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In the cast list of The Magnificent Seven (1960), you will find several names that doubtless you know well: Charles Bronson, Steve McQueen, and Yul Brynner. But there is one name that you will have difficulty pronouncing, let alone identifying as an actor you have seen before. That man is Horst Buchholz, and he was one of the few German actors to have a considerable success in both Hollywood and in Europe. One would hardly guess that he was sought out to act in one of the most famous films of all time, only to have to turn it down due to a scheduling conflict - Lawrence of Arabia (1962)

Horst Buchholz was born in Berlin, Germany, in the year 1933. His father was a German shoemaker, while his mother was born to Danish parents. Buchholz was put in a foster home in Czechoslovakia after World War II broke out in Europe, but he returned to Berlin the moment he had the chance. Realizing his talent in acting, Buchholz dropped out of school to perfect his acting skills. After moving from East Berlin to West Berlin, he became well-known for his work in theatre and on the radio. In 1952 he turned to film, and after a series of small roles, he found a larger one in the Julien Duvivier film Marianne of My Youth (1955). He was praised for his role in the romantic/drama film Sky Without Stars (1955) by Helmut Käutner, but it was the lead role in the comedic Confessions of Felix Krull (1957) that made him an established German actor.

He followed this breakthrough role with the romantic film Two Worlds (1958) and the thriller Wet Asphalt (1958), where the handsome young actor plays a former criminal who associates himself with a journalist. Now a familiar face in his country, Buchholz pursued making foreign films. His first non-German film was the British film Tiger Bay (1959). The film is about a girl who witnesses a seaman named Korchinsky (Buchholz) murder his girlfriend. The film won praise in both Germany and Britain, but it was Buchholz' next foreign film that secured his name in the history of classic films. This film was the epic western The Magnificent Seven (1960) directed by John Sturges. Buchholz played Chico, the inexperienced Mexican youth that wants to be a gunman and abandon his past. Buchholz starred alongside such legends as Charles Bronson and Yul Brynner. both of whom had strong European roots. The film was a hit, first in Europe, then was re-distributed in the States to a much higher profit. The film gained massive popularity, and even now is treasured as a classic.

Buchholz could now find good and steady work nationally and internationally, which is something few actors could do at the time. He worked on the romantic film Fanny (1961), which is based on a trilogy of plays written by legendary writer Marcel Pagnol. Buchholz plays the role of Marius, a passionate but unsure youth who must choose between the girl he loves, and the life at sea he has always wanted. The film was a fine success, nominated for five Oscars, including Best Picture and Best Actor for Charles Boyer (who plays Buchholz' onscreen father).

It was at this point in his film career where he was sought as the first choice to play the role of Sherif Ali in David Lean's legendary film Lawrence of Arabia (1962). However, Buchholz had to turn it down, as he had already signed up for another film, which turned out to be the Oscar-nominated comedy One, Two, Three (1961) (directed by Billy Wilder). The film was once again a fine success to add to Buchholz' career, but ultimately gained nowhere near as much of a status as David Lean's film. Buchholz also made the Italian film The Empty Canvas (1963) in which he plays an untalented artist who begins a love affair with a young model. Throughout his in the early 60s, Buchholz had made a name for himself, acting in one Oscar-nominated film after another and showing off his talent as an actor. However, the success he had reached was not to last.

Buchholz continued with film, including the James Bond spoof That Man in Istanbul (1965) and the crime film Johnny Banco (1967). He starred in the B-movie failure that was The Young Rebel (1967). Buchholz rebounded with the fiery film The Saviour (1971) in which he plays a man who claims to be organizing resistance against the Nazis. He also played Johann Strauss in the Golden Globe-nominated musical The Great Waltz (1972). which was sadly another failure.

The rest of the 1970s and the early 1980s were spent mostly on television and movies released for television, whether it be foreign (Dead of Night (1977), Return to Fantasy Island (1978)) or German (Derrick). Buchholz found mild success again when he returned to the big screen with the WW II espionage film Code Name: Emerald (1985) in which he plays alongside such stars as Ed Harris and Max von Sydow. After this film, Buchholz returned to European movies, such as And the Violins Stopped Playing (1988) in which a group of gypsies flee Nazi persecutors. After taking a supporting role in the fantasy film Faraway, So Close! (1993), Buchholz acted in one of his most well known films: the Oscar-winning Italian film Life Is Beautiful (1997) which was directed by and starred Roberto Benigni. Buchholz played the role of a doctor who befriends Benigni's character and frequently duels with him in riddles. This choice of role proved to be an echo of Buchholz' taste in choosing his projects in earlier years; the film won best foreign film that year, and was also nominated for Best Picture. Thanks to his gift for languages, Buchholz was able to dub himself in the foreign releases of the film.

Buchholz continued making films and television appearances until 2002, by which time he was sixty-eight years old. He died the next year, in Berlin, of pneumonia. Berlin had been the city of his heart, and was buried there in honour of that fact. Horst Buchholz had been a renowned German actor, and had gained credibility in the United States and other countries. He was a varied performer, acting all kinds of roles in his life, but was always a proud German to the last.

Max Schreck was born in Berlin. He worked in an apprenticeship until his father's death before enrolling into a school for acting. He toured the country with his peers and was a member of several theaters until he became a part of Max Reinhardt's group of innovative German actors. He played mostly out of the norm characters, the elderly and the grotesque, because of his talent and passion for make-up and costume fabrication. Although film was a challenge in which he excitedly and hopefully participated, he had small roles in films that are scarcely available, and his real career was in German theatre. He played hundreds of roles in his lifetime. He was married to Fanny Normann, a fellow performer whom he met a short time after his actor's education and shared many times with on stage. They had no children. He died on the morning of February 20th, 1936 from a heart attack.

Blonde, blue-eyed Karin Baal was born as Karin Blauermel in Berlin. She grew up fatherless, raised by her mother who toiled as a seamstress and factory worker. After completing secondary school at age sixteen, Karin commenced training as a fashion illustrator. By pure chance, she learned that the director Georg Tressler was in the process of casting for a 'Marina Vlady'-type as the female lead for his new film Teenage Wolfpack (1956). Without any formal acting training whatsoever, Karin passed her audition and was selected for the coveted role as one among 700 other hopefuls. Due to her lack of experience, she was dubbed by Brigitte Grothum.

In 1959, Karin completed her acting and voice training under Luise Berger and Ilse Bonger. This opened up roles for her in the theatre. In the course of succeeding decades, she appeared regularly on stages in Berlin, Munich and Zurich. The high point of her performing career were successful tours in plays by Heinrich Böll ('Die verlorene Ehre der Katharina Blum'), Jean-Paul Sartre and Francis Durbridge.

On screen, Karin's role in Teenage Wolfpack set the tone for her subsequent gallery of young rebels, delinquents and temptresses in films like Judge and Juvenile (1960), Die junge Sünderin (1960) (which garnered her a 1960 Bambi as Best Upcoming Actress) and Rosemary (1958). Conversely, she also portrayed 'damsels in distress' in the Edgar Wallace potboilers Dead Eyes of London (1961) and The Horror of Blackwood Castle (1968).

