2013), Saving Hope(2012), The Detail(2018), and others. With a mix of television and film roles, Humberly is best known as Rosario in the made for TV film Killer High(2018), Vanessa on In The Dark(2019), Brooklyn 2 on the musical sci-fi series Utopia Falls(2020), and Sophie Sanchez on the record breaking Netflix series Ginny and Georgia(2021). She has also done voiceover work and full body motion capture for videos games such as - Starlink: Battle for Atlas, and Far Cry 6; as well as voiced characters in several animated kid shows. Never one to stop working, she also appears in Netflix's 'Jupiter's Legacy' (2021) and is a recurring character in the Global TV medical procedural 'Nurses' (2021) . With acting jobs from Vancouver, BC to St. John's, Newfoundland, Humberly is sweeping the entertainment industry from coast to coast, with a growing international following. A talented dancer and singer in both Spanish and English, Humberly brings everything she has to each and every role, and is a constant champion for equality both on and off the screen.

Graham Phillips is an American actor, writer, and director. His extensive resume spans theater, television, and film. He can next be seen in Universal's The Pact and the upcoming season of Riverdale. His notable credits include playing 'Zach Florrick' in The Good Wife, and the lead roles in Paramount's Staten Island Summer, Netflix's XOXO, and Goats, opposite David Duchovny. He has performed at the Metropolitan Opera and held the starring roles in both The Little Prince at the New York City Opera and 13: The Musical on Broadway. Graham graduated in 2017 from Princeton University, where he majored in United States History.

In addition to his acting, Graham has found success behind the camera. His first short film, The Mediator, which he co-directed and wrote with his brother, Parker, won the 2015 Carmel International Film Festival for Best Short Film and has played at film festivals worldwide. He and his brother are currently in pre- production for their first feature, The Bygone, which is slated to begin principal photography in fall 2017.

Arlene Martel was likely best-known (if not by name) to Star Trek (1966) fans, and possibly most television viewers of a certain age, as Spock's treacherous Vulcan betrothed, T'Pring, in the episode, Amok Time (1967).

Born Arline Greta Sax to Austrian Jewish immigrants on April 14, 1936 in New York City, she spent her early years in one of the poorest slums in the Bronx. When her mother's boss saw her poor living conditions, he personally underwrote her attendance at an upper-crust boarding school in Connecticut. At age 12, she assumed personal responsibility to audition for New York's famed High School of the Performing Arts. Not only did she gain entrance, she went on to excel at the school and graduated with the school's top drama award. Her professional career began in her teens when she landed the role of Esther in the Broadway production of 'Uncle Willie', also starring Norman Fell.

After heading to Hollywood, Martel began making guest appearances on television series such as The Untouchables (1959), Route 66 (1960) and The Twilight Zone (1959). She had the recurring role of Tiger on the situation comedy Hogan's Heroes (1965). Her facility with accents and dialects enabled her to play a wide variety of characters, earning her the nickname of "The Chameleon". Her relationship with James Dean was chronicled in Joe Hyams's biography, "The James Dean Story".

Married and divorced three times, Arlene had three children: Adam Palmer, Avra Douglas, and Jod Douglas.

Martel died at age 78 of a heart attack on August 12, 2014 in Santa Monica, California. She had battled breast cancer some years earlier.

Catherine Dent arrested audiences as Officer Danni Sofer in The Shield (2002), playing a single woman in a world that understands brutality more than beauty. Born in Baton Rouge, Louisiana, and trained at the North Carolina School of the Arts, Dent made her film debut in 1994, playing Paul Newman's daughter-in-law in Robert Benton's Nobody's Fool (1994). Since then, she has appeared in a number of features, co-starring opposite Greg Kinnear in Paul Schrader's Auto Focus (2002), starring opposite Jean-Claude Van Damme in Replicant (2001), playing Ashley Judd's sister in Tony Goldwyn's romantic comedy Someone Like You (2001), and appearing with Jim Carrey in Frank Darabont's The Majestic (2001). Her independent film credits include appearances in A Girls' Guide to Sex (1990), Jaded (1998), A New Game (2001), The Debutante (1993), and Dangerous Proposition (1998).

