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- Actor
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Chuck Connors was born Kevin Joseph Connors in Brooklyn, New York, to Marcella (nee Lundrigan; died 1971) and Alban Francis "Allan" Connors (died 1966), Roman Catholic immigrants of Irish descent from the Dominion of Newfoundland (now part of Canada). Chuck and his two-years-younger sister, Gloria, grew up in a working-class section of the west side of Brooklyn, where their father worked the local docks as a longshoreman. He served as an altar boy at Our Lady of Perpetual Help Basilica School and attended school there. He later became a member of the Bay Ridge Boys' Club and playing sandlot ball as a member of the Bay Ridge Celtics.
A life-long Dodgers' fan, he always dreamed of a baseball career with his favorite team. His natural athletic prowess earned him a scholarship to Adelphi Academy, a private high school, and then to Seton Hall, a Catholic college in South Orange, New Jersey. Leaving Seton Hall after two years, on October 20, 1942, aged 21, he joined the army, listing his occupation as a ski instructor. After enlistment in the infantry at Fort Knox, he later served mostly as a tank-warfare instructor at Camp Campbell, Kentucky, and then finally at West Point. Following his discharge early in 1946, he resumed his athletic pursuits. He played center for the Boston Celtics in the 1946-47 season but left early for spring training with the Brooklyn Dodgers.
Baseball had always been Connors' first love, and for the next several years he knocked about the minor leagues in such places as Rochester (NY), Norfolk (VA), Newark (NJ), Newport News (VA), Mobile (AL) and Montreal, Canada (while in Montreal he met Elizabeth Riddell, whom he married in October 1948. They had four sons during their 13-year marriage). He finally reached his goal, playing for the Brooklyn Dodgers, in May 1949, but after just five weeks and one at-bat, he returned to Montreal. After a brief stint with the Chicago Cubs in 1951, during which he hit two home runs, Connors wound up with the Cubs' Triple-A farm team, the L.A. Angels, in 1952.
A baseball fan who was also a casting director for MGM spotted Connors and recommended him for a part in the Spencer Tracy-Katharine Hepburn comedy Pat and Mike (1952). Originally cast to play a prizefighter, but that role went instead to Aldo Ray. Connors was cast as a captain in the state police. He now abandoned his athletic hopes and devoted full time to his acting career, which often emphasized his muscular 6'6" physique.
During the next several years Connors made 20 movies, culminating in a key role in William Wyler's 1958 western The Big Country (1958). Also appearing in many television series, he finally hit the big time in 1958 with The Rifleman (1958), which began its highly successful five-year run on ABC. Other television series followed, as did a number of movies which, though mostly minor, allowed Connors to display his range as both a stalwart "good guy" and a menacing "heavy".
Connors died at age 71 of lung cancer and pneumonia on November 10, 1992 in Los Angeles, California. He is buried in San Fernando Mission Cemetery with his tombstone carrying a photo of Connors as Lucas McCain in "The Rifleman" as well as logos from the three professional sports teams he played for: the Dodgers, Cubs and Celtics.- Actor
- Director
- Writer
Anthony Perkins was born April 4, 1932 in New York City, to Janet Esselstyn (Rane) and Osgood Perkins, an actor of both stage and film. His father died when he was five. Anthony's paternal great-grandfather was engraver Andrew Varick Stout Anthony. Perkins attended the Brooks School, the Browne & Nichols School, Columbia University and Rollins College. He made his screen debut in The Actress (1953), and was nominated for a Best Supporting Actor Oscar Friendly Persuasion (1956). Four years later, he appeared in what would be his most noted role, Norman Bates in Psycho (1960), memorializing him into film history forever.- Actor
- Soundtrack
Denholm Elliott was a much-loved character actor who specialized in playing slightly sleazy or slightly eccentric and often flawed upper middle class English gentlemen. His career spanned nearly 40 years, becoming a well-known face both in Britain and in the States. After being educated at the private school Malvern College, he entered RADA at the age of 17, but dropped out after a year, having hated every minute being there. He joined the RAF in 1940, trained as a gunner/radio operator, and was shot down over Germany in 1942. In the POW camp he and his fellow prisoners staged various productions in a theatre constructed out of old packing cases.
After the war he joined a London repertory company, and his career took off particularly when Laurence Olivier chose him for the starring role in Venus Observed, for which he won a Clarence Derwent award. When another Olivier production, Ring Around the Moon, transferred to New York, Elliott replaced Paul Scofield in what became a Broadway hit. Returning to Britain, he was signed to a film contract and appeared in such movies as The Cruel Sea (1953) and The Sound Barrier (1952). In the 1960s he appeared in King Rat (1965) and Alfie (1966) among others, in addition to appearing on television and making countrywide theatre tours. He won an Evening Standard Best Actor award for Nicolas Roeg's film Bad Timing: A Sensual Obsession (1980). He won a BAFTA Best Supporting Actor Award for his role as the butler in Trading Places (1983) and followed it with awards for his roles in A Private Function (1984) and Defense of the Realm (1985), as well as receiving an Academy Award nomination for A Room with a View (1985).- Actor
- Additional Crew
- Soundtrack
Popular American character actor of amusing appearance and voice whose long career led from dozens of highly enjoyable onscreen performances to world-wide familiarity as the voice of numerous Walt Disney animated films. Born in the American Deep South to grocer Sterling P. Holloway Sr. and Rebecca Boothby Holloway, he had a younger brother, Boothby. Holloway spent his early years as an actor playing comic juveniles on the stage. His bushy reddish-blond hair and trademark near-falsetto voice made him a natural for sound pictures, and he acted in scores of talkies, although he had made his picture debut in silents. His physical image and voice relegated him almost exclusively to comic roles, but in 1945, director Lewis Milestone cast him more or less against type in the classic war film A Walk in the Sun (1945), where Holloway's portrayal of a reluctant soldier was quite notable. He played frequently on television, becoming familiar to baby-boomers in a recurring role as Uncle Oscar on Adventures of Superman (1952), and later in television series of his own. His later work as the voice of numerous characters in Disney cartoons brought him new audiences and many fans, especially for his voicing of beloved Winnie the Pooh. He died in 1992.- Actress
- Music Department
- Soundtrack
Her father was a police lieutenant and imbued in her a military attitude to life. Marlene was known in school for her "bedroom eyes" and her first affairs were at this stage in her life - a professor at the school was terminated. She entered the cabaret scene in 1920s Germany, first as a spectator then as a cabaret singer. In 1923, she married and, although she and Rudolf Sieber lived together only 5 years, they remained married until his death. She was in over a dozen silent films in increasingly important roles. In 1929, she was seen in a Berlin cabaret by Josef von Sternberg and, after a screen test, captured the role of the cabaret singer in The Blue Angel (1930) (and became von Sternberg's lover). With the success of this film, von Sternberg immediately took her to Hollywood, introducing her to the world in Morocco (1930), and signing an agreement to produce all her films. A series of successes followed, and Marlene became the highest paid actress of her time, but her later films in the mid-part of the decade were critical and popular failures. She returned to Europe at the end of the decade, with a series of affairs with former leading men (she had a reputation of romancing her co-stars), as well as other prominent artistic figures. In 1939, an offer came to star with James Stewart in a western and, after initial hesitation, she accepted. The film was Destry Rides Again (1939) - the siren of film could also be a comedienne and a remarkable comeback was reality. She toured extensively for the allied effort in WW II (she had become a United States citizen) and, after the war, limited her cinematic life. But a new career as a singer and performer appeared, with reviews and shows in Las Vegas, touring theatricals, and even Broadway. New success was accompanied by a too close acquaintance with alcohol, until falls in her performance eventually resulted in a compound fracture of the leg. Although the last 13 years of her life were spent in seclusion in her apartment in Paris, with the last 12 years in bed, she had withdrawn only from public life and maintained active telephone and correspondence contact with friends and associates.- Neville Brand joined the Illinois National Guard in 1939, bent on a career in the military. His National Guard unit was activated into federal service shortly after the attack on Pearl Harbor on 7 December 1941. It was while he was in the army that he made his acting debut, in Army training films, and this experience apparently changed the direction of his life. Once a civilian again, he used his GI Bill education assistance to study drama with the American Theater Wing and then appeared in several Broadway plays. His film debut was in Port of New York (1949). Among his earliest films was the Oscar-winning Stalag 17 (1953). His heavy features and gravelly voice made Brand a natural tough guy (and he wasn't just a "movie" tough guy--he was among the most highly decorated American soldiers in World War II, fighting in the European Theater against the Germans). "With this kisser, I knew early in the game I wasn't going to make the world forget Clark Gable," he once told a reporter. He played Al Capone in The George Raft Story (1961), The Scarface Mob (1959), and TV's The Untouchables (1959). Among his other memorable roles are the sympathetic guard in Birdman of Alcatraz (1962) and the representative of rioting convicts in Riot in Cell Block 11 (1954). Perhaps his best-known role was that of the soft-hearted, loud-mouthed, none-too-bright but very effective Texas Ranger Reese Bennett of Backtrack! (1969), Three Guns for Texas (1968), and TV's Laredo (1965).