By the 70s, Karin had begun to work increasingly in television. Many of her guest appearances were supporting roles in 'Krimis' (crime shows), like Der Kommissar (1969), Sonderdezernat K1 (1972), Derrick (1974), The Old Fox (1977) and Tatort (1970). She also featured in a trio of Rainer Werner Fassbinder productions: Berlin Alexanderplatz (1980) (as the niece of Franz Biberkopf, played by Günter Lamprecht), as a resistance fighter in Lili Marleen (1981) and as the mother of madam Lola (1981) (Barbara Sukowa).

Karin's final screen appearance was in 2011. A year later, she published her memoirs under the title Ungezähmt - Mein Leben. In it, she has recounted her tormented personal life, including four failed marriages, problems with depression, alcohol and cocaine addiction and frequent resulting trips to rehab clinics.

By 2016, and on the road to recovery, she confirmed her retirement from acting, saying that everything (in show biz) today felt 'too impersonal' and 'machine-like'. Karin Baal has latterly resided in Berlin-Charlottenburg, subsisting on a modest pension. In 2018, she was honoured with the inaugural Götz-George-Prize for her lifetime contribution to film.

Born the fourth of six children to Austrian customs officer Alois Hitler--who had been married twice before--and the former Klara Polzl, Adolf Hitler grew up in a small Austrian town in the late 19th century. He was a slow learner and did poorly in school. He was frequently beaten by his authoritarian father. Things got worse when Adolf's older brother, Alois Jr., ran away from home. His mild-mannered mother occasionally tried to shield him, but was ineffectual. Adolf's attempt to run away at 11 was unsuccessful. At the age of 14 he was freed when his hated father died - an event that he did not mourn.

Hitler dropped out of high school at age 16 and went to Vienna, where he strove to become an artist, but was refused twice by the Vienna Art Academy. By this time Hitler had become an ardent German nationalist--although he was not German but Austrian--and when World War I broke out, he crossed into Germany and joined a Bavarian regiment in the German army. He was assigned as a message runner but also saw combat. Temporarily blinded after a gas attack in Flanders in 1918, he received the Iron Cross 2nd Class and was promoted from private to corporal. In 1918, when the war ended, Hitler stayed in the army and was posted to the Intelligence division. He was assigned to spy on several radical political parties that were considered a threat to the German government. One such organization was the German Workers' Party. Hitler was drawn by party founder Dietrich Eckart, a morphine addict who propagated doctrines of mysticism and anti-Semitism. Hitler soon joined the party with the help of his military intelligence ties. He became party spokesman in 1919, renamed it the National Socalist German Workers Party (NSDAP/NAZI) and declared himself its Führer (leader) one year later. In 1920 Hitler's intelligence handler, Munich-based colonel named Karl Haushofer, introduced the swastika insignia. In 1921 Haushofer founded the paramilitary Storm Troopers ("Sturmabteilung", or SA), composed of German veterans of WWI and undercover military intelligence officers. They helped Hitler to organize a coup attempt--the infamous "beer hall putsch"--against the Bavarian government in Munich in 1923, but it failed. The "rebels" marched on Munich's city hall, which was cordoned off by police. Hitler's men fired at the police and missed; the police fired back and didn't, resulting in several of Hitler's fellow Nazis being shot dead. Hitler himself was arrested, convicted of treason and sent to prison. During his prison time he was coached by his advisers and dictated his book "Mein Kampf" ("My Struggle") to his deputy Rudolf Hess. He only served several months in prison before being released. By 1925 the Nazi party was in much better straits both organizationally and financially, as it had secured the backing of a large group of wealthy conservative German industrialists, who funneled huge amounts of money into the organization. Hitler was provided with a personal bodyguard unit named the "Schutzstaffel", better known as the SS. The Nazis began to gain considerable support in Germany through their network of army and WWI veterans, and Hitler ran for President in 1931. Defeated by the incumbent Paul von Hindenburg, Hitler next attempted to become Chancellor of Germany. Through under-the-table deals with powerful conservative businessmen and right-wing politicians, Hitler was appointed Chancellor in January 1933. One month later, a mysterious fire--which the Nazis claimed had been started by "terrorists" but was later discovered to have been set by the Nazis themselves--destroyed the Reichstag (the building housing the German parliament). Then Hitler's machine began to issue a series of emergency decrees that gave the office of Chancellor more and more power.

In March of 1933 Hitler persuaded the German parliament to pass the Enabling Act, which made the Chancellor dictator of Germany and gave him more power than the President. Two months later Hitler began "cleaning house"; he abolished trade unions and ordered mass arrests of members of rival political groups. By the end of 1933 the Nazi Party was the only one allowed in Germany. In June of 1934 Hitler turned on his own and ordered the purge of the now radical SA--that he now saw as a potential threat to his power--which was led by one of his oldest friends, a thug and street brawler named Ernst Röhm. Röhm's ties to Hitler counted for nothing, as Hitler ordered him assassinated. Soon President Hindenburg died, and Hitler merged the office of President with the office of Chancellor. In 1935 the anti-Jewish Nuremburg laws were passed on Hitler's authorization. A year later, with Germany now under his total control, he sent troops into the Rhineland, which was a violation of the World War I Treaty of Versailles. In 1938 he forced the union of Austria with Germany and also took the Sudetenland, a region of Czechoslovakia near the German border with a large ethnic German population, on the pretext of "protecting" the German population from the Czechs. In March 1939 Hitler overran the rest of Czechoslovakia. On 23 August 1939 Hitler and Joseph Stalin made a non-aggression treaty. In September of 1939 Hitler and Stalin invaded Poland. France and the British Commonwealth and Empire declared war on Germany. In 1940 Germany occupied Denmark, Norway and the Low Countries, and launched a major offensive against France. Paris fell and France surrendered, after which Hitler considered invading the UK. However, after the German Air Force was defeated in the Battle of Britain, the invasion was canceled. The British had begun bombing German cities in May 1940, and four months later Hitler retaliated by ordering the Blitz. In 1941 German troops assisted Italy, which under dictator Benito Mussolini was a German ally, in its takeover of Yugoslavia and Greece. Meanwhile, in Germany and the occupied countries, a program of mass extermination of Jews had begun.

On June 22, 1941, German forces invaded the Soviet Union. In addition to more than 4,000,000 German troops, there were additional forces from German allies Romania, Italy, Czechoslovakia, Hungary, Croatia, Spain and Finland, among others. Hitler used multinational forces in order to save Germans for the future colonization of the Russian lands. Following the detailed Nazi plan, code-named "Barbarossa," Hitler was utilizing resources of entire Europe under Nazi control to feed the invasion of Russia. Three groups of Nazi armies invaded Russia: Army Group North besieged Leningrad for 900 days, Army Group Center reached Moscow and Army Group South occupied Ukraine, reached Caucasus and Stalingrad. After a series of initial successes, however, the German Armies were stopped at Moscow, Leningrad and Stalingrad. Leningrad was besieged by the Nazis for 900 days until the city of 4,000,000 virtually starved itself to death. Only in January of 1944 was Marshal Georgi Zhukov able to finally defeat the German forces and liberate the city, finally lifting the siege after a cost of some 2,000,000 lives. In 1943 several major battles occurred at Kursk (which became the largest tank battle in history), Kharkov and Stalingrad, all of which the Germans lost. The battle for Stalingrad was one of the largest in the history of mankind. At Stalingrad alone the Germans lost 360,000 troops, in addition to the losses suffered by Italian, Hungarian, Romanian, Czech, Croatian and other forces, but the Russians lost over one million men. By 1944--the same year the Western allies invaded occupied Europe--Germany was retreating on both fronts and its forces in Africa had been completely defeated, resulting in the deaths and/or surrender of several hundred thousand troops. Total human losses during the six years of war were estimated at 60,000,000, of which 27,000,000 were Russians, Ukrainians, Jews and other people in Soviet territory. Germany lost over 11,000,000 soldiers and civilians. Poland and Yugoslavia lost over 3,000,000 people each. Italy and France lost over 1,000,000 each. Most nations of Central and Eastern Europe suffered severe--and in some cases total--economic destruction.