When she was based in New York, Dent appeared frequently on East Coast-based based television shows including The Sopranos (1999), Third Watch (1999), Law & Order: Special Victims Unit (1999) and New York Undercover (1994). Since moving to Los Angeles she has guest-starred on such series as Dharma & Greg (1997), The X-Files (1993), Frasier (1993), The Pretender (1996), Chicago Hope (1994), and The Invisible Man (2000).

In addition to her starring role on the acclaimed drama series "The Shield", she also starred in Steven Spielberg's Taken (2002) on the Sci-Fi Channel. Her theater credits include the title role in "Baby Doll", Maggie in "Cat On A Hot Tin Roof", and roles in "Bang The Drum Slowly" and "The Street of the Sun" at the Mark Taper Forum in Los Angeles. In New, York she starred off-Broadway in "Amoeba Concerto" and understudied for the Sofia and Yelena roles in "Uncle Vanya" on Broadway.

The recently wed Dent resides with her husband in their first home in Los Angeles.

Rodney Stephen Steiger was born in Westhampton, New York, to Augusta Amelia (Driver) and Frederick Jacob Steiger, both vaudevillians. He was of German and Austrian ancestry. After his parents' divorce, Steiger was raised by his mother in Newark, New Jersey. He dropped out of Westside High school at age 16 and joined the Navy. He saw action in the Pacific on a destroyer. Steiger returned to New Jersey after the war and worked for the VA. He was part of an amateur acting group, and then joined the Actors' Studio using his GI Bill benefits.

Steiger received his first film roles in the early 1950s. His first major one was in Teresa (1951), but his first lead role was in the TV version of Marty (1953). The movie version, however, had Ernest Borgnine in the lead and won him an Academy Award. Steiger's breakthrough role came in 1954, with the classic On the Waterfront (1954). Since then he has been a presence on the screen as everything from a popular leading man to a little-known character actor. Steiger made a name for himself in many different types of roles, from a crooked promoter in The Harder They Fall (1956) to the title character in Al Capone (1959). He was one of dozens of stars in the epic World War II film The Longest Day (1962). In 1964, he received his second Oscar nomination for The Pawnbroker (1964). The next couple of years he was at the height of his powers. In 1965, he starred in the dark comedy The Loved One (1965), and in David Lean's epic Doctor Zhivago (1965). In 1966, he starred in the BBC Play of the Month (1965) episode "Death of a Salesman" as Willy Loman in the TV version of his stage play "Death of a Salesman," but in 1967, he landed what many consider his greatest role: Sheriff Bill Gillespie in In the Heat of the Night (1967), opposite Sidney Poitier. Steiger deservedly took home the Best Actor Oscar for his work in that film.

He took another controversial role as a man with many tattoos in The Illustrated Man (1969) and as a serial killer in the classic No Way to Treat a Lady (1968). After that, he seemed to have withdrawn from high-profile movies and became more selective in the roles he chose. He turned down the lead in Patton (1970) and also in The Godfather (1972). Among his more notable roles in the 1970s are Happy Birthday, Wanda June (1971), Lolly-Madonna XXX (1973), as Benito Mussolini in The Last 4 Days (1974), Portrait of a Hitman (1979), Jesus of Nazareth (1977), F.I.S.T. (1978) and The Amityville Horror (1979). He starred in the critically acclaimed The Chosen (1981) with Robby Benson and Maximilian Schell, perhaps the highlight of his 1980s movie career. Steiger increasingly moved away from the big Hollywood pictures, instead taking roles in foreign productions and independent movies. As the 1980s ended, Steiger landed a role as the buttoned-up New York City Chief of Police in The January Man (1989).

Steiger was seriously affected by depression for 8 years. As he returned to the screen in the late 1990s he began creating some of his most memorable roles. He was the doctor in the independently-made movie Shiloh (1996), about an abused dog. He was the crazed, kill-'em-all army general in Mars Attacks! (1996) who always called his enemies peace-mongers. He took a small part as a Supreme Court judge in The Hurricane (1999) and as a preacher in the badly produced film End of Days (1999). He was still active in films moving into the new millennium.

