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Satyajit Ray was born in Calcutta on May 2, 1921. His father, Late Sukumar Ray was an eminent poet and writer in the history of Bengali literature. In 1940, after receiving his degree in science and economics from Calcutta University, he attended Tagore's Viswa-Bharati University. His first movie Pather Panchali (1955) won several International Awards and set Ray as a world-class director. He died on April twenty-third, 1992.

The legendary Bengali Actor of Calcutta, Uttam Kumar (Guru, Mahanayak as fans say), widely regarded as one of the Greatest actors ever in India, was an Indian film actor, director, producer, singer, music composer, playback singer who predominantly worked in Indian Cinema. Though he was a commercial success and widely accepted as the Greatest Actor of Bengali film, he also achieved great critical appreciations for his natural way of acting. When the Indian government instituted the National Film Awards for National Film Award for Best Actor and National Film Award for Best Actress in 1967, Uttam Kumar was the first-ever recipient of the Best Actor Award for his performances in Antony Firingee and Chiriyakhana in 1967. Acted in over 250 films with different experimental and complicated characters. Among which "Nayak", "Bicharak", "Jatugriha", "Chiriyakhana", "Khokababur Protyabarton", "Chowrongiee", "Ekhane Pinjar", "Thana Theke Aschi" etc. shows his genius.Though there were problems regarding editing, co-stars and others in contemporary Bengali films, still his genius acting made him the most popular film star. He is well acclaimed due to the successful depiction of several kinds of characters in films apart from his romantic image. He received the Best "greatest Actor" MAHANAYAK award for the same film from the Government of India on 25 November 1975. The price was worth 500000 rupees. Besides 8 times Bengal film Journalists' Awards for his incomparable acting he got many prizes and acclaims throughout his life. Got the Indian national award Padmashree for his contribution to Bengali films. He produced "Saptapadi" which was a commercial hit and approved Uttam Kumar along with Suchitra Sen the romantic Icon of Bengali Film forever. It got Certificate of Merit for Second Best Feature Film in Bengali in 1961 National Film Award, India. He starred in Hindi films like "Kitaab", "Dooriyan", "Plot no. 5", "Amanush", "Anand Ashram" etc. which approves his popularity and also shows beauties of natural acting. He composed music for the film "Banpalashir Padabali", which was a great commercial hit. He was very generous to poor co-workers in Film Industry but he lived an alcoholic reckless life. Workaholic Uttam Kumar died while filming "Ogo Bodhu Sundari" one of the greatest comedy films of Bengal, in Belle Vue Clinic on 24th July 1980.The Tollygunge metro station of Kolkata Metro was renamed as "Mahanayak Uttam Kumar". Satyajit Ray paid homage to his death saying "It is the demise of a leading light of the Bengali film industry...There isn't - there won't be another hero like him."

Utpal Dutt was born on 29 March 1929 in Barisal, Bengal Presidency, British India [now in Barishal, Bangladesh]. He was an actor and director, known for The Stranger (1991), Gol Maal (1979) and Bhuvan Shome (1969). He was married to Shobha Sen. He died on 19 August 1993 in Calcutta, West Bengal, India.

Rabi Ghosh was born on 24 November 1931 in Calcutta, Bengal Presidency, British India. He was an actor and director, known for Baksha Rahasya (1996), Byomkesh Bakshi (1993) and Aranyer Din Ratri (1970). He was married to Anubha Gupta. He died on 4 February 1997 in Calcutta, West Bengal, India.

Ritwik Ghatak was born on 4 November 1925 in Dacca, Bengal Presidency, British India [now in Dhaka, Bangladesh]. He was a director and writer, known for Reason, Debate and a Story (1974), Musafir (1957) and The Cloud-Capped Star (1960). He was married to Surama Ghatak. He died on 6 February 1976 in Calcutta, West Bengal, India.

Mother Teresa also known as Saint Teresa of Calcutta, was an Albanian-Indian Roman Catholic nun who in 1950 founded and was an active member of the Missionaries of Charity. Although her passport name was Mary Teresa Bojaxhiu, she was born Anjezë Gonxhe Bojaxhiu (Skopje, capital of North Macedonia. After living in Skopje for eighteen years, she moved to Ireland and then to India, where she lived for most of her life.

Salil Choudhury was born on 19 November 1923 in Harinavi, 24 Parganas, Bengal Presidency, British India. He was a music artist and composer, known for Madhumati (1958), Anand (1971) and Prem Patra (1962). He was married to Jyoti Chowdhury and Sabita Banerjee. He died on 5 September 1995 in Calcutta, West Bengal, India.

Anil Chatterjee was born on 25 October 1929 in Calcutta, Bengal Presidency, British India. He was an actor and assistant director, known for Sagina Mahato (1971), The Big City (1963) and Three Daughters (1961). He died on 17 March 1996 in Calcutta, West Bengal, India.

Rabindranath Tagore was born on 6 May 1861 in Calcutta, Bengal Presidency, British India [now India]. He was a writer and composer, known for Song of the Body, Streer Patra (1972) and Natir Puja (1932). He was married to Mrinalini Devi. He died on 7 August 1941 in Calcutta, Bengal Presidency, British India [now India].