Hitler's ability to act as a figurehead of the Nazi machine was long gone by late 1944. Many of his closest advisers and handlers had already fled to other countries, been imprisoned and/or executed by the SS for offenses both real--several assassination attempts on Hitler--and imagined, or had otherwise absented themselves from Hitler's inner circle. For many years Hitler was kept on drugs by his medical personnel. In 1944 a group of German army officers and civilians pulled off an almost successful assassination attempt on Hitler, but he survived. Hitler, by the beginning of 1945, was a frail, shaken man who had almost totally lost touch with reality. The Russians reached Berlin in April of that year and began a punishing assault on the city. As their forces approached the bunker where Hitler and the last vestiges of his government were holed up, Hitler killed himself. Just a day earlier he had married his longtime mistress Eva Braun. Hitler's corpse was taken to Moscow and later shown to Allied Army Commanders and diplomats. Joseph Stalin showed Hitler's personal items to Winston Churchill and Harry S. Truman at the Potsdam Conference after the victory. Hitler's personal gun was donated to the museum of the West Point Military Academy in New York. Some of his personal items are now part of the permanent collection at the National History Museum in Moscow, Russia.

Beaumont began his career in show business by perfoming in theatres, nightclubs, and on the radio in 1931. He attended the University of Chattanooga, but left when his position on the football team was changed. He later attended the University of Southern California, and graduated with a Master of Theology degree in 1946. He was visiting his son Hunter, a Psychology Professor in Munich, at the time of his sudden death.

Born Kätherose Derr in Wiesbaden, Karin Dor studied acting and ballet at school and began in films as an extra. The attractive redhead made an indelible impression on Austrian director Harald Reinl (who became her first husband in 1954) and this paved the way to higher profile roles. Her first significant featured appearance was in Reinl's melodrama Der schweigende Engel (1954). Karin subsequently shared top billing in a classroom drama about wayward matriculation students, Ihre große Prüfung (1954). During the initial segment of her career she played nice girls, mainly wide-eyed ingénues, innocent victims and assorted naive juveniles in war and period dramas (As Long as You Live (1955)), Heimatfilms (Almenrausch und Edelweiß (1957)) and operettas (The White Horse Inn (1960)).

By 1960, a more glamorous, lithe and sensual Karin had graduated to juicer roles as heroines in Edgar Wallace potboilers (beginning with Der grüne Bogenschütze (1961)) and a series of Karl May European westerns, invariably directed by Reinl and co-starring Tarzan actor Lex Barker (a combination which proved equally successful for other crime/sci-fi franchises, including The Invisible Dr. Mabuse (1962)). Many of these pictures enjoyed only limited release and were rarely exhibited outside Germany.

Karin succeeded at last to break her stereotyping by playing a pathological serial killer wielding a cutthroat razor in another Wallace/Reinl outing, Room 13 (1964), and - for a total change of pace -- essayed Brunhilde in a two-part filming of the epic 'Die Nibelungen' (also directed by Reinl). With her international appeal now widening, she appeared in The Face of Fu Manchu (1965), a British-West German co-production, as a scientist's daughter menaced by the titular villain. To follow was arguably her best-known international role as an early 'Bond girl', Helga Brandt (alias Number Eleven), a SPECTRE operative whose failure to eliminate J.B. results in her being dropped into a piranha-infested pool by super villain Blofeld (Donald Pleasence) in You Only Live Twice (1967). She was then engaged by Alfred Hitchcock for the part of Cuban resistance leader Juanita de Cordoba in Topaz (1969) in which her character came to a similarly sticky end. Karin's career never quite recovered from this director's rare box-office aberration. British Times reviewer and Hitchcock specialist John Russell Taylor described the picture as "generally flat, undistinguished, and lacking in any sign of positive interest or involvement on his (Hitchcock's) part". In the wake of Topaz, Karin's screen appearances became infrequent, except for a couple of guest spots on American crime shows, followed by an of unsuccessful feature film comeback attempt in the incongruous thriller Warhead (1977). She was latterly seen on German television in several episodes of Rosamunde Pilcher (1993). Karin's third husband was actor and stuntman George Robotham who predeceased her in 2007.

Above all, Rainer Werner Fassbinder was a rebel whose life and art was marked by gross contradiction. Openly homosexual, he married twice; one of his wives acted in his films and the other served as his editor. Accused variously by detractors of being anticommunist, male chauvinist, antiSemitic and even antigay, he completed 44 projects between 1966 and 1982, the majority of which can be characterized as highly intelligent social melodramas. His prodigious output was matched by a wild, self-destructive libertinage that earned him a reputation as the enfant terrible of the New German Cinema (as well as its central figure.) Known for his trademark leather jacket and grungy appearance, Fassbinder cruised the bar scene by night, looking for sex and drugs, yet he maintained a flawless work ethic by day. Actors and actresses recount disturbing stories of his brutality toward them, yet his pictures demonstrate his deep sensitivity to social misfits and his hatred of institutionalized violence. Some find his cinema needlessly controversial and avant-garde; others accuse him of surrendering to the Hollywood ethos. It is best said that he drew forth strong emotional reactions from all he encountered, both in his personal and professional lives, and this provocative nature can be experienced posthumously through reviewing his artistic legacy.

Fassbinder was born into a bourgeois Bavarian family in 1945. His father was a doctor and his mother a translator. In order to have time for her work, his mother frequently sent him the movies, a practice that gave birth to his obsession with the medium. Later in life, he would claim that he saw a film nearly every day and sometimes as many as three or four. At the age of 15, Fassbinder defiantly declared his homosexuality, soon after which he left school and took a job. He studied theater in the mid-sixties at the Fridl-Leonhard Studio in Munich and joined the Action Theater (aka, Anti-Theater) in 1967. Unlike the other major auteurs of the New German Cinema (e.g., Schlöndorff, Herzog and Wenders) who started out making movies, Fassbinder acquired an extensive stage background that is evident throughout his work. Additionally, he learned how to handle all phases of production, from writing and acting to direction and theater management. This versatility later surfaced in his films where, in addition to some of the aforementioned responsibilities, Fassbinder served as composer, production designer, cinematographer, producer and editor. [So boundless was his energy, in fact, that he appeared in 30 projects of other directors.] In his theater years, he also developed a repertory company that included his mother, two of his wives and various male and female lovers. Coupled with his ability to serve in nearly any crew capacity, this gave him the ability to produce his films quickly and on extremely low budgets.