Lloyd Owen plays Captain Elendil in Prime Video's Lord of the Rings: The Rings of Power. His further screen appearances are vast and varied including William Heelis, husband of Renée Zellweger's beloved author Beatrix Potter in Miss Potter, the lead in Viva Laughlin for CBS and Sony Pictures alongside Hugh Jackman, as well as roles in the NBC/Sky production of Yo'u, Me and the Apocalypse with Rob Lowe, and the hugely popular BBC series Monarch of the Glen. Produced by George Lucas, Lloyd also starred as Professor Jones Snr in The Young Indiana Jones Chronicles, playing a young Sean Connery who had made the character famous in the preceding movies. Other notable credits include: Commander Nathan Walker in Apollo 18, as well as the cult TV comedy Coupling. Lloyd also has a significant following in India after his leading role in the Bollywood blockbuster The Thugs of Hindustan starring alongside Aamir Khan and Amithab Bachchan, for which he learned Urdu.

Chris Wood was born in Dublin, Ohio. During childhood, Wood spent all of his free time writing plays and putting them on with his sister and their friends. Once he got his first super-8 camera at eleven years old, he began writing and directing short films which he entered into local film festivals. This included PROBLEM: SOLUTION, the story of a boy who drops his contact lens, only to discover that he is out of contact solution. Critics said it was "...pretty good."

Wood attended public school at Dublin Jerome High School, where he was encouraged by his drama teacher to pursue acting and writing professionally. In his senior year, his school theater program mounted a play that he wrote about a talking dead body that is discovered on a business' rooftop. His mom didn't love it.

Wood attended Elon University in North Carolina, where he received a B.F.A. in Music Theatre. Weeks before graduation, he was cast as the lead role in the national tour of Spring Awakening, which brought him to Los Angeles for the first time. The show earned Wood his first representation, and soon after the completion of tour he was cast in a comedy pilot from Amazon Studios. After the pilot was not picked up to series, Wood began to work on television in shows such as Girls (2012), The Carrie Diaries (2013), Major Crimes (2012), The Vampire Diaries (2009), and the Civil War mini-series Mercy Street (2016).

His first leading role in a series came in the limited event series, Containment (2016), where he played an Atlanta-based cop trapped in the quarantine zone of a dangerous viral outbreak. Wood then joined the comic-book series Supergirl (2015) for a two season arc, portraying the superhero 'Mon-el'. He then returned to his filmmaking roots with a short film, which he wrote and directed, and is in development on his first feature film.

Wood's mother works in finance and his father worked in banking. He has one sister, who is a dancer and dance instructor. In 2017, Wood launched the non-profit campaign IDONTMIND, a mental health awareness program working to reduce the stigma surrounding mental illness by getting people to talk openly about their minds.

Jaimz Woolvett studied acting and drama at university and was invited to join the National Theatre School. Jaimz had his first break when he was cast in the sitcom Dog House as the lead and was nominated for a Young Artists Award. Jaimz's big break then followed a few years later when he was cast in the role of 'The Schofield Kid' opposite Clint Eastwood and Morgan Freeman in the Academy Award winning Unforgiven. Once the film wrapped, Jaimz immediately headed off to Hollywood, a decision that proved a little pre-emptive. Even with a film like Unforgiven to his name, it had not yet been released and wouldn't be for another year, he found himself struggling to find work and when the chance for the lead in a TV show came up, he set off to New Zealand to star in White Fang. As a result, Jaimz was out of the country when the calls did start to come in off of Unforgiven. It was released to critical acclaim and won the Academy Award for Best Film and Director. Upon his return, Jaimz was featured in a number of films including Dead Presidents directed by Albert and Alan Hughes; Rosewood directed by John Singleton; The Guilty, Boogie Boy, Helter Skelter and Hard Time, the latter earning him a Gemini nomination for Best Performance by an Actor in a Supporting Role. Woolvett continues. He has started encouraging writers, singers, actors and poets to present their works at 'Open Mike Write' evenings as well as directing and volunteering at numerous schools in the LA area for students of all ages.

Adam DiMarco was born in Canada. He is an actor, known for The White Lotus (2021), The Order (2019) and The Magicians (2015).

Sibi Blazic was born on 14 April 1970 in Chicago, Illinois, USA. She is known for The Dark Knight Rises (2012), Ford v Ferrari (2019) and George of the Jungle (1997). She has been married to Christian Bale since 29 January 2000. They have two children.