Bhanu Bannerjee was born on 26 August 1920 in Bikrampur, Bengal Presidency, British India [now in Munshiganj, Bangladesh]. He was an actor and producer, known for Sharey Chuattar (1953), Parajay (1939) and Bindur Chheley (1973). He died on 4 March 1983 in Calcutta, West Bengal, India.

Anup Kumar was born on 17 June 1930 in Calcutta, Bengal Presidency, British India. He was an actor, known for Palatak (1963), Tilottama (1978) and Bosepukure Khunkharapi (1996). He was married to Aloka Ganguly. He died on 4 September 1998 in Calcutta, West Bengal, India.

Hemanta Mukherjee was born on 16 June 1920 in Benares, Benares State, British India. He was a music artist and composer, known for Nagin (1954), Bees Saal Baad (1962) and Lalan Fakir (1987). He was married to Bela Mukherjee. He died on 26 September 1989 in Calcutta, West Bengal, India.

Sarat Chandra Chattopadhyay was born on 15 September 1876 in Debanandapur, Hooghly, Bengal Presidency, British India. Sarat Chandra was a writer, known for Devdas (2002), Dev.D (2009) and Swami (1977). Sarat Chandra died on 16 January 1938 in Calcutta, Bengal Presidency, British India.

Chhabi Biswas was born on 12 July 1900 in Calcutta, Bengal Presidency, British India. He was an actor and director, known for Karnarjun (1941), The Music Room (1958) and Kabuliwala (1957). He died on 11 June 1962 in Calcutta [now Kolkata], West Bengal, India.

Bankim Chandra Chatterjee was born on 26 June 1838 in Kathalpara, Naihati, Bengal Presidency, British India. Bankim Chandra was a writer, known for Krishnakanter Will (1926), Bishabriksha (1922) and Bisha Brikshya (1928). Bankim Chandra died on 8 April 1894 in Calcutta, Bengal Presidency, British India.

Arundhati Devi was born on 29 April 1924 in Barisal, Bengal Presidency, British India [now in Barishal, Bangladesh]. She was an actress and director, known for Jotugriha (1964), Chhuti (1967) and Jhinder Bandi (1961). She was married to Prabhat Mukherjee and Tapan Sinha. She died on 31 January 1990 in Calcutta, West Bengal, India.

Chunibala Devi was born in 1872. She was an actress, known for Pather Panchali (1955), Rikta (1939) and Bigraha (1930). She died in 1955 in Calcutta, West Bengal, India.

Jamuna was the fourth daughter of the six daughters of Puran Gupta, a resident of a village near Agra, India. Each of the sisters were named after Indian rivers like Ganga, Jamuna, Bhagirathi etc. As destiny would have it, Jamuna came to reside in Calcutta, a leading film producing city in India, in the thirties and played a small role in Mohabbat Ki Kasauti (1934), directed by P.C. Barua. A romance started although Barua, hailing from the native Indian state of Gauripur, Assam, was already twice married. As the actress, who was to play Parbati in Barua's next venture Devdas (1935) reported inability to attend the studio on the very first day of shooting, Jamuna was called from Barua's residence (she was living with him by then) and was asked to get down to work stright away without any preparation whatsoever. Thus she came to be the first Parbati of Indian talkies- Miss Light had played the role in the silent vertion of the enormously popular Sarat Chandra novel. Aishwarya Rai happens to the last so far and Devdas has been made and re-made a number of times. Jamuna played the same role in the Hindi version also and was accepted in this very first proper exposure as an actress in her own right. She continued to act in Barua's films like Grihadaha (1936), Maya (1936), Adhikar (1939), Uttarayan (1941), Shesh Uttar (1942), Chander Kalanka (1944)and the respective Hindi versions of each film. Barua had left the prestigious New Theatres in 1940 and was directing as well as producing his films. Thereafter she acted in a number of Barua directed Hindi movies like Amiree, Pehchan and Iran Ki Ek Raat. These films however did not add to the prestige of either to Barua or to Jamuna and are better forgotten. Jamuna also acted outside Barua direction in three Bengali films Debar (1943) and Nilanguriya (1943) where she proved herself without Barua's influence. Her last film Malancha (1953) was also outside Barua's direction. She also starred in its hindi version Phulwari (1953). Barua's untimely death in 1951 when he was only 48 changed Jamuna's life altogether. She had three sons by Barua, Deb Kumar, Rajat and Prasun. They were all minors at the time and the Gauripur estate refused to take any of their responsibilities. She had to wage a legal battle with the powerful and influential royal family to get her and her children's dues and recognition. Time settled the matters and she was allowed ownership of the house with its vast adjoining land and also an allowance. Jamuna spent the rest of her life after Barua as a housewife, busy in bringing up her minor sons. She had to complete the unfinished film Malancha of course but said good bye to the world soon after. Later in her life she did attend a number of functions to celebrate the centennary year of husband P.C.Barua and recived felicitations on behalf of the Goverment of India and the state Government of Assam as the first Parbati of Indian talkies. Her last days were not very comfortable and she was bedridden for more than six months prior to her death. Her death totally snapped the ties with the thirties. No other Indian actress of her time and calibre is alive today. She is survived by her three sons and their families and a host of relatives and admirers.