Success was not immediate for Fassbinder. His first feature length film, a gangster movie called Love Is Colder Than Death (1969) was greeted by catcalls at the Berlin Film Festival. His next piece, Katzelmacher (1969), was a minor critical success, garnering five prizes after its debut at Mannheim. It featured Jorgos, an emigrant from Greece, who encounters violent xenophobic slackers in moving into an all-German neighborhood. This kind of social criticism, featuring alienated characters unable to escape the forces of oppression, is a constant throughout Fassbinder's diverse oeuvre. In subsequent years, he made such controversial films about human savagery such as Pioneers in Ingolstadt (1971) and Whity (1971) before scoring his first domestic commercial success with The Merchant of Four Seasons (1972). This moving portrait of a street vendor crushed by the betrayal and his own futility is considered a masterpiece, as is his first international success Ali: Fear Eats the Soul (1974) (Fear Eats the Soul). With a wider audience for his efforts, however, some critics contend that Fassbinder began to sell out with big budget projects such as Despair (1978), Lili Marleen (1981) and Lola (1981). In retrospect, however, it seems that the added fame simply enabled Fassbinder to explore various kinds of filmmaking, including such "private" works as In a Year with 13 Moons (1978) and The Third Generation (1979), two films about individual experience and feelings. His greatest success came with The Marriage of Maria Braun (1979) (The Marriage of Maria Braun), chronicling the rise and fall of a German woman in the wake of World War II. Other notable movies include The Bitter Tears of Petra von Kant (1972), Fox and His Friends (1975), Satan's Brew (1976) and Querelle (1982), all focused on gay and lesbian themes and frequently with a strongly pornographic edge.

His death is a perfect picture of the man and his legend. On the night of June 10, 1982, Fassbinder took an overdose of cocaine and sleeping pills. When he was found, the unfinished script for a version of Rosa Luxemburg was lying next to him. So boundless was his drive and creativity that, throughout his downward spiral and even in the moment of his death, Fassbinder never ceased to be productive.

Remote, somewhat morose and, as a result, intriguing, Viennese talent Oskar Werner was born in 1922, not far from the birthplace of "Waltz King" Johann Strauss, and christened Oskar Josef Bschließmayer. His parents divorced when he was fairly young.

While growing up, Oskar found performing in school plays helped draw out a deep yearning to act. As a teenager, Oskar was further tempted when his uncle managed to find him some un-credited roles in a couple of German and Austrian war-era films.

Oskar dropped out of high school in order to pursue acting. Not long after, he became the youngest actor ever, up until that point, to be offered membership to the Burgtheater.

His name was changed to 'Oskar Werner', and he made his official debut in 1941. His career, however, was almost immediately interrupted by World War II. An avowed pacifist and fervent loathing of the Nazi regime, Werner eventually was forced to wear the German Axis army uniform, but finagled his way into KP duty feigning incompetence. Moreover, he married Elizabeth Kallina, a half-Jewish actress, which further endangered his life. Their daughter, Elinore, was born in 1944. The young family spent much of their time in the Vienna woods, hiding from both the Russians and Germans after the city was shelled.

In post-war years, Oskar returned to the Burgtheater and widened his range of classics on the stage. Performing in such productions as "The Misanthrope", "I Remember Mama", "Julius Caesar" and "Danton's Death", he also played a diverse range of character roles and "older men" parts.

He did not make any kind of dent in films until appearing in both the German (1948) and English versions of The Angel with the Trumpet (1950) as one of the more dissolute members of a family of piano makers.

An aloof, handsome blond with wide-set, hooded eyes and quietly solemn features, Werner showed extreme promise in just a few Austrian/German films, including the role of composer Beethoven's manipulative young nephew 'Karl' in the Austrian-made Eroica (1949).

Less than 2 years later, Oskar would have a resounding hit starring in his very first English-language film, Decision Before Dawn (1951), as the German prisoner of war protagonist in the Fox feature.

Though ready for film-stardom, Werner's experience with the film studios quickly soured him on Hollywood, as it failed on its promise to develop him into a Hollywood commodity. As a result, he returned to Europe and his theatre roots, determined only to come back to films when it suitably piqued his interest.

He fulfilled that promise, perhaps to his career detriment.

Having become one of the most esteemed young actor found on Western European stages, he hit international celebrity with his definitive portrayal of "Hamlet" in 1952, a role he would return to frequently. He returned to filming a few years later; four of his features were released in 1955. He played a German captain in the film The Last Ten Days (1955) [released in the States as The Last Ten Days of Hitler]; Lieutenant Baumgarten in the historical thriller Spionage (1955) [aka: Colonel Redl]; the title role in the romanticized biopic The Life and Loves of Mozart (1955); and the student in the Max Ophüls drama Lola Montès (1955).

In 1957, he founded the Theatre Ensemble Oskar Werne, with which he performed in such productions as "Bacchus." He would also return on occasion to the Burgtheater where he played "Henry V" and "Prince Hal" in "Henry IV".

His interest in filming was not piqued again until 1962, when he became an international sensation alongside French star Jeanne Moreau, in François Truffaut's 'New Wave' cinematic masterpiece Jules and Jim (1962) as the highly romantic and intellectual "Jules". He stood firm, however, despite the rash of critical kudos, and did not make a film again until four years later, earning an Oscar nomination for his tortured shipboard romance with Simone Signoret (also nominated) in the glossy high seas drama Ship of Fools (1965). Notable for his roles of almost unbearable but restrained intensity, Werner furthered his film reputation by co-starring with Richard Burton and Claire Bloomin the now- classic Cold War spy film, The Spy Who Came in from the Cold (1965). Truffaut blessed him as well with another sterling role, in the futuristic classic Fahrenheit 451 (1966), but the relationship between both of the men was irreparably damaged over artistic differences during filming.

The unhappy experience Werner had during filming, triggered an already burgeoning drinking problem, and marked the start of decline of his career.

Werner made only three films following the Truffaut affair, but the roles, as usual, were performed superbly. He played the suave and very-married symphony conductor who has an illicit affair with a reporter (Barbara Ferris) in the tender remake of the June Allyson/Rossano Brazzi tearjerker Interlude (1968); he appeared as an unorthodox Jesuit priest in the all-star epic The Shoes of the Fisherman (1968); and boarded another WW II-era ship as German Faye Dunaway's Jewish husband in the all-star feature, Voyage of the Damned (1976).

Sadly, his longstanding problem with drink turned Oskar into a virtual recluse. Twice divorced (his second wife being Anne Power, the adopted daughter of father, Tyrone Power) and mother, Annabella, Werner later had a son, Felix, from a 1966 liaison with American model Diane Anderson.

His later years were spent traveling internationally, committing to poetry/pacifist readings, and occasionally performing on the stage. In 1967, he presented his one-man show 'An After-Dinner Evening with Oskar Werner', which was comprised of readings from the works of Schiller, Goethe and others. In 1970, he once-again toured with 'Hamlet'. His final stage appearance was in a 1983 production of 'The Prince of Homburg'.

On the night of Monday, 22 October, 1984, Werner canceled a concert reading at a German drama club due to illness. The following day - 23 October, 1984 Werner was found dead by heart attack, at the age of 61. He was laid to rest in his adopted country of Liechtenstein. He passed away only two days after Truffaut.

Leni Riefenstahl's show-biz experience began with an experiment: she wanted to know what it felt like to dance on the stage. Success as a dancer gave way to film acting when she attracted the attention of film director Arnold Fanck, subsequently starring in some of his mountaineering pictures. With Fanck as her mentor, Riefenstahl began directing films.

Her penchant for artistic work earned her acclaim and awards for her films across Europe. It was her work on Triumph of the Will (1935), a documentary commissioned by the Nazi government about Adolf Hitler and the Third Reich, that would come back to haunt her after the atrocities of World War II. Despite her protests to the contrary, Riefenstahl was considered an intricate part of the Third Reich's propaganda machine. Condemned by the international community, she did not make another movie for over 50 years.