- Producer
- Actor
- Director
One of the most popular child actors in film history, Child superstar Freddie Bartholomew was born Frederick Cecil Bartholomew in Harlesden, London, the son of Lilian May (Clarke) and Cecil Llewellyn Bartholomew. From age three, he grew up in the town of Warminster under the care of his father's unmarried sister Millicent. A precocious lad, Freddie was reciting and performing on stage at three years of age, and was soon singing and dancing as well. By age six he had appeared in his first movie, a short called Toyland (1930). Three other British film appearances and the recommendation of his teacher Italia Conti led him to be cast in the MGM film David Copperfield (1935), as the title character, resulting in a seven-year MGM contract and a move to Hollywood with his aunt. The illustrious, star-studded and highly successful David Copperfield (1935) made Freddie an overnight sensation, and he went on to star in a succession of high-quality films through 1937, including Anna Karenina (1935); Professional Soldier (1935); the riveting Little Lord Fauntleroy (1936); Lloyd's of London (1936); The Devil Is a Sissy (1936); and Freddie's biggest success, Captains Courageous (1937), opposite Spencer Tracy.
Following the success of Little Lord Fauntleroy (1936), Freddie's birth parents, who were strangers to him, stepped in and attempted for seven years to gain custody of him and his fortune. His aunt Millicent attempted to offset these legal expenses and payouts by demanding a raise in Freddie's MGM salary in 1937. Another slew of court cases ensued, this time over the MGM contract, and Freddie missed a critical year's work and some golden film opportunities. By the time he resumed acting work in 1938, he was well into his teens, and audiences grew less interested in literary period pieces as World War II erupted in Europe. Following Kidnapped (1938), many of his ten remaining films through 1942 were knock-offs or juvenile military films, and only two were for MGM. The best of the films after Kidnapped (1938) were Swiss Family Robinson (1940), Lord Jeff (1938), Listen, Darling (1938), and Tom Brown's School Days (1940). His salary soared to $2,500 a week making him filmdom's highest paid child star after Shirley Temple.
In 1943, Freddie enlisted in the U.S. Air Force for a year to work in aircraft maintenance, exiting with both a back injury and American citizenship.
The additional time away from the screen had not done him any favors, though, and efforts to revive his career on film were unsuccessful. His efforts performing in regional theaters and vaudeville did not spark a comeback either. Aunt Millicent left for England when Freddie married publicist Maely Daniele in 1946 against her wishes. Freddie toured a few months in Australia doing nightclub singing and piano, but when he returned to the U.S. in 1949 he switched to television, making a gradual move from performer to host to director, at New York station WPIX. In 1954, re-married to TV cookbook author Aileen Paul, he moved to Benton & Bowles advertising agency, as a television director and producer. He remarked at the time that the millions he had earned as a child had been spent mostly on lawsuits, many of which involved headline court battles between his parents and his aunt for custody of young Freddie and his money. "I was drained dry," he said.
He became vice president of television programming in 1964, directing and producing several prominent long-running soap operas. Bartholomew retired due to emphysema by the late 1980s, and eventually moved with his third wife Elizabeth to Florida, where he died in 1992, but not before being filmed in several lovely interview segments for the lengthy 1992 documentary, MGM: When the Lion Roars (1992).- Actor
- Director
- Additional Crew
José Ferrer was a Puerto Rican actor and film director. He won an Academy Award for Best Actor for playing the title character in Cyrano de Bergerac (1950). Ferrer was the first Puerto Rican actor to win an Academy Award, and also the first Hispanic actor to win an Academy Award.
In 1912, Ferrer was born is San Juan, the capital city of Puerto Rico. Established as a Spanish colonial city in 1521, San Juan is the third oldest European-established capital city in the Americas, following Santo Domingo (established in 1496) and Panama City (established in 1521). Ferrer's father was Rafael Ferrer, a lawyer and author who was born and raised in San Juan. Ferrer's mother was María Providencia Cintrón, a native of the coastal town of Yabucoa. Ferrer's paternal grandfather was Dr. Gabriel Ferrer Hernández, who had campaigned for Puerto Rican independence from the Spanish Empire.
The Ferrer family moved to New York City in 1914, when José was 2-years-old. As a school student, Ferrer was educated abroad at the Institut Le Rosey, a prestigious boarding school located in Rolle, Switzerland. In 1933, Ferrer was enrolled at Princeton University, located in Princeton, New Jersey. He studied architecture, and wrote a senior thesis about French Naturalism and the literary works of Spanish naturalist writer Emilia Pardo Bazán (1851-1921). In 1934, Ferrer transferred to Columbia University, where he studied Romance languages.
In 1934, while still a college student, Ferrer made his theatrical debut in Long Island-based theatre. In 1935, he was hired as the stage manager at the Suffern Country Playhouse. Later in 1935, Ferrer made his Broadway debut in the comedy play "A Slight Case of Murder" by Damon Runyon (1880-1946) and Howard Lindsay (1889-1968). This stage production of the play ran for 69 performances, with Ferrer appearing in all of them.
Ferrer's major success as a Broadway actor was performing in the play "Brother Rat" by John Monks Jr. (1910-2004) and Fred F. Finklehoffe (1910-1977). The play had a ran of 577 performances from 1936 to 1938. Among his subsequent theatrical appearances, the most successful were staged productions of Mamba's Daughters (1938), which ran for 163 performances, and "Charley's Aunt" (1940-1941), which ran for 233 performances. His role in "Charley's Aunt" required him to perform in drag, for the first time in his career.