Sir John Gielgud enjoyed a theatrical career that spanned 64 years, from a role in a 1924 London production of "The Constant Nymph" to the 1988 production of " Sir Sydney Cockerell: The Best of Friends", and a film career which began in 1924 and ended not long before his death. He played his first Hamlet in London in 1929, and was hailed by many as the Hamlet of his generation (and in hindsight, of the century). In 1965, his Shakespearean colloquy "The Ages of Man" won him a Tony on Broadway. The great actor, at his best in classical roles, even won a Best Supporting Actor Oscar uncharacteristically playing a butler in the comedy hit Arthur (1981).

He was born Arthur John Gielgud on April 14, 1904, in South Kensington, London, to Franciszek Henryk (later Frank Henry) Gielgud, a stockbroker, and his wife, Kate Terry. His father was of Polish ancestry, with distant Lithuanian roots, while his mother was English and from an acting family. His paternal great-grandmother, Aniela (nee Wasinskiej) Aszperger, had been a Shakespearean actress in Poland, and his maternal grandmother, Kate Terry, had played Cordelia at the age of 14. Also on his mother's side, his great-uncle Fred Terry became a stage star acting the role of the Scarlet Pimpernel, and Fred's sister, Ellen Terry, the great stage actress who made her fame as Henry Irving's leading lady, was his great-aunt. (Gielgud's brother, Val Gielgud, became the head of BBC Radio in the 1950s).

Arthur John Gielgud attended Hillside prep school, where he had his first stage experience as Shakespeare's Shylock and as Humpty Dumpty, before moving on to the Westminster school in London. He often played hooky from school to attend performances of the Diaghilev Ballet. He was 17 years old when he made his debut as a professional actor at the Old Vic in 1921, playing a French herald in "Henry V." The next year, his cousin Phyllis Neilson-Terry hired him as an assistant stage manager and understudy for "The Wheel". While pursuing his stage career, he studied acting at Lady Benson's Dramatic Academy before attending the Royal Academy of Dramatic Arts (RADA) for a year. He appeared in his first motion picture in 1923 in the silent picture Who Is the Man? (1924).

Gielgud's first major role on the London stage was as Trofimov in Chekhov's "The Cherry Orchard." In 1924, he understudied Noel Coward in "The Vortex" and "The Constant Nymph," parts he subsequently took over. During the run of "The Constant Nymph", Gielgud met the actor John Perry, who had a walk-on role in Avery Hopwood's "The Golddiggers", starring Tallulah Bankhead. Gielgud and Perry fell in love, and Perry abandoned his unpromising stage career to live with Gielgud in his flat in Covent Garden. Subsequently, Gielgud joined J. B. Fagan's company that played in Oxford and in the West End, as London's commercial theater district was called.

In 1929, Lilian Baylis invited him to join the Old Vic, and he played all the major parts in repertory over the next two seasons, establishing his reputation as a great actor. It was in 1929-30 season that Gielgud first played the title role in William Shakespeare's "Hamlet", which made theatrical history as it was the first time an English actor under 40 had played the part in the West End. Blessed with what Laurence Olivier called "The Voice that Wooed the World", Gielgud revolutionized the role with the speed of his delivery. Developing his interpretation of Hamlet in subsequent performance over the years, he would generally be accorded the greatest Hamlet of his generation and of the 20th century, his facility with the part rivaled only on stage by John Barrymore . But it was his 1929-30 Hamlet and his performance in the title role of Shakespeare's "Richard II", another role he made his own, that earned him the reputation as the premier Shakespearean actor in England.

Inspired by Gielgud's performances, a woman wrote, under the pseudonym Gordon Daviot, the play "Richard of Bordeaux" specifically for him, and he starred in and directed the play. "Richard of Bordeaux" was a box-office smash and made him a celebrity. This huge financial success of the play meant that Gielgud could stage classics in the West End. An innovator, Gielgud pioneered the theater company system. He also encouraged a new generation of actors, including Laurence Olivier, Peggy Ashcroft, Edith Evans, Glen Byam Shaw, Anthony Quayle, George Devine, and Alec Guinness, who reportedly saw him in "Richard of Bordeaux" fifteen times. After World War II, Gielgud proved a mentor to a young de-mobilized R.A.F. enlisted man, Richard Jenkins, who became a star overnight in Gielgud's production of "The Lady's Not for Burning" as Richard Burton. The two remained friends for all of Burton's life, Gielgud directing Burton in his memorable 1964 New York production of "Hamlet".