Tall, portly built German born actor (and talented violinist) who notched up over 100 film appearances, predominantly in German-language productions. He will forever be remembered by Western audiences as the bombastic megalomaniac "Auric Goldfinger" trying to kill Sean Connery and irradiate the vast US gold reserves within Fort Knox in the spectacular "James Bond" film Goldfinger (1964). However, due to Fröbe's thick German accent, his voice was actually dubbed by English actor, Michael Collins.

While commonly perceived as cold hearted & humourless from his Goldfinger (1964) portrayal, quite to the contrary, Fröbe was a jovial man and a wonderful comedic performer. His light hearted talents can be best viewed in The Ballad of Berlin (1948), Der Tag vor der Hochzeit (1952), Chitty Chitty Bang Bang (1968), and Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 Hours 11 Minutes (1965). Fröbe also portrayed dogged detective Kriminalkommissar Kras/Lohmann pursuing the evil Dr. Mabuse in The 1,000 Eyes of Dr. Mabuse (1960), The Return of Dr. Mabuse (1961) and The Terror of Doctor Mabuse (1962).

This dark, debonair, dashing and extremely distinguished Austrian actor was christened Adolf Wohlbrück in Vienna, the scion of a family of circus clowns. He broke away easily from generations of tradition as the circus life had no appeal whatsoever to Walbrook.

Trained by the legendary director Max Reinhardt, Walbrook's reputation grew on both the Austrian and German stages. In between he managed a couple of undistinguished roles in silent films. Billed as Adolf Wohlbrück, the youthfully handsome actor graced a number of romantic films come the advent of sound beginning in 1931. Among them Waltz War (1933) and the gender-bending comedy Victor and Victoria (1933), which later served as the inspiration and basis for Blake Edwards' own Victor/Victoria (1982) starring wife Julie Andrews. Hollywood beckoned in the late 30s for Walbrook to re-shoot dialog for an upcoming international picture The Soldier and the Lady (1937) again playing Michael Strogoff, a role he had played impeccably in both previous French and German adaptations. With the rise of oppression in Nazi Germany he moved to Great Britain and took his trademark mustache and dark, handsome features to English language films where he went on to appear to great effect.

Portraying a host of imperious kings, bon vivants and and foreign dignitaries over the course of his career, he played everything from composer Johann Strauss to the Bavarian King Ludwig I. With a tendency for grand, intense, over-the-top acting, he was nevertheless quite impressive in a number of portrayals. Such included the sympathetic German officer in the landmark Powell and Pressburger satire The Life and Death of Colonel Blimp (1943) and gentle pacifist in another of their collaborations 49th Parallel (1941); as Prince Albert in the black-and-white glossy costumer Victoria the Great (1937) immediately followed by its color remake Queen of Destiny (1938) both opposite Anna Neagle's Queen Victoria; and, most notably, as the obsessively demanding impresario opposite ballerina Moira Shearer in the romantic melodrama The Red Shoes (1948). His stiff and stern military officers were just as notable which included sterling work in The Queen of Spades (1949) and last-speaking English film I Accuse! (1958).

He retired from films at the end of the 1950s, and in later years returned to the European stage and included television roles to his resume. He died in Germany in 1967 of a heart attack.

Gottfried John was born on 29 August 1942 in Berlin, Germany. He was an actor, known for Asterix and Obelix vs. Caesar (1999), GoldenEye (1995) and The Marriage of Maria Braun (1979). He was married to Brigitte. He died on 1 September 2014 in Utting am Ammersee, Bavaria, Germany.

Dieter Laser is a German actor. He is known to English-speaking audiences for his roles: Mantrid in Lexx, Prof. Otto Blaettchen in The Ogre and Dr. Joseph Heiter in The Human Centipede (First Sequence), for which he won Best Actor at the Austin Fantastic Fest. In 1975, he was awarded the German Film Award in Gold in the category of Best Actor for his title role in John Glueckstadt.

He was born in Kiel. On a cold winter afternoon at the age of sixteen, Dieter Laser went to the stage door of the Deutsches Schauspielhaus in Hamburg at that time the most famous theatre in Germany and he asked the doorman how to become an actor. There was an extra missing for the Christmas fairy tale afternoon-performance for children and 30 minutes later he stood on stage among a bunch of "sailors". That was the beginning of his career as an extra. - He had grown up in a fundamentalist Christian sect where the Theatre was regarded as devil's work. As a brainwashed believer he had to hazard the consequences. Therefore he made a deal with the devil: 'I will become an actor and I'll pay later on - in hell!' - Watching as an extra the famous actors "The Gods" by doing their marvelous work during rehearsals and performances became his "drama school". Gradually he got a word to speak in a play - then two words - even a sentence - a tiny part - another little part - and one day he suddenly got a contract and overnight his dream had come true: he now was a real actor with whom the "Gods" shook hands. - After 14 passionate years on stage and as a co-founder and member of the board of the meanwhile most famous German theatre, the Schaubuehne in Berlin, he decided to become a freelancer and got his first work for the cinema: the title role in John Glueckstadt. For this performance he won the German Film Award in Gold. Since then, and besides countless guest appearances on the most important stages of Germany, Austria, Switzerland and Luxemburg, with parts like Don Juan, Valmont, Peer Gynt, Macbeth, Captain Ahab etc. Dieter Laser played in about 65 films, at times co-starring with "Gods" like Burt Lancaster, Julie Christie, Donald Sutherland, Glenn Close, John Malkovich etc..

Greta Schröder was a German actress. She is best known for the role of Thomas Hutter's wife in the 1922 silent film Nosferatu. In the fictionalized 2000 film, Shadow of the Vampire, she is portrayed as having been a famous actress during the making of Nosferatu, but in fact she was little known.

The peak of her career was during the 1920s, and she continued to act well into the 1950s, but by the 1930s her roles had diminished to only occasional appearances.

Greta Schröder died on 8 June 1980 at the age of 87.

Hildegard Frieda Albertine Knef was born on December 28, 1925 in Ulm, Germany. In 1940, she began to study acting. Even before the fall of the Third Reich, she appeared in several films, but most of them were only released after the war. To avoid being raped by Soviet soldiers, she dressed like a young man and was sent to a camp for prisoners of war. She escaped and returned to war-shattered Berlin, where she played her first parts on stage. The first German movie after World War II, Murderers Among Us (1946), made her a star. David O. Selznick invited her to Hollywood and offered her a contract--with two conditions: Hildegard Knef should change her name to Gilda Christian, and she should pretend to be Austrian instead of German. She refused both and returned to Germany. In 1951 she provoked one of the greatest scandals in German film history when she appeared naked in the film The Sinner (1951). The Roman Catholic Church protested vehemently against that film, but Hildegard just commented: "I can't understand all that tumult--five years after Auschwitz!"

With the support of her first husband, the American Kurt Hirsch, she tried a second time to launch a Hollywood career and changed her surname from Knef to Neff (Americans could not pronounce Knef), but the only worthwhile part she got was a supporting role in the Hemingway adaptation of The Snows of Kilimanjaro (1952). She became a leading lady in German, French, and British films. Finally, America offered her another chance, this time on the stage. She achieved a kind of stardom as Ninotchka in the very popular Broadway play "Silk Stockings".