Ferrer had one of the greatest theatrical successes of his career when playing the villainous Iago in a Broadway production of "Othello' by William Shakespeare. The production had a ran of 296 performances, lasting from 1943 to 1944. Ferrer played his most famous role as the historical figure of Cyrano de Bergerac (1619-1655) in the 1946-1947 Broadway season. For this role, Ferrer won the 1947 Tony Award for Best Actor in a Play.
Ferrer made his film debut in the Technicolor epic "Joan of Arc" (1948). He played the historical monarch Charles VII of France (1403-1461, reigned 1422-1461), the ruler who Joan of Arc served during the Hundred Years' War. For his debut role, Ferrer was nominated for the Academy Award for Best Supporting Actor. The Award was instead won by rival actor Walter Huston (1883-1950).
Ferrer's success as a film actor, helped him gain more film roles in Hollywood-produced films. He played the "smooth-talking hypnotist David Korvo" in the film noir "Whirlpool" (1949), and dictator Raoul Farrago in the film noir "Crisis". He had a career highlight with a film adaptation of the play "Cyrano de Bergerac", where he played the title role. For this role, he won the Academy Award for Best Actor.
His next critically successful role was that of artist Henri de Toulouse-Lautrec (1864-1901) in the historical drama "Moulin Rouge" (1952). For this role, Ferrer was again nominated for the Academy Award for Best Actor. The award was instead won by rival actor Gary Cooper (1901-1961). The film also marked a financial success for Ferrer, who received 40% of the film's profits.
Ferrer also appeared in other box office hits of the 1950s, such as the musical "Miss Sadie Thompson" (1953), the Navy-themed drama "The Caine Mutiny" (1954), and the biographical film "Deep in My Heart" (1954). Ferrer was also interested in becoming a film director. He made his directing debut with the film noir "The Shrike" (1955). His subsequent directing efforts included war film "The Cockleshell Heroes" (1955), the film noir "The Great Man" (1956), the biographical film I Accuse! (1958), and the comedy film "The High Cost of Loving" (1958). While still critically well-received, several of these films were box office flops. He took a hiatus from films productions.
Ferrer attempted a comeback as a film director with the sequel film "Return to Peyton Place" (1961) and the musical film "State Fair" (1962). Both films were box office flops. As an actor, Ferrer had a supporting role as a Turkish Bey in the historical drama "Lawrence of Arabia" (1962). While a relatively minor role, Ferrer considered the finest role of his film career.
In television, Ferrer gained a notable role as the narrator in the pilot episode of the hit sitcom "Bewitched" (1964-1972). In films, Ferrer started playing mostly supporting roles. He briefly returned to the role of Cyrano de Bergerac in the French adventure film "Cyrano and d'Artagnan". He had another notable role as a historical monarch, playing Herod Antipas, Tetrarch of Galilee and Perea (reigned 4 BC-39 AD) in the Biblical epic "The Greatest Story Ever Told" (1965).
Ferrer had his first notable role as a voice actor, playing the villain Ben Haramed in the Rankin/Bass Christmas "The Little Drummer Boy" (1968). But at this time, he started having legal troubles. The Internal Revenue Service (IRS) accused Ferrer of still owing unpaid taxes since 1962.
Ferrer had many film roles in the 1970s, but no outstanding highlights. As a voice actor, he voiced Cyrano de Bergerac in an episode of "The ABC Afterschool Special". In the 1980s, Ferrer played a monarch again, playing Padishah Emperor Shaddam IV in the science fiction film "Dune". The film was an adaptation of the 1965 novel "Dune" by Frank Herbert (1920-1986), and Shaddam was one of the film's villains. This was among the last notable roles of Ferrer's long career.
Ferred retired from acting entirely in 1991, due to increasing health problems. His last theatrical performance was a production of the generation-gap drama "Conversations with My Father". Ferrer died in 1992, due to colorectal cancer. He was 80-years-old. He died in Coral Gables, Florida, but was buried in the Santa María Magdalena de Pazzis Cemetery of Old San Juan, Puerto Rico. Several of his children had acting careers of their own.- Actor
- Second Unit Director or Assistant Director
- Soundtrack
A tall, sinewy, austere-looking character actor with silver hair, rugged features and a distinctive voice, John Robert Anderson appeared in hundreds of films and television episodes. Immensely versatile, he was at his best submerging himself in the role of historical figures (he impersonated Abraham Lincoln three times and twice baseball commissioner Judge Kenesaw Mountain Landis, men whom he strongly resembled). He was a familiar presence in westerns and science-fiction serials, usually as upstanding, dignified and generally benign citizens (a rare exception was his Ebonite interrogator in The Outer Limits (1963) episode "Nightmare"). He had a high opinion of Rod Serling and was proud to be featured in four episodes of The Twilight Zone (1959), most memorably as the tuxedo-clad angel Gabriel in "A Passage for Trumpet" (doing for Jack Klugman what Henry Travers did for James Stewart in It's a Wonderful Life (1946)).
Known to other youths as 'J.R.', Anderson had a happy childhood, growing up first on a small farm near Clayton, Illinois, and then in the mid-sized town of Quincy where his mother operated a cigar stand. A rangy, outdoorsy type, he excelled at various sports, was a drum major, a member of the track team and the Boy Scouts. During World War II, he served in the Coast Guard, mainly involved in helping protect convoys from U-boat attacks. In 1946, he commenced studies at the University of Iowa, eventually graduating with a Master's degree in Drama. His acting career began on the riverboat 'Goldenrod' (now the oldest surviving Mississippi River Basin showboat in America) and proceeded from there to the Cleveland Playhouse for a year, then the New York stage and summer stock with parts in prestigious plays like "Cat on a Hot Tin Roof" and "Home of the Brave". He also occasionally doubled up as a singer on Broadway ("Paint Your Wagon" (1951), "The Emperor's Clothes" (1953)).
Anderson began as a regular television actor during that medium's formative years. In the course of the next four decades, his appearance barely changing, he was consistently excellent wherever he popped up, be it as western lawmen (including a recurring role as Virgil Earp in The Life and Legend of Wyatt Earp (1955)), as cops, governors, judges and army officers; hard-nosed oil executive Herbert Styles in Dallas (1978), or as kindly patriarch of the Hazard clan in North & South: Book 1, North & South (1985). Though less traveled on the big screen, Anderson was particularly impressive as the furtive second-hand car dealer, 'California Charlie', in Alfred Hitchcock's Psycho (1960), the ruthless leader of the renegades, Addis, in Day of the Evil Gun (1968) and, reprising his role as Lincoln, in The Lincoln Conspiracy (1977). One of the best all-rounders in the business, Anderson died of a heart attack at his home in Sherman Oaks in August 1992, aged 69.- Actor
- Animation Department
- Soundtrack
He had one of Hollywood's most distinctive faces and a stentorian baritone voice to match. Character actor John Dehner, was born John Forkum in Staten Island, New York, the son of a globe-trotting artist. He attended school in France and Norway, in the process learning to speak four languages fluently. Back in the U.S., he graduated from high school in New York and proceeded to study for a diploma in art at the University of California. Any plans he might have had of following in his father's footsteps were derailed, however, when the acting bug suddenly took hold. In short order, the cash-strapped Dehner relocated to sunny California in search of a job. He worked for a while as a professional pianist and band leader but was then able to finagle a position as an assistant animator with Disney Studios for a salary of $18 a week. Dehner had a hand in several classic feature sequences, including Fantasia (1940) and Bambi (1942), as well as a few Donald Duck and Pluto cartoons. He returned to Disney in later years as a narrator and also played the part of Viceroy Don Esteban in an episode of the TV series Zorro (1957).