Gielgud was a notorious workaholic and single-mindedly focused on his craft. Beverley Nichols related how Gielgud returned from a village in late 1939, loaded down with newspapers and a worried look. Asked whether war had finally been declared with Germany, Gielgud replied: "'Oh, I don't know anything about that, but 'Gladys Cooper' has got the most terrible reviews."

Represented by the theatrical agency H. M. Tennent, whose managing director was the famous Hugh 'Binkie' Beaumont, Gielgud lost the romantic affections of John Perry to Beaumont (they were a committed couple until Beaumont's death). During World War II, acting without Gielgud's knowledge, Beaumont obtained an exemption from military service for Gielgud, who expected to be called up, but had to content himself with being a London fire watch warden. In the post-war theater, Gielgud abandoned the romantic roles that made him a box-office star in favor of character work. He was influenced in that direction by the 25-year-old Peter Brook, who directed him in Shakespeare's "Measure for Measure." (The other great Peter, Peter Hall, who founded the Royal Shakespeare Company, and later succeeded Laurence Olivier as director of the National Theatre, directed Gielgud as Prospero in "The Tempest" in 1973, the first production he directed for the NT on the South Bank.)

He became Sir John Gielgud when he was awarded a knighthood in the Coronation Honours list of June 1953. By this time, he had begun a long-term relationship with Paul Anstee. On October 21, 1953, Gielgud was arrested in Chelsea for soliciting a homosexual act in a public lavatory. Arraigned the next morning, he pleaded guilty, apologized to the court, and was fined ten pounds sterling. He had identified himself to the police as "Arthur Gielgud, 49, a clerk, of Cowley Street Westminster." Homosexuality was proscribed by the law in the UK, and Gielgud gave his less common birth name and a phony job description in the hopes that the press would not get wind of his pinch. The police made an attempt to prevent the press from learning of the incident, but in "Evening Standard" journalist was in the court that morning, and for the early afternoon edition, the paper came out with a headline "Sir John Gielgud fined: See your doctor the moment you leave here."

Publicly humiliated, Gielgud worried about how the West End audience would react the next time he appeared on stage. Gielgud was advised not to seek work in the United States for at least four years as he likely would be being refused entry by American immigration authorities. In a letter to Lillian Gish at the time (not revealed until after his death), Gielgud told her that he perhaps should have committed suicide. While Binkie Beaumont initially favored keeping Gielgud off the boards, Gielgud's brother Val, then head of BBC Radio, threatened the homosexual Beaumont with exposure if he kept his brother away from acting. A conference of his friends was called by Beaumont to determine how to best handle the crisis as Gielgud was scheduled to open in N. C. Hunter's play "A Day at the Sea" in the West End, which he was also directing. The "war council" included Laurence Olivier, his wife Vivien Leigh, Ralph Richardson, and Glen Byam Shaw, who was running the Shakespeare Memorial Theatre at Stratford-Upon-Avon. Only Olivier counseled him to postpone the play; the rest urged him to carry on. Gielgud heeded the advice of the majority, and went ahead with the production. Upon entering the stage the first night, the house was brought down by a standing ovation.

Outside the theater, the press whipped up a public backlash over the "homosexual menace." There were fears among the theater's gay community that there would be a police crackdown, leading choreographer Frederick Ashton to say of Gielgud, "He's ruined it for us all." So afraid was his lover Paul Anstee, that he burned all his letters. Gielgud's official biographer, Sheridan Morley, who withheld publication of his authorized biography until after Gielgud's death so as not to broach the subject of the arrest and Gielgud's sexuality during his lifetime, believes that the Gielgud arrest and brouhaha in the press likely were part of an organized campaign against homosexuality that had been festering in Britain since just before World War II.

By the mid-1950s, the traditional English stage was stagnating, as susceptible to an insurrection as the theater had been in the 1930s, when Gielgud's acting and direction had overthrown the old order. Gielgud's 1955 go at Shakespeare's "King Lear" was a failure, and his style of acting went out of fashion after the kitchen-sink theatrical revolution heralded by the Royal Court's May 1956 staging of John Osborne's "Look Back in Anger". Unlike Olivier, who reinvented himself with his characterization of Archie Rice in Osborne's The Entertainer (directed by kitchen-sink stalwart Tony Richardson), an era of rebellion against the cultural Establishment was at hand, which rendered the current lions of the stage passé. It was a new world in which Gielgud felt he had no place.