In 1963 she began a new career as a singer, surprising audiences with her typical, deep, smoky voice and the fact that she wrote many of her own song lyrics. In 1970, she wrote the autobiographical bestseller "Der Geschenkte Gaul". She got sympathy from all over the world for her fight against cancer, which she defeated several times.

After the German reunification, Hildegarde Knef moved back to Berlin and died at age 76 of a lung infection on February 1, 2002.

Born in Austria to a French mother and a German father, young Christine Kaufmann conquered the hearts of post-war German movie audiences in movies like Der schweigende Engel (1954), Ein Herz schlägt für Erika (1956) and, most famously, Rosen-Resli (1954). Discovered at the tender age of six, Christine was soon the breadwinner for her family. This quickly changed when puberty destroyed her blooming career as "the sweet innocent child" in West Germany. Her ambitious mother, by now Christine's manager, relocated to Rome with her. In Italy, her Lolita-like qualities were appreciated and used in movies like The Last Days of Pompeii (1959) in which, at age 13, she played the love-interest of "Mr. Universe" Steve Reeves (then 32). Due to her hard work as a child (between 1952 and 1959 she starred in 18 films!), she was never able to attend school; yet, by the age of 14, young Christine was fluent in German, French, Italian, Spanish and English.

In 1959, Christine headed to London to audition for the role of Karen in Exodus (1960). Director Otto Preminger chose Jill Haworth over Kaufmann but was still so impressed with her that he recommended her for a substantial part in Gottfried Reinhardt's courtroom drama Town Without Pity (1961). The movie, which starred Kirk Douglas, E.G. Marshall and Robert Blake, became an international success and earned Kaufmann a Golden Globe as Most Promising Newcomer. After a string of rather forgettable movies in West Germany, France, and Italy, she flew to Argentina to co-star alongside Yul Brynner and Tony Curtis in Taras Bulba (1962). Curtis, who was already 36, fell immediately for the 16-year-old German starlet, left his wife Janet Leigh and his two daughters and started to live with Christine in both Europe and in Los Angeles. (In the US, they had to keep their relationship on the DL because Christine was still underage and therefore jail bait.) Shortly after her 18th birthday, Curtis and Kaufmann got married in Las Vegas. Kirk Douglas was their best man. One of Curtis' demands was that she would retire from acting after the wedding, and Christine gladly acquiesced to his request; actually she had been dreaming of retiring since her success with Rosen-Resli (1954) which had ended her once-peaceful childhood abruptly. She later claimed that she'd never really been interested in becoming an actress in the first place and was more or less forced into it by her parents: "I was an obedient girl and wanted to make my mother happy, so I simply did what I was being told. Unfortunately, once you are famous, there's no way back, and since I didn't have a formal school education, I could not fulfill my dream of studying archaeology and art history."

Her last movie, a droll comedy titled Wild and Wonderful (1964), was released in June 1964 to mixed reviews. In July, she gave birth to her first daughter, Alexandra Curtis. Christine was 19. Two years later, a second daughter, Allegra Curtis, arrived. Her husband, who already had two daughters with his first wife, had wanted a son and was unable to hide his disappointment. By late 1966, Tony Curtis was pretty much spending his time with other women, while Christine, living the life of a 40-year-old Hollywood matron at the age of 20, was slowly growing up. In 1968, she left Curtis and filed for divorce in Mexico, because she didn't want any of his money. She took her daughters and moved back to Europe.

By the early 1970s, Christine worked steadily in theatre, on TV and occasionally in movies: "I worked with discipline, but without any interest." Art house directors like Werner Schroeter, Percy Adlon, and Rainer Werner Fassbinder cast her in sometimes interesting, but mostly forgettable movies. In 1971, she did another American movie (filmed in Madrid), the tepid, too-artsy-for-its-own-good Murders in the Rue Morgue (1971) with Jason Robards and Herbert Lom, and in 1987 she was offered a wonderfully written part in Bagdad Cafe (1987) with Marianne Sägebrecht, CCH Pounder and Jack Palance which became one of the most enchantingly beautiful movies of the decade. But Christine's real passion belonged to the theatre where she acted under maverick directors like Peter Zadek and Michael Bogdanov.

She made a lasting impression on German television with her hilariously witty portrayal of Olga Behrens in Monaco Franze - Der ewige Stenz (1983), written by Patrick Süskind.

In the 1990s, now approaching 50, Christine took up writing, publishing several books on beauty, health, and fame, including three autobiographies. She also became a business woman with her own line of cosmetics which made her a fairly wealthy woman. Generous as she was, she financed (with the help of ex-stepdaughter Jamie Lee Curtis) her grandchildren's education.

After Curtis, Christine Kaufmann re-married three times, all marriages ending in divorce. She lived all over the world, including five years in Morocco. In March 2017, shortly after her 72nd birthday, Christine died of leukemia (like her mother) in Munich. She wanted to be buried next to her mother and grandmother in Vernon, just outside Paris, a wish that was granted by her older brother and her daughters.

Heidi Brühl was born on 30 January 1942 in Gräfelfing, Bavaria, Germany. She was an actress, known for Hochzeit auf Immenhof (1956), Der Zigeunerbaron (1962) and Ferien auf Immenhof (1957). She was married to Brett Halsey. She died on 8 June 1991 in Starnberg, Bavaria, Germany.

Ursula Reit was born on 5 March 1914 in Wuppertal, Germany. She was an actress, known for Willy Wonka & the Chocolate Factory (1971), Der Teufelsschüler (1973) and The Devil's Female (1974). She died on 9 November 1998 in Germany.

Ulrich Mühe was a German film, television, and theater actor renowned for his role as Captain Gerd Wiesler in the Oscar-winning film "The Lives of Others" (2006). His performance earned him the Best Actor award at the 2006 European Film Awards. Before his film success, Mühe was a prominent stage actor in East Germany, notably at the Deutsches Theater in East Berlin. He was also known for his political activism, publicly opposing Communist rule in East Germany during the Alexanderplatz demonstration on November 4, 1989. After German reunification, he continued to work extensively in theater, film, and television, including the series "Der letzte Zeuge" (1998-2007). Mühe was married to actresses Jenny Gröllmann and later Susanne Lothar, and had five children, including actress Anna Maria Mühe. He passed away in 2007.

Günter Meisner was born on 18 April 1926 in Bremen, Germany. He was an actor and director, known for Willy Wonka & the Chocolate Factory (1971), The Boys from Brazil (1978) and In a Glass Cage (1986). He was married to Gisela Albrecht Meisner. He died on 5 December 1994 in Berlin, Germany.

Tall, blonde, busty and radiant, Eva Renzi created a sensation when she rose to stardom in her native West Germany in the mid-60s. Born to a 17-year-old French mother and a 49-year-old Danish father, Eva's childhood was everything but happy. Her parents got divorced when she was three, and her mother put her into an orphanage run by nuns. Eva was 14 when she returned to live with her abusive father; she later claimed that "he beat the daylights out of me on a daily basis". Living with her father proved to be so difficult that Eva tried to kill herself twice before she eventually left home at the tender age of 17 to pursue a career in acting. Famous drama coach Else Bongers took her under her wing, and the beautiful teenager supported herself as a model, a phone operator, and a waitress before making her debut on stage in late 1961. She became a member of the Freie Volksbühne Berlin in 1964 when renowned director Erwin Piscator hired her as "Electra".