After leaving the Disney art department, Dehner did a stint as a public relations officer in the army during World War II and then returned to California as a radio announcer and news editor for stations KMBC and KFWB. In the course of many years, Dehner amassed a remarkable series of radio acting credits, most notably starring as Paladin in "Have Gun - Will Travel" and in similarly popular action programs like "Gunsmoke" and "Fort Laramie" (this, in spite of turning down several offers to play Marshall Matt Dillon on TV because he did not want to be typecast in westerns!). In films from the mid-40s, Dehner served a lengthy apprenticeship in assorted bit parts before graduating as one of Hollywood's most reliable villains, be they suave gamblers, crooked bankers, grifters or gunslingers. Just as often, his authoritarian demeanor proved perfect casting for stern fathers, military brass or cops. In The Left Handed Gun (1958), Dehner received second billing as Pat Garrett, co-starring opposite Paul Newman's Billy the Kid. On the small screen, he invariably made an impact as guest star in myriad classic TV shows, including Yancy Derringer (1958), Tales of Wells Fargo (1957), The Roaring 20's (1960), Maverick (1957), Bronco (1958), 77 Sunset Strip (1958), Rawhide (1959) and The Doris Day Show (1968) (a regular part during seasons four and five, as Doris's editor Cy Bennett). Dehner appeared in three episodes of The Twilight Zone (1959), reserving one of his best performances (displaying a wonderfully dry comic talent) as the titular huckster in late 1800s Arizona, in the episode "Mr. Garrity and the Graves" (1963).
One of Hollywood's most hard-working character actors, John Dehner died in Santa Barbara, California, on February 4 at the age of 76.- Actor
- Soundtrack
Respected character actor whose on-screen work included everything from Shakespeare to Dick Tracy (1990) (his last film). After a long apprenticeship in the theatre, the 38-year-old Wolfe finally debuted in films in The Barretts of Wimpole Street (1934), recreating his Broadway role. He then toiled away steadily in Hollywood for the next several decades, working as a supporting player in literally hundreds of film and TV productions well into his 90s. Though capable of a wide range of parts, Wolfe's gentle, patrician manner found him most often cast as a butler, a minister or a kindly doctor. He finally gained his greatest fame at the age of 85, effortlessly stealing scenes as Mama Carlson's doddering yet feisty butler "Hirsch" in several episodes of the MTM sitcom WKRP in Cincinnati (1978).- Actor
- Director
- Soundtrack
Robert Reed was an American actor, mostly known for television roles. His most famous role was that of pater familias Michael Paul "Mike" Brady in the popular sitcom "The Brady Bunch" (1969-1979). He returned to this role in several of the sitcom's sequels and spin-offs.
Reed was born under the name "John Robert Rietz Jr. " in 1932. His birthplace was Highland Park, Illinois, a suburb of Chicago. His parents were government worker John Robert Rietz Sr. and homemaker Helen Teaverbaugh. The couple were childhood sweethearts and married each other at age 18. Reed was their only child.
Due to his father's career transfers, Reed moved often as a child. He spend part of his childhood in Navasota, Texas and Shawnee, Oklahoma. The senior Reitz eventually retired from his government positions, and started a new life as a cattle farmer in Muskogee, Oklahoma. The Reitz family moved to a farm there.
As a youth, Reed joined the 4-H agricultural club, and demonstrated calves in agricultural shows. He was already fascinated with acting and music, and started performing as a theatrical and singer before he graduated high school. He had a side career as a radio announcer for local radio stations, and also helped produce radio dramas.
Reed graduated from Muskogeee's Central High School in 1950. He soon enrolled at Northwestern University in Evanston, Illinois, where he studied drama. His mentor was acting coach Alvina Krause (1893-1981). During his university years, Reed played the leading role in 8 different plays. Following his graduation, Reed studied abroad at Royal Academy of Dramatic Art in London.
With the completion of his studies, Reed started a career as a theatrical actor. He appeared in summer stock productions in Pennsylvania, and joined the off-Broadway theatre group "The Shakespearewrights" which (as their name suggested) specialized in Shakespearean plays. Reed had leading roles in the group's productions of "Romeo and Juliet" and "A Midsummer Night's Dream". He left the group to join the Chicago-based Studebaker Theatre company.
By the late 1950s, Reed remained a relatively obscure theatrical actor. He moved to Los Angeles in hope of finding higher-profile roles in film or television. In 1959, Reed made his television debut in a guest star role in the sitcom "Father Knows Best". He next had guest star roles in the science fiction series "Men into Space" (1959-1960), and the Western series "Lawman" (1958-1962). His film debut was the horror film "Bloodlust!" (1961), playing the human prey of a sadistic hunter. The film was a loose adaptation of the short story "The Most Dangerous Game" (1924) by Richard Connell (1893-1949).
Reed had his first major role in television as lawyer Kenneth Preston in the courtroom drama series "The Defenders" (1961-1965). Reed played the son and junior partner of lawyer Lawrence Preston (played by E. G. Marshall), in a series featuring a father-son legal team. The series lasted for 132 episodes, and was a ratings hit. The series earned a total of 22 Primetime Emmy Award nominations during its run.
Following the cancellation of "The Defenders", Reed was mostly reduced to supporting roles in television. He appeared in (among others) "Family Affair"," Ironside", "The Mod Squad", and "Bob Hope Presents The Chrysler Theatre". In 1968, Reed signed a contract to play a lead role in the television adaptation of the play "Barefoot in the Park" (1963) by Neil Simon. When it was decided that the television adaptation would feature a mostly African-American cast, Reed was offered a leading role in "The Brady Bunch" as a consolation prize.
"The Brady Bunch" lasted for 117 episodes, though it never was among the highest-rated shows on television. It found a larger audience in syndication after its cancellation, and has remained a cult favorite. Reed was not happy with the often silly scripts of the sitcom, and had regular arguments about suggested re-writes with the show's producer Sherwood Schwartz (1916-2011). On the other hand, Reed formed long-lasting friendships with most members of the series' main cast.
Reed refused to appear in the fifth season finale of "The Brady Bunch", because he felt its script was unacceptable. He was fired from the series, and the production team considered replacing him with a new actor for the series' sixth season. However, the fifth season turned out to be the final one, with network ABC deciding to cancel the series.
While "The Brady Bunch" was still ongoing, Reed had the recurring role of Lt. Adam Tobias in the detective series "Mannix". He played the role for 22 episodes, running from 1968 to 1975. With the series' cancellation in 1975, Reed was left with no regular roles for the first time since the late 1960s.
Reed's next notable role was that of transgender Dr. Pat Caddison in the two-part episode "The Fourth Sex" (1975) of the medical drama Medical Center". The role was critically well-received, and Reed was nominated for a Primetime Emmy Award, the "Primetime Emmy Award for Outstanding Guest Actor in a Drama Series". The award was instead won by rival actor Ed Asner (1929-).
Reed had a regular role as Teddy Boylan in the dramatic miniseries "Rich Man, Poor Man" (1976), and a prominent guest appearance as Dr. William Reynolds in the miniseries "Roots" (1977). For the first role, Reed was nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series. The Award was instead won by rival actor Anthony Zerbe (1936-). For the second role, Reed was nominated again for the Primetime Emmy Award for Outstanding Guest Actor in a Drama Series. The award was instead again won by rival actor Ed Asner.