Mahua Roy Chowdhury was born on 24 September 1958. She was an actress, known for Paka Dekha (1980), Ranger Saheb (1978) and Jiban Marur Prante (1976). She was married to Tilak Chakraborty. She died on 22 July 1986 in Calcutta, West Bengal, India.

He was one of the finest character actors in Bengali Film Industry. He was versatile and portrayed roles ranging from villain, comedian and main lead with élan. His most memorable roles were in movies like "Marutirtha Hinglaj", "Arogya Niketan", "Uttar Falguni", "Chele kaar", just to name a few. He was active in commercial theater in Bengali as well. When he was acted in a play called '42', as pre-independence Indian ruthless police officer under British rule, audience thrown shoes at him during the play. He said it was his greatest award that people so much moved by his acting, got angry and thrown shoes. He along with Tulsi Chakraborty, took Bengali cinema a high during 60's and 70's. Bikash Roy will be remembered for ever for his finest acting skills and as a true gentleman.

Pramathesh Chandra Barua was a famous actor, director, and screenwriter of Indian films in the pre-independence era, born in Gauripur.

Barua was the son of the Zamindar of Gauripur, Assam, where he was born and spent his childhood. He studied at Hare School, Calcutta and then Bachelor of Science graduated from Presidency College, Calcutta in 1924. At the age of only 18, while still studying in college, he got married. It was arranged by the family. He had two more marriages. His third wife was film actress Jamuna Barua. After his graduation, he travelled to Europe, where he received his first exposure to films. After returning, he served for a time in the Assam Legislative Assemblyand joined the Swaraj Party but ultimately moved to Calcutta and later began a career in films, much to the chagrin of his father.

Barua made a small investment in Dhirendra Nath Ganguly's Indo British Film Co, and also worked for him as an actor. He then went to Europe for a second time, observing production of movies in London. After purchasing some lighting equipment in Paris, he returned to India and established Barua Pictures Limited. The studio's first major project was Apradhi in 1931, a silent film that starred Barua and was directed by Debaki Bose. The film became a critical success, and Barua went on to play the villain in Bhagyalaxmi (1932), directed by Dhiren Ganguly. Barua later hired Ganguly when British Dominion Films failed, and the two of them, along with Debaki Bose, then joined New Theatres. Barua's breakthrough with New Theatres came with Devdas in 1935. The film was first made in Bengali, with Barua himself in the title role; he then remade it in Hindi as the 1936 film Devdas, with K.L. Saigal as the leading man. The Hindi version became a craze all throughout India; it cemented Barua as a top-notch director and Saigal as the top-notch hero of Indian films.The Devdas (Assamese) was Barua's last of three language versions. Barua followed up Devdas with Manzil in 1936, Mukti in 1937, Adhikar in 1938, Rajat Jayanti in 1939, and Zindagi (which reunited him with Saigal) in 1940. Phani Majumdarwho later became a noted film director in his own right, started his film career with Barua at New Theatres. Barua's films were photographed by Bimal Roy, who would later become an accomplished director in his own right. Barua left New Theatres in 1939 and freelanced thereafter. However, of his post-New Theatres films, only Shesh Uttar/Jawab (1942) stood out. He planned an Indian version of The Way of All Flesh, but it never materialised. He took to drinking heavily, and his health began to decline; he died in 1951.

A major stage and film actress of Bengal, Ranibala's origin, like that of most of her contemporaries was in the red light areas of Calcutta. She entered films with Bilwamangal in 1933 and played heroine (Chintamani) in her very first appearance. Her sweet voice made her an automatic choice for singing roles in films as well as the stage. Her films included Bekar Nashan, Gora (1938), Sarbajanin Bibahotsab (1938), Haranidhi, Taruni (1934), Prafulla, Talkie of Talkies (1937) to name a few. Towards the end of her career, Satyajit Ray took her services for _Aparajito (1957)_ and The Philosopher's Stone (1958), the latter being her last major work where she also sang for herself. Ranibala has a good number of gramophone records to her credit. She died young in 1956 when she was only 42. Apart from being a remarkable actress and singer, she is remembered for her warm and friendly nature.

Pahadi Sanyal was born on 22 February 1906 in Darjeeling, Bengal Presidency, British India [now Darjeeling, West Bengal, India]. He was an actor and assistant director, known for Sapurey (1939), Maya (1936) and Maya (1936). He died on 10 February 1974 in Calcutta, West Bengal, India.

Sulochana Chatterjee was born in 1928 in Chandranagar, Kerala, India. She was an actress, known for Jahan Sati Wahan Bhagwan (1965), Maya Bazaar (1958) and Veer Ghatotkach (1970). She died on 30 April 1999 in Calcutta, India.

Debaki Kumar Bose was born on 25 November 1898 in Burdwan, Bengal, British India [now India]. He was a director and writer, known for Sagar Sangamey (1959), Bhagaban Shrikrishna Chaitanya (1953) and Seeta (1934). He died on 17 November 1971 in Calcutta, West Bengal, India.