Gielgud stuck to what he knew. He created a solo recital of Shakespearean excerpts called "The Ages of Man" for the 1957 Edinburgh Festival. The recital proved extremely popular, and he toured with the show for a decade, winning a special Tony Award in 1958 for his staging of the show on Broadway. In the 1960s, he had a notable failure with his "Othello," and he was not a success in Peter Brook's 1968 staging of "Oedipus", two roles that Olivier had excelled in. Laurence Olivier, once his acolyte, was by this time considered the greatest actor in the English language, if not the world. He would become the first actor ennobled when he became Lord Olivier of Brighton in 1970. Gielgud, in contrast, had seemed, like their contemporary Ralph Richardson, to be old-fashioned and behind the times.

He was nominated for a Tony as Julian in Edward Albee's willfully obscure "Tiny Alice" in 1965, but Gielgud did not truly begin to transform himself into a contemporary actor until his appearances in Tony Richardson's 1967 film The Charge of the Light Brigade (1968) and in Alan Bennett's 1968 play "40 Years On...." He continued to revitalize his reputation in 1970, when he appeared in David Storey's "Home," and in 1976, when he appeared in Harold Pinter's "No Man's Land." Along with his reclaimed reputation came an appointment as a Companion of Honour in 1977. His career renaissance was ratified by the winning of an Academy Award for Best Supporting Actor for the film Arthur (1981) in 1981.

Although he had appeared in approximately 80 films, his supercilious character did not make him a popular movie actor, or a particularly distinguished one, aside from his brilliant turn as Cassius in the film adaptation of Julius Caesar (1953) and his gem of a cameo as Clarence in Olivier's Richard III (1955). His genius remained reserved for the stage. (He had even turned down a film offer in the mid-1930s from Alexander Korda to film his great Hamlet.) As The Times eulogized after his death, "To a unique degree his greatest performances coincided with the greatest plays."

John Gielgud met his last love, Martin Hensler, at an exhibition at the Tate Gallery in the 1960s. They kept in touch, and Hensler moved in with Gielgud six years later. They remained a couple for over 30 years until Gielgud's death. Despite the publicity surrounding his 1953 arrest and the legalization of homosexuality in the UK in 1967, Gielgud did not talk publicly about his sexuality, so most of the public did not know that Gielgud was gay. Hensler, with Gielgud's approval, successful lobbied to have the 1988 program notes for Hugh Whitemore's play "Best of Friends" state that he and Gielgud had been a happy couple for many years, but it was not publicized by the press. That play proved to be Gielgud's final appearance in the theater.

Gielgud outlived his great contemporaries, Olivier and Richardson, the Three Knights of the Stage, by a decade. Benedict Nightingale wrote of the three, in 'The Times' (May 23, 2000) that, "Laurence Olivier was the most fiery and physically volatile, Ralph Richardson the earthiest and the quirkiest, but Gielgud was the most vocally exquisite, intellectually elegant and spiritually fine."

Sheridan Morley, his biographer, said: 'Since 1917, when he started in walk-on parts, he never had more than four weeks without work." In his career on stage, he had played every major Shakespearean role, including his favorite, Prospero in "The Tempest", which he later essayed for director Peter Greenaway in "Prospero's Books".

Gielgud could be seen as having made the career of his greatest acolyte, Laurence Olivier, his only rival for the title of Greatest Shakespearean Actor of the 20th Century, a contest most felt that Gielgud won due to the beauty of his phrasing and more cerebral interpretation of Shakespeare. (Olivier was generally considered the better actor in contemporary roles.) A great Richard II (as well as Hamlet), the generous Gielgud made his Bolingbroke possible through both his mentorship of the younger actor at the New Theatre during the 1935 season (where they alternated the roles of Romeo and Mercutio, with Gielgud getting the better reviews), and by reinventing Shakespeare as commercial theater in the 20th century. The modern, revitalized Shakespearean stage willingly embraced the more physical Olivier.