Reed reunited with his friends from the Brady Bunch in the sequel series "The Brady Bunch Hour" (1976-1977), which only lasted for 9 episodes. He next played Mike Brady in the television film "The Brady Girls Get Married" (1981), the television film "A Very Brady Christmas" (1988), and the short-lived sequel series "The Bradys" (1990). The attempts to turn the popular sitcom into a dramatic series were not met with success.
Reed had another lead role in television as Dr. Adam Rose on the medical drama "Nurse" (1981-1982). The series only lasted for 25 episodes. Otherwise, Reed was reduced to mostly playing guest star roles again. His last guest star role appeared in 1992 episode of the crime drama "Jake and the Fatman".
In November 1991, Reed was diagnosed with colon cancer. As his health deteriorated, Reed increasingly isolated himself. He only allowed visits from his daughter Karen Rietz and close friend Anne Haney (1934-2001). In May 1992, he died at Huntington Memorial Hospital in Pasadena, California. He was 59-years-old. He was buried at Memorial Park Cemetery in Skokie, Illinois.
Following his death, his death certificate revealed that Reed was HIV positive. While he was not suffering from AIDS, doctors were unable to determine whether HIV contributed to the deterioration of his health and his eventual death. How and when Reed contracted HIV remains unknown. Reed had managed to avoid having information about his personal life leaking to the press during his career, and also avoided sharing details about it even with his friends.
Reed is still fondly remembered for his television work, while his theatrical career has largely faded from memory.- Actor
- Soundtrack
Versatile, charismatic actor Cleavon Little was born on June 1, 1939, in Oklahoma but grew up in California and attended San Diego College. He earned a scholarship to Juilliard and moved to New York, then trained at the American Academy of Dramatic Art and was soon appearing off-Broadway. Classically trained ("Hamlet" "A Midsummer Night's Dream"), he won the Tony award for a less weighty musical, "Purlie", which took him west. A few film roles came his way with What's So Bad About Feeling Good? (1968), John and Mary (1969), Cotton Comes to Harlem (1970), and the cult film Vanishing Point (1971) but it was the 1972 sitcom The New Temperatures Rising Show (1972) that finally got him some leverage in Hollywood. The by-now popular actor caught the eye of film producers. With his sly charm and appeal, he was a natural for comedy and hit the apex of his career after winning a co-starring role opposite Gene Wilder in the Mel Brooks western spoof Blazing Saddles (1974). He never matched that success but did continue with important stage roles ("I'm Not Rappaport") and other TV series work (Bagdad Cafe (1990)). A hard-working, heavily driven man, Little was plagued by ulcers and stomach disorders for much of his life. He died at age 53 of colon cancer in 1992.- Actor
- Soundtrack
A solid film and TV player bearing a strong, honest persona for most his career, this innocent-eyed, boyishly handsome blond "B" actor of the 1940s and '50s was born in Brooklyn on May 21, 1915, and educated there at the Pratt Institute. A natural athlete, Bill Williams was a professional swimmer who broke into the entertainment business combining his swimming and dancing skills performing in aquatic underwater shows. Gaining experience as a performer in vaudeville and stock shows (both here and England), he started appearing in extra or bit parts in films following WWII army duty. He made his debut in Murder in the Blue Room (1944) and could be glimpsed here and there as various student, soldier or rookie types for the first couple of years.
By the time the war ended, RKO Pictures had him under contract and gave him co-star billing in such promising entries as Till the End of Time (1946) in which he played Robert Mitchum's ex-GI buddy, and the film noir piece Deadline at Dawn (1946) as a sailor who gets tangled up with both murder and lovelies Susan Hayward and Lola Lane. In 1945 fellow RKO actress Barbara Hale asked the director of West of the Pecos (1945), Edward Killy, to hire Bill so they could spend time together (see Barbara Hale's personal quotes). They married a year later and went on to co-star together in the light comedy A Likely Story (1947) and the film noir suspense film The Clay Pigeon (1949). They had two daughters and a son.
Bill was a reliable "nice guy" lead and second lead. While he showed steady improvement and likability in films, he had a difficult time rising above the benign "B" adventure material he was shoehorned into playing (Fighting Man of the Plains (1949), Rookie Fireman (1950), The Cariboo Trail (1950), to name a few). In the early '50s he started checking out the relatively new medium of TV as a viable means of employment. He scored big with the kiddies as the title hero in the syndicated The Adventures of Kit Carson (1951), which ran for three seasons, and later shifted to lighter, less strenuous work as Betty White's hubby in the promising but short-lived domestic comedy Date with the Angels (1957). In 1960 he returned to his watery roots with the "Sea Hunt" inspired adventure Assignment: Underwater (1960) but the program was short-lived. He also appeared in guest assignments in such popular TV shows as "Rawhide," "77 Sunset Strip," and "Hawaiian Eye," not to mention multiple episodes of wife Barbara's series "Perry Mason," in which she co-starred as girl Friday Della Street.
While Bill continued to perform throughout the 1970s and into the early '80s in character roles, he was seen less and less as his interest waned. Bill and Barbara did appear together in the films Buckskin (1968) and The Giant Spider Invasion (1975), as well as occasionally on TV. Their middle child, son William Katt, a blond stunner who went on to fame in the movie Carrie (1976) and the weekly series spoof The Greatest American Hero (1981), obviously got his incredibly good looks from his dad. Bill died of a brain tumor in 1992.- Actor
- Director
- Producer
Born in Canada, John Ireland was raised in New York. Performing as a swimmer in a water carnival, he moved into the legitimate theater, often appearing in minor roles in Broadway plays. His first big break in pictures came in 1945 when he appeared as Windy the introspective letter-writing G.I. in the classic war epic A Walk in the Sun (1945). Ireland was then often featured (mostly as a heavy) in several films. In 1949, he was nominated for best supporting actor for his role as the reporter in All the King's Men (1949). During the early 1950s, Ireland often starred as the emoting, brooding hero, almost exclusively in "B" pictures. In 1953, with his son Peter Ireland and wife, Joanne Dru, Ireland co-produced and co-directed the western mini-classic Hannah Lee: An American Primitive (1953) (aka Outlaw Territory). From the mid-'50s on. he appeared mainly in Italian "quickie" features and showed up occasionally in supporting roles in major pictures (Spartacus (1960)). Occasionally, his name was mentioned in tabloids of the times, in connection with young starlets, namely Natalie Wood and Sue Lyon. He was to play the role of the patriarch on the Ponderosa in Bonanza: The Next Generation (1988) but the series was not picked up. In addition to Hannah Lee: An American Primitive (1953), his best work was in Little Big Horn (1951) and The Bushwhackers (1951). In his later years, he owned and operated a tiny restaurant, Ireland's, in Santa Barbara, California.- Actor
- Soundtrack
American leading man of the 1940s and 1950s, Dana Andrews was born Carver Dana Andrews on New Years Day 1909 on a farmstead outside Collins, Covington County, Mississippi. One of thirteen children, including fellow actor Steve Forrest, he was a son of Annis (Speed) and Charles Forrest Andrews, a Baptist minister.