In early 1965, Renzi was a single mother - her daughter Anouschka Renzi was fathered by a Brazilian bar owner named Raimundo - and a fairly successful stage actress when journalist-turned-director Will Tremper became so fascinated and infatuated with her extraordinary temper and raving beauty that he wrote a movie specifically for her: That Woman (1966), a personality vehicle for Eva Renzi, successfully premiered in 1966. The German press hailed her as "a sensuous mix between Julie Christie and Ingrid Bergman", and the movie itself caused quite a stir with its almost Godard-like atmosphere and international flair. On the set of That Woman (1966), Renzi, then 21, met Paul Hubschmid, 27 years her senior. The Swiss film star and notorious womanizer fell madly in love with Eva, married her in Las Vegas in 1967 and adopted her little daughter Anouschka to raise her as his own child. By that time, Eva's international career was going gangbusters: she was doing two, sometimes three movies a year, alternating between Hollywood, France, Italy, West Germany, and England. Her most successful movies were Funeral in Berlin (1966) alongside Michael Caine (unable to master the English language without an accent, she was dubbed by Nikki Van der Zyl in this one), the charming and underrated The Pink Jungle (1968) with James Garner and George Kennedy, and The Bird with the Crystal Plumage (1970) by Dario Argento, a movie that she later labeled "my career-suicide". The Renzi-Hubschmid family lived in Southern France, near Saint Tropez, and on the surface everything seemed happy, happy, happy.

By 1972, however, Eva's momentum was pretty much over, and she got tired of acting, the spotlight, her marriage, and society in general. She rejected a movie offer by Orson Welles and refused to be cast as a Bond girl in a Sean Connery film, passionately hating her sexy-girl image. She later said that, young as she was, she did not value her movie career in the first place and loathed everything about it except the money. After a miscarriage, her marriage was in deep trouble, and her often aggressive outbursts didn't help. She delved into a depression and turned to spirituality and Eastern religions to find answers. One day, she took her then 9-year-old daughter, packed the car and drove 14,000 miles to India. But that trip turned into a nightmare when she found herself in the midst of the Osho-Rajneesh movement. She later told the press about drug abuse and forced group sex experiences and launched a law suit in India against the leaders of the movement. Now in her early 30s, she relocated permanently to France and revived her career with beautifully tailored parts in Das blaue Palais (1974) and Papa Poule (1980). She gave one of her finest, most nuanced and mature performances in a supporting role in The Prodigal Daughter (1981), sensitively directed by Jacques Doillon. Her co-stars were Jane Birkin, Michel Piccoli and Natasha Parry.

Her marriage to Paul Hubschmid was practically over in 1980. The pair continued to work together on stage but lived in separate hotels. The divorce was finalized in 1983 after 16 years of marriage. In the late 1980s, Renzi returned to Germany and had a minor comeback on TV in Das Erbe der Guldenburgs (1987). She continued to act successfully in the 1990s and early 2000s, touring Germany, Austria and Switzerland with a stage production of Anton Chekhov's "The Seagull" and receiving rave reviews for her moving portrayal of a woman coming to terms with herself after her husband's death in the one-woman play "Amanda". One of her final TV appearances was alongside her (then) son-in-law Jochen Horst in Das Schweigen der Hämmer (1995).

A heavy smoker throughout her life, Eva Renzi was diagnosed with lung cancer in 2004. Mistrustful of contemporary treatments, she chose not to have any and died in her daughter's arms at the age of 60 on August 16, 2005.

Josef Goebbels, the man who almost single-handedly developed the field of propaganda into an art form, would, for a day, be the leader of World War II Germany. Goebbels was born in the German Rhineland to strict Catholic parents. He was short, standing at 5'5", of small stature and thin build, and had a sharp, prominent nose and an oily, sallow complexion. He was rejected by the German army in World War I on the basis of being a cripple, specifically, he had a club foot for which he wore a brace, contracted after a bout of osteomyelitis. After Germany was defeated, Goebbels joined the National Socialist Workers Party, more infamously known as the Nazi party, which opposed the democratic Weimar Republic that had been set up to govern Germany. Because of his impressive oratorical skills and uncanny ability to slant arguments to his view, Goebbels was considered an ideal leader in the Nazi party. It was there that he met Hitler in 1925. Though they both shared a hatred of Jews, Goebbels, a dedicated socialist, initially tried to expel the relatively capitalistic Hitler, who he saw as simply an opportunist. He would change his tune, however, when Hitler rose in rank to become leader. Hitler rewarded Goebbels with a post as Nazi district leader of Berlin, where he would wage year-round political campaigns that eventually drained the organization of virtually all of its funds. He met and married divorcée Magda Quandt around this time. Though their membership grew, the Nazis didn't manage to attract a sizable enough number of voters - especially in Berlin - to attain any kind of legitimate political power, due to both the rebounding German economy and a distrust of the gang of street thugs within the Nazi party called the Sturm Abteilung (SA). However, after the US stock market crashed in 1929, the European economies took a tremendous hit, and the resulting worldwide economic depression hit Germany especially hard. The dire economic straits of many Germans were tailor-made for a demagogue like Hitler, and, slowly, he began to take power; first as Chancellor in 1933, then as Führer in 1934. Goebbels was named minister of entertainment and propaganda, a position that gave him have sole discretion as to what books, magazines, films, radios, newspapers, etc., could print, say, or show. Knowing the media power where the influencing of people was concerned, he searched for a director to place as the head of UFA, Germany's leading film studio. In a famous meeting, he offered the position to respected German director Fritz Lang, who tried to excuse himself by saying that he had Jewish grandparents, to which Goebbels curtly replied, "We will decide who is Jewish!" Lang promptly fled the country and Goebbels settled on a rising female director, Leni Riefenstahl, as the "official" Nazi filmmaker. She directed two documentaries on the party's Nuremburg rallies of 1932 and 1933. The first was disowned by Riefenstahl because of the little time she had to prepare and the fact that it was never shown publicly because the film featured Ernst Röhm, leader of the SA, who along with many SA leaders, was murdered by the Nazi high command when they moved against the SA, just after the film was completed. Their second attempt, on which Goebbels assisted Riefenstahl extensively, is perhaps the most famous propaganda film ever made: Triumph of the Will (1935). It took almost a year to prepare from the miles upon miles of footage shot. It was a success worldwide, but was not particularly popular in Germany at the time. Goebbels then commissioned Riefenstahl to shoot the 1936 Berlin Olympics, which the Nazi leadership assumed would be dominated by German athletes. The Germans did win the total medal counts, but African-American sprinter Jesse Owens shattered the myth of Aryan dominance by winning gold medals in four different events - more than any other competitor - and was idolized by the German crowds.

After World War II broke out, Goebbels was responsible for creating a massive propaganda body of work by the German government, much of which still remains recorded. He was known to use almost anything for propaganda purposes, such as posters from French and German movies with Jewish stars as examples of the "typical Jew." Even when Germany was crumbling in 1945 and the Allies demanded unconditional surrender, Goebbels used that as a motivational tool to demonstrate that every German needed to fight or face destruction.