Director Sir Peter Hall, in eulogizing the great man, said. "His work at the Vic in the 1930s, then with his own company, was trailblazing. He was not an old-style actor wanting inferior actors around him so he would look the star, which was what happened in a lot of companies. He wanted to be around people who were better than he was. He believed in that kind of humility. His companies were very happy places, with one humorous qualification - that mercurial mind meant as a director he was always changing it."

Thus, Gielgud's greatest legacy was his work as an actor-manager in the 1930s and 1940s, a time when the commercial West End theater was generally frivolous and its Shakespeare as caught in amber as a D'Oyly Carte production of a Gilbert & Sullivan operetta. Gielgud created classical companies that laid the foundations for the great renaissance of British theater that blossomed after the War, doing the groundwork at the New Theatre in 1935, at the Queen's Theatre in the 1937/38 seasons, and at the Haymarket in 1944. His companies featured in repertory Shakespeare, Sheridan, Congreve, and Chekhov, and his patronage of the design team Motley reinvented the look of British theatrical staging. Aside from Olivier, who went on to found the National Theatre, George Devine founded the English Stage Company in 1956, and Anthony Quayle and Glen Byam Shaw revitalized Stratford during the 1950s.

Without Gielgud, those paragons of the modern English theater, the Royal Shakespeare Company and the National Theatre, likely would not have come into existence. 'Percy' Harris, one of the Motley theatrical design team, said, "I think he single-handedly put English theater back on the map. Larry [Olivier] gets all the credit and John doesn't, which I think is a sign of John's innate modesty."

Gielgud wrote many books in his career, starting with a 1939 autobiography entitled "Early Stages." This was followed by "John Gielgud: An Actor's Biography in Pictures" in 1952, "Stage Directions" in 1963, "Distinguished Company" in 1972, the new autobiography "An Actor in His Time" in 1979 (revised 1989), "Backward Glances: Part One, Time for Reflection: Part Two, Distinguished Company" in 1989, "Teach Yourself" in 1990, and a primer for Shakespearean actors, "Shakespeare - Hit or Miss?" in 1991 (re-published as "Acting Shakespeare" in 1992). In 1994, "Notes from the Gods: Playgoing in the Twenties," based on Gielgud's annotated theater programs from the London theatrical productions from 1919-25, was published. The lifetime awards began to pile up: a BAFTA fellowship award for his lifetime contribution to show business in 1992, the renaming of the Globe Theatre on Shaftesbury Avenue in London's West End as the Gielgud Theatre in 1994, and his appointment to the Order of Merit in 1996.

Gielgud and Hensler lived together in his later years at their country house, South Pavilion, at Wotton Underwood, near Aylesbury, Buckinghamshire, where he died "simply of old age" on 21 May 2000, at 96. That night, the lights at the Gielgud Theatre and 12 others in Andrew Lloyd Webber's Really Useful Group were dimmed for three minutes in tribute to the passing of the man acclaimed as the greatest Shakespearean actor of the century.

At a small memorial service in Buckinghamshire, Sir Alec Guinness, Sir John Mills, Dame Maggie Smith and Lord Richard Attenborough were among those whom paid their respects to the legendary actor. His body was later cremated at a ceremony witnessed by a small group of those closest to him. A year after Gielgud's death, an archive of letters chronicling his personal and professional life was bequeathed to the nation and housed at the British Library. "Style", Gielgud once said, "is knowing what sort of play you're in."

Georgina Rose Chapman (born 14 April 1976) is an English fashion designer and actress. Together with Keren Craig, she is a co-founder of the fashion label Marchesa.

Chapman was born in London, England, the daughter of Caroline Wonfor, a journalist, and Brian Chapman, a co-owner of the coffee company Percol. Chapman grew up in Richmond, southwest London. Chapman attended Marlborough College in Wiltshire. In her 20s, Chapman model-led in an advertisement for Head & Shoulders, a dandruff shampoo, and one for throat lozenges Soothers. Chapman met future business partner Keren Craig while they were students at Chelsea College of Art and Design. Chapman graduated from Wimbledon School of Art in 2001 and began her career as a costume designer. After graduation, Chapman appeared in various television shows and films.

Marc Platt was born on 14 April 1957 in Pikesville, Maryland, USA. He is a producer and actor, known for La La Land (2016), Cruella (2021) and The Girl on the Train (2016). He has been married to Julie Beren since 1 July 1979. They have five children.