Andrews studied business administration at Sam Houston State Teachers College in Texas, but took a bookkeeping job with Gulf Oil in 1929, aged 20, prior to graduating. In 1931, he hitchhiked to California, hoping to get work as an actor. He drove a school bus, dug ditches, picked oranges, worked as a stock boy, and pumped gas while trying without luck to break into the movies. His employer at a Van Nuys gas station believed in him and agreed to invest in him, asking to be repaid if and when Andrews made it as an actor. Andrews studied opera and also entered the Pasadena Community Playhouse, the famed theatre company and drama school. He appeared in scores of plays there in the 1930s, becoming a favorite of the company. He played opposite future star Robert Preston in a play about composers Gilbert and Sullivan, and soon thereafter was offered a contract by Samuel Goldwyn.
It was two years before Goldwyn and 20th Century-Fox (to whom Goldwyn had sold half of Andrews' contract) put him in a film, but the roles, though secondary, were mostly in top-quality pictures such as The Westerner (1940) and The Ox-Bow Incident (1942). A starring role in the hit Laura (1944), followed by one in The Best Years of Our Lives (1946), made him a star, but no later film quite lived up to the quality of these. During his career, he had worked with with such directors as Otto Preminger, Fritz Lang, William Wyler, William A. Wellman, Jean Renoir, and Elia Kazan.
Andrews slipped into a steady stream of unremarkable films in which he gave sturdy performances, until age and other interests resulted in fewer appearances. In addition, his increasing alcoholism caused him to lose the confidence of some producers. Andrews took steps to curb his addiction and in his later years was an outspoken member of the National Council on Alcoholism, who decried public refusal to face the problem. He was probably the first actor to do a public service announcement about alcoholism (in 1972 for the U.S. Department of Transportation), and did public speaking tours. Andrews was one of the first to speak out against the degradation of the acting profession, particularly actresses doing nude scenes just to get a role.
Andrews was elected president of the Screen Actors Guild in 1963, serving until 1965. He retired from films in the 1960s and made, he said, more money from real estate than he ever did in movies. Yet he and his second wife, actress Mary Todd, lived quietly in a modest home in Studio City, California. Andrews suffered from Alzheimer's disease in his later years and spent his final days in a nursing facility. He died of congestive heart failure and pneumonia in 1992, aged 83.- Bolaji Badejo was a graphic designer from Lagos. He is primarily remembered for his single acting role, playing the titular predatory alien in the science fiction-horror film Alien (1979).The film was a box-office hit, having earned a worldwide gross of US$143 million by 1992 estimates.
In 1953, Badejo was born in Lagos, Colonial Nigeria. At the time, Nigeria was a British colony. Badejo's family was of Yoruba descent, an ethnic group estimated to represent about 16% of the country 's population. Badejo's father would later serve as the director-general of the Nigerian Broadcasting Corporation, a state-owned radio-broadcasting organization.
Badejo decided to follow a career as a visual artist. He studied abroad in the United States before moving to London, England, to get specialized training as a graphic designer. Bodejo was unusually tall, standing at a height of 2.08 meters (6 feet and 10 inches). Director Ridley Scott's casting crew was seeking a tall person to play the creature in his upcoming film. They found Badejo drinking at a Soho bar and offered him the role. He accepted the offer, although he had neither acting experience nor training.
In 1980, Badejo moved back to Nigeria. In 1983, Badejo opened his own art gallery. He remained active until 1992, when he died from sickle-cell anemia, a hereditary blood disorder that is very common among people of African descent. About 80% of sickle-cell disease cases recorded worldwide have occurred in Africa. Badejo was 39 years old at the time of his death.
Badejo is long gone but is still fondly remembered for his only acting role. "Alien" has had several sequels, prequels, and spin-offs, and the influence of the original film in modern science fiction cinema is quite large. - Jack Kelly started acting at age two, modeling in soap ads and garnering a lifetime supply of soap for his pay. He continued to model until the age of nine when he appeared in his first play with Hope Emerson called "Swing Your Lady". Broadway shows and radio followed until his family moved to California in 1938. He attended St. John's Military Academy and spent two years as a law student at UCLA. For three years, he dropped acting to concentrate on school and making money. He worked as a shoe salesman, gas station attendant, lifeguard, grocery delivery boy, and men's clothing salesman. In 1945, Kelly was inducted into the army taking basic training at Camp Roberts in California. He was sent to Alaska as a weather observer and was on the first B-29 to fly over the Arctic Circle. After his discharge in 1946, Kelly returned to UCLA and worked nights on such radio programs as "Lux Radio theater", "Suspense", "Tell It Again", and "Romance of the Ranchos".
Upon leaving school he joined the Circle Theater in Los Angeles appearing in "Time of Your Life", "The Adding Machine", and "Love On The Dole". In 1949, he acted in "Anna Lucasta" at the coronet Theater. This performance brought Kelly to the attention of several Hollywood directors. He then made his film debut in "Fighting Man Of The Plains", starring Randolph Scott. In 1955, Kelly was signed by Warner Bros. to star as Dr. Parris Mitchell in the "King's Row" series of "Warner Bros. Presents". The show debuted in September 1955. Kelly was best known as Bart Maverick on Maverick (1957). His hobbies included ship models, reading historical literature, sculpting, and listening to show tunes records. He also enjoyed sailing, badminton, skin diving, golf, horseback riding and flying. - Actor
- Soundtrack
The gangly York is best remembered as the first and most frustrated "Darrin Stephens" on the long-running TV series Bewitched (1964). He left the series in 1969 because of a chronic back ailment. He later founded Acting for Life, a private fund-raising effort for the homeless which he managed from his home, where he was bedridden with a degenerative spine injury.- Actor
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Tall and solidly built, this Italian-American professional wrestler turned actor was born Lenny Passaforo in Brooklyn, New York, and is best remembered for his first on-screen role as the not too bright but ever loyal bodyguard Luca Brasi in The Godfather (1972). Montana didn't get a lot of screen time before being eliminated by the henchmen of opposing gangster Al Lettieri with a garrote and a knife; however, he caught the eye of casting agents and over the next ten years racked up roles in 16 movies. Usually cast as "muscle for hire", he was equally good at playing the intimidating thug or a buffoonish hoodlum, such as in Battle Creek Brawl (1980) and The Jerk (1979). His last film appearance was in the B-thriller Blood Song (1982), which he also co-wrote. He died in May 1992 of a heart attack while in Italy.- Actor
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Handsome and smooth natured leading man who often played oily individuals, Ray Danton was born in New York and dramatically trained at Carnegie Tech. First debuted on-screen as a moody Native American in Chief Crazy Horse (1955) and regularly guest-starred in many 1950s TV shows including Playhouse 90 (1956), Wagon Train (1957), and 77 Sunset Strip (1958)...often as a gunslinger or a slippery criminal.
Danton found plenty of demand for his talents and appeared in several minor films including The Night Runner (1957), Tarawa Beachhead (1958), in which he starred with his wife, Julie Adams, and then as a serial rapist in The Beat Generation (1959). However, his most well remembered role was as the vicious prohibition gangster Jack Diamond in the superb The Rise and Fall of Legs Diamond (1960) also starring a young Warren Oates and directed by Budd Boetticher. Danton reprised his Legs Diamond role only a year later in the unrelated, and not as enjoyable Portrait of a Mobster (1961).
Cornering the market on playing shady characters, Danton then portrayed troubled actor George Raft in The George Raft Story (1961), but he was back on the side of good in 1962 playing an Allied officer at the invasion of Normandy in The Longest Day (1962). Europe then beckoned for the virile Danton, and like many other young US actors in the early 1960s, he made several films in Italy and Spain between 1964 and 1969 with a mixture of success. Danton returned to the USA in the early 1970s and appeared in several other low budget features; however, he also turned his hand to direction and his first film was the AIP production of Deathmaster (1972) starring Robert Quarry who was riding high on the success of the Count Yorga vampire films. Danton directed another couple of minor horror films before becoming involved in television and directing episodes of some of the most popular TV series of the 1970/80s including Quincy, M.E. (1976), The Incredible Hulk (1977), Magnum, P.I. (1980) and Cagney & Lacey (1981).
His final directorial work was on the TV series Vietnam War Story (1987) in 1987. Danton passed away in 1992 from kidney failure aged only 60.- It would not be easy for anyone to out-do one of American theater's finest thespians, but somehow actress Sandy Dennis managed to even out-quirk the legendary Geraldine Page when it came to affecting nervous tics and offbeat mannerisms on stage and in film. She and Page had few peers when it came to the neurotic-dispensing department. The two Actor's Studio disciples developed fascinating characterizations that seemed to manifest themselves outwardly to such physical extremes and, like a bad car accident, their overt styling was capable of both drawing in, and repelling audiences. There was no gray area. Either way, both had a searing emotional range and were undeniably transfixing figures who held up Oscar trophies to prove there was a "Method" to their respective madness. Sandy's signature quirks--her stuttering, fluttering, throat gulps, eye twitches, nervous giggles, hysterical flailing--are all a part of what made her so distinctive and unforgettable. Her untimely death of cancer at age 54 robbed the entertainment industry of a remarkable talent.
The Nebraska-born-and-bred actress was born Sandra Dale Dennis in Hastings, on April 27, 1937, the daughter of postal clerk Jack Dennis and his secretary wife Yvonne (née Hudson), who divorced in 1966 after a 38-year marriage. Living in both Kenesaw (1942) and Lincoln (1946) while growing up, she and brother Frank went to Lincoln High School with TV host Dick Cavett. Her passion for acting grew and grew while still at home. A college student at both Nebraska Wesleyan University and the University of Nebraska, she eventually found her career direction after appearing with the Lincoln Community Theater Group.
The toothy actress left Nebraska and towards the Big Apple at age 19 just to try her luck. An intense student of acting guru Uta Hagen, Sandy made her New York stage debut in a Tempo Theatre production of "The Lady from the Sea" in 1956 and that same year won her first TV role as that of Alice Holden in the daytime series Guiding Light (1952). A year later she made it to Broadway as an understudy (and eventual replacement) for the roles of Flirt and Reenie in the William Inge drama "The Dark at the Top of the Stairs," directed by Elia Kazan at the Music Box Theatre. She toured with that production and also found regional work in the plays "Bus Stop" and "Motel" while continuing to shine as a budding New York fixture in "Burning Bright," "Face of a Hero" and "Port Royal".
Along with fellow newcomers Gary Lockwood and Phyllis Diller, Sandy made her movie debut in playwright Inge's Splendor in the Grass (1961), a movie quite welcoming of Sandy's neurotic tendencies. In the minor but instrumental role of Kay, she is an unwitting instigator of friend Deanie's (played by an ambitiously unbalanced Natalie Wood) mental collapse. Despite this worthy little turn, Sandy would not make another film for five years.
Instead, the actress set her sights strongly on the stage and for this she was handsomely rewarded, most notably in comedy. After appearing in a two-month run of the Graham Greene drama "The Complaisant Lover" at the Ethel Barrymore Theatre in 1961, stardom would be hers the very next year with her outstanding social worker role in the lighter-weight "A Thousand Clowns". Winning the Theatre World as well as the coveted Tony Award for her performance, she continue her run of prizes with a second consecutive Tony for her sexy turn in the comedy "Any Wednesday" (1964). Having made only one picture at this juncture, Sandy was not in a good position to transfer her award-winning characters to film and when they did, they went to Barbara Harris and Jane Fonda, respectively.
TV was also a viable medium for Sandy and she appeared sporadically on such programs as The Fugitive (1963), Naked City (1958) and Arrest and Trial (1963). In 1965, she appeared in London as Irina in a heralded Actor's Studio production of Chekhov's "The Three Sisters" with fellow devotees Geraldine Page, Kim Stanley, Shelley Winters, Luther Adler and Kevin McCarthy. The play was subsequently videotaped and directed by Paul Bogart, and is valuable today for the studied "Method" performances of its cast. It, however, received mixed reviews upon its release.
Returning to film in 1966, Sandy seemed to embellish every physical and emotional peculiarity she could muster for the role of the mousy wife Honey in the four-character powerhouse play Who's Afraid of Virginia Woolf? (1966) by Edward Albee. It is a mouth-dropping, emotionally shattering performance, and both she and a more even-keeled George Segal as the drop over guests of the skewering cutthroat couple George and Martha (Elizabeth Taylor and Richard Burton) more than held their own. While the distaff cast won Oscars for this (Taylor for "Best Actress" and Dennis for "Best Supporting Actress"), this ferocious landmark film blew open the "Production Code" doors once and for all and a wave of counterculture filming tackling formerly taboo subjects came to be.
Firmly established now with her Oscar win, Sandy found highly affecting lead showcases for herself. She starred as a young, naive English teacher challenged by a New York "Blackboard Jungle"-like school system in Up the Down Staircase (1967). She also stirred up some controversy along with Anne Heywood playing brittle lesbian lovers whose relationship is threatened by a sexy male visitor (Keir Dullea) in another ground-breaking film The Fox (1967). Sandy remained intriguingly off-kilter in the odd-couple romantic story Sweet November (1968) opposite Anthony Newley, the bizarre Robert Altman thriller That Cold Day in the Park (1969), and the gloomy British melodrama A Touch of Love (1969) [aka Thank You All Very Much].
Off-camera, Sandy lived for over a decade with jazz musician and saxophonist Gerry Mulligan, which began in 1965 following his devoted relationship with actress Judy Holliday who had died of cancer earlier in the year. They eventually parted ways in 1976. Rumors that they had married at some point were eventually negated by Sandy herself. Sandy also went on to have a May-December relationship with the equally quirky actor Eric Roberts from 1980 to 1985. She had no children.
At the peak of her film popularity, Sandy began the 1970s in more mainstream fashion. She and Jack Lemmon were another odd-couple hit in Neil Simon's The Out of Towners (1970) as married George and Gwen Kellerman visiting an unmerciful Big Apple. Sandy is at her whiny, plain-Jane best ("Oh, my God...I think we're being kidnapped!") as disaster upon disaster befalls the miserable twosome. Both she and Lemmon were nominated for Golden Globes. Following this, however, Sandy again refocused on the stage with an avalanche of fine performances in "How the Other Half Loves," "And Miss Reardon Drinks a Little," "A Streetcar Named Desire" (as Blanche), "Born Yesterday" (as Billie Dawn), "Absurd Person Singular," "Cat on a Hot Tin Roof" (as Maggie the Cat), "Same Time, Next Year," "The Little Foxes," "Eccentricities of a Nightingale," "The Supporting Cast" and even the title role in "Peter Pan".
A few TV and movie roles came Sandy's way in unspectacular fashion but it wasn't until the next decade that she again stole some thunder. After a moving support turn as a cast-off wife in the finely-tuned ensemble drama The Four Seasons (1981), Sandy proved terrific as a James Dean extremist in another ensemble film Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982), which she played first to fine acclaim on Broadway. Reunited with director Robert Altman as well as her stage compatriots Cher, Karen Black, Kathy Bates, Sudie Bond and Marta Heflin, the film version was equally praised. Her last films included Another Woman (1988), 976-EVIL (1988) and Parents (1989).
Seen less and less in later years, she gave in to her eccentric tendencies as time went on. A notorious cat lover (at one point there was a count of 33 residing in her Westport, Connecticut home), close friends included actresses Brenda Vaccaro and Jessica Walter. Her father Jack died in 1990 and around that same time Sandy was diagnosed with ovarian cancer. Undergoing chemotherapy at the time she filmed the part of a beaten-down mother in Sean Penn's The Indian Runner (1991), the role proved to be her last.
Sandy died in Westport on March 2, 1992. Her ashes were placed at the Lincoln Memorial Park in Lincoln, Nebraska. A foundation in her home state was set up to "memorialize the accomplishments of Sandy Dennis, to perpetuate her commitment to education and the performing arts, to promote cultural activities, and to encourage theatrical education, performance, and professionals". A book, "Sandy Dennis: A Personal Memoir," was published posthumously in 1997. - Actress
- Costume and Wardrobe Department
Born Dorothy Lee Perrins in Los Angeles, California on March 11, 1943, Angelique Pettyjohn began modeling at a very young age. She also took advantage of her living in the locus of "American Dreams" by studying acting. Pettyjohn made her movie debut at age 21, under the name "Angelique", in the low-budget The Love Rebellion (1967), before tasting the big-time, co-starring opposite "The King", Elvis Presley, in Clambake (1967). This was her first appearance in an A-list movie, and this led to small roles in other big-budget films.
However, her fame as a thespian lies with her work on the small screen, appearing in memorable roles on Get Smart (1965) and Star Trek (1966). In 1967, she appeared on the former in two appearances as "Charlie Watkins", (Charlie was a male CONTROL agent who disguised himself as a gorgeous woman). After testing for the role of Nova in Planet of the Apes (1968), she won the role that made her an immortal among fans of science fiction: Shahna in the episode The Gamesters of Triskelion (1968).
The episode is a favorite of Star Trek fans and, although Pettyjohn would later reap the benefits of the role by appearing in countless Star Trek fan conventions in the distant future, at the time, this led exactly nowhere for her career. She continued in the bimbo sexual desire in such cinematic horrors as Hell's Belles (1969), The Curious Female (1969) and Bordello (1974). Her career was strictly in movies churned out for drive-ins and the exploitation circuit. In the early 1980s, she appeared as a stripper in Las Vegas, Nevada but soon abandoned her avocation as a stripper and softcore star for hardcore porn. Titillation (1982), Stalag 69 (1982) and Body Talk (1982) featured Pettyjohn, billed as either "Angel St. John", "Heaven St. John", or under her old moniker, "Angelique".
The burgeoning Star Trek fandom, bolstered by the series of movies released by Paramount beginning in 1979, allowed Pettyjohn to quickly ditch her hardcore career. She began working Star Trek conventions to earn her keep, selling posters of herself, in and out of her sexy outfit from "The Gamesters of Triskelion". Her appearance on the circuit raised her profile in the movie industry. Indie film directors, who knew of her earlier work in low-budget exploitation fare, began hiring her for small roles in their films. She appeared in such indie features as Repo Man (1984), Biohazard (1985) and The Wizard of Speed and Time (1988).
Eventually, Pettyjohn's fame grew and she began headlining science fiction conventions as the main guest of honor. She overcame alcoholism and drug abuse to put her life on an even keel, overcoming the low self-esteem that had led her to her pornographic appearances. Pettyjohn appeared at her last science fiction convention in autumn 1989. Las Vegas had offered her a chance to cash in on her notoriety as an exotic dancer, and she took this; she was 46 years old, but still beautiful and vivacious, doing what made her happy, performing for a live audience.
Angelique Pettyjohn died of cervical cancer at age 48 on February 14, 1992 in Las Vegas, Nevada.- Actor
- Writer
Long-faced, emaciated-looking character actor with a thin mustache and an impeccable English accent, Anthony Dawson was typecast in a variety of villainous roles in the 1950s and 1960s.
He was born Anthony Douglas Gillon Dawson in Edinburgh, Scotland, to Ida Violet (Kittel) and Eric Francis Dawson. His father was Scottish and his mother was of German and English descent. Dawson made his greatest impact in the Alfred Hitchcock classic Dial M for Murder (1954). He was excellent as Lesgate, seedy ex-Cambridge classmate of would-be wife murderer Wendice (Ray Milland). In the scene where Wendice blackmails him to commit the killing ("There were times I felt you belonged to me"), he is nervous and visibly torn between fear and avarice. Dawson gave similarly sinister performances in the thriller Midnight Lace (1960), where he menaced hapless Doris Day, and the Terence Fisher-directed Hammer horror The Curse of the Werewolf (1961) as Count Siniestro. In a film by Terence Young, the James Bond classic Dr. No (1962), Dawson played the geologist Prof. R.J.Dent, a henchman of the title character who attempts to assassinate the hero, then finds out to his cost what Bond's "license to kill" really means.
Dawson was also the first screen incarnation of Bond villain Ernst Stavro Blofeld (in From Russia with Love (1963) and Thunderball (1965)), though the viewer only sees his hands stroking a white cat and hears the voice of Austrian actor Eric Pohlmann. A highly capable, immediately recognizable actor, Dawson deserved better roles than came his way after the mid-1960s. He eventually ended up playing small parts in minor Italian films and European co-productions, but should not be confused with the Italian horror director Antonio Margheriti who sometimes used the pseudonym 'Anthomy M. Dawson'.
An interesting footnote to Dawson's career are his unpublished memoirs, "Rambling Recollections", in which he vividly recalls meeting Hitchcock after first arriving in Hollywood. This took place at a dinner party given by the director at Perino's Restaurant in Los Angeles. Also present were 'Dial M' co-stars Grace Kelly and English actor John Williams. Dawson later escorted Kelly to her residence at Chateau Marmont, an apartment bloc on Sunset Strip. Dawson then intimated that an affair took place, which, however lasted just until Ray Milland arrived on the scene.- Writer
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- Music Department
He was born Alfred Hawthorn Hill. It was his grandfather who introduced him to Burlesque Shows and the theatre from where the young Benny Hill was to draw much of his comic inspiration. After his national service with the army during WW2, Benny came to London, adopted the stage name Benny Hill (in homage to his all time favourite comedian Jack Benny) and began appearing in variety shows. He briefly formed a double act with Reg Varney and did radio shows. But it was his talent for impressions and comic timing that were to give him his first big break on TV with the show "Hi There" in 1949. The Benny Hill Show (1955) began in 1955. Its pioneering combination of cheeky humour, songs and impressions were to make it a hit for the next 40 years.
Benny also broadened his career with cameo appearances in films such as The Italian Job (1969), Chitty Chitty Bang Bang (1968) and Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 Hours 11 Minutes (1965). He also had a hit record in 1971 with "Ernie The Fastest Milkman In The West". In 1979 The Benny Hill Show (1955) was shown in America for the first time and Benny went on to become one of the biggest stars on US TV. The show itself has been seen in 109 countries and won a BAFTA as well as Golden Rose Of Montreaux Award. Benny Hill's TV career came to an end in 1989, when his show was dropped, but his popularity continued and he completed a US TV special, Benny Hill's World Tour: New York! (1991) shortly before his death in 1992.