As Allied forces began to advance toward Germany, a paranoid and rapidly deteriorating Hitler had many of his assistants executed or imprisoned, but Goebbels was given the title of "Defender of Berlin." Hitler committed suicide by gunshot on April 30, leaving Goebbels as the next in command to take over the faltering government, which, by then, controlled only a small part of Berlin. As both Soviet forces on one side and American and British forces on the other closed in on the capital, Goebbels was well aware of the fate he would meet if he were captured alive. On May 1, 1945, he reluctantly endorsed the plan his wife had conjured, which she had communicated to Albert Speer, and permitted her to drug their six children with morphine and proceed to poison them to death through the administration of a cyanide capsule. Later that day, after requesting a moment of privacy with his wife from the onlooking SS soldiers, he shot her in head, as they had also planned, and then took his own life within seconds. Soviet troops, who Goebbels had always boasted would never get to Berlin, found him and his wife partially burnt and unburied outside the Fuhrerbunker. He was survived only by a stepson from Magda's first marriage.

Gustav von Wangenheim was a German actor, film director, and screenwriter from Wiesbaden. He is mostly remembered for playing the character Hutter in the classic horror film "Nosferatu" (1921). His character was based on the character of Jonathan Harker in the novel "Dracula" (1897) by Bram Stoker.

In 1895, Wangenheim was born in Wiesbaden. His father was the prolific actor Eduard von Winterstein (1871-1961, real name: Eduard Clemens Franz Anna Freiherr von Wangenheim), while his mother was theatrical actress Minna Mengers. His paternal ancestors were members of German nobility, the Freiherrs (Barons) of Wangenheim.

Wangenheim made his film debut in 1914, and went on to star in several silent films. Besides "Nosferatu", his best known film was "Woman in the Moon" (1929) by y Fritz Lang. It was among the earliest depictions of space travel in film, and is still considered one of the first "serious" science fiction films.

In 1921, Wangenheim joined the Communist Party of Germany (KPD, 1918-1956). At the time, the KPD was one of the major political parties of the Weimar Republic. During the 1920s, the party became Stalinist in ideology. In 1931, Wangenheim established "Die Truppe '31", a theatrical company consisting exclusively of communists. Wangenheim both wrote and produced three plays for this theatre company between 1931 and 1933.

In 1933, the then-new Nazi regime shut down Wangenheim's theatrical company. His ideology made Wangenheim a target for Nazi persecution, so he soon fled Germany. He settled in the Soviet Union, becoming a long-term resident of the "Hotel Lux" in Moscow. During the 1930s, this hotel housed exiles from about 50 different countries.

In 1933, Wangenheim became the new leader of Left Column, a Soviet theatrical company which consisted primarily of German exiles. He eventually secured enough funding to direct the film "Der Kampf" (1936), a film protesting against the oppressive policies of Nazi Germany.

In 1936, Wangenheim was implicated in the then-ongoing trials of the Great Purge, a repressive political purge within the Soviet Union. He reportedly denounced the actress Carola Neher (1900-1942) and her husband as Trotskyites. According to a testimony from Wangenheim's son, following a lengthy interrogation, his father was forced to sign papers which implicated Neher in an anti-Soviet conspiracy. The charges against her had been prepared, and the authorities needed to convince Wangenheim to serve as a false witness.

In 1943, Wangenheim became a founding member of the "National Committee for a Free Germany". It was an anti-Nazi and pro-Soviet organization formed within the Soviet Union, with most of its members being German exiles or German war prisoners that tried to gain support from the Soviet government.

Following the end of World War II, Wangenheim settled in East Germany. He joined the state-owned film studio DEFA (1946-1992), serving as one of its film directors and screenwriters for several years. In 1954, he had his long-term marriage to the writer and photographer Inge von Wangenheim (1912-1993) annulled.

In 1975, Wangenheim died in East Berlin, at the age of 80. He was buried in the Friedrichsfelde cemetery in Berlin. He remains among the best remembered actors of the German silent film period, in part due to collaborations with well-regarded film directors.

Jóhann Jóhannsson was born on 19 September 1969 in Reykjavík, Iceland. He was a composer and writer, known for Last and First Men (2020), The Theory of Everything (2014) and Sicario (2015). He died on 9 February 2018 in Berlin, Germany.

Ingrid Steeger was the third child of Kurt and Käthe Stengert, who already had son Udo and daughter Jutta. After school Ingrid worked as a secretary when she was discovered by photographer Frank Quade. Soon pinup photos of her appeared in numerous men's magazines, especially "SEXY", where even today she is the girl with the most cover shots. She was elected Miss Filmfestival (Berlin 1968) and soon was into movies herself. Her early films were cheap sex movies, mostly of the "Report" type. Not wanting to use her real name--because her father objected--and not yet having decided on a stage name, her first movie billed her as "Ingrid Stengel".

Her "very" first movie deserves a special mention. Before the age of video, porn films for home viewing were Super 8 shorts and Ingrid starred uncredited in one of those, Die perverse Herrin und ihre Opfer (1969) ("The Perverted Mistress and Her Victims"). This movie had long been forgotten when, at the height of her career, producer Gerd Wasmund (aka Mike Hunter) reissued it on video, retitled "Ingrid Steeger's Porno Action". She went to court to stop distribution and won. The same thing happened again when Beate Uhse distributed a collection of old naturalist shots of Ingrid, titled "Ingrid - blutjung und verführerisch" ("Ingrid--Youngblooded and Tempting"). Again she had to go to court to stop distribution. In addition to her movies, she was given small but serious roles in TV productions, where--strange as it might seem--nobody seemed to know about her sex films. Helmut Holger, one of her colleagues, suggested her to director Michael Pfleghar, who was casting for a new TV comedy series called Klimbim (1973), a German version of the American show Rowan & Martin's Laugh-In (1967). This was her breakthrough. The public loved her in her new role as "Klimbim-clown", and decent pictures of her appeared in women's and teen's magazines. The readers of Germany's biggest teen magazine, "BRAVO", awarded her the "Otto", its top award, four times. (1975: Bronze, 1976 & 1977: Silver, 1978: Gold). It seemed that nobody could stop her now.

She followed "Klimbim" with Zwei himmlische Töchter (1978) ("Two Heavenly Daughters"), another successful comedy series, but flopped badly with Susi (1980) a third one, all directed by Pfleghar. From then on it was downhill for her. She went to France to live with her actor-friend Jean-Paul Zehnacker, but they soon separated. Ingrid returned to Germany to become a mature, serious actress, in the vein of her idols Shirley MacLaine and Goldie Hawn, but the public wouldn't let her. The same public that once had forgiven her sex-film past would not forget "Klimbim", though the series hadn't been shown for ages. Nearly every article on her began with "Ingrid Steeger, ex-clown ("Klimbim"), will ...".Michael Phlegar couldn't help her, either; he ran into severe personal problems and committed suicide a few years later. Though Ingrid can act, her few serious roles were doomed from the start. In recent years she has concentrated on theater and played mostly boulevard comedies. In 1995 she starred in the Karl May summer theater in Bad Segeberg as "Cowgirl Mona".

Her private life has been rather chaotic, too. Her marriages, liaisons and affairs are well chronicled and always mentioned when she is seen with somebody new. When she first entered films, she married cameraman Lothar E. Stickelbrucks in 1973, but they divorced two years later. She had an affair with director Michael Pfleghar, though neither one admitted it at that time (it was rumored that she even wanted to leave Germany to go to Hollywood with him). Next was Peter Koenecke, who organized safari tours in Kenya. They planned to marry in 1979 and move to Kenya together. She was even said to have learned Swahili. Next was French actor Jean-Paul Zehnacker, who starred with her in "Susi". She moved to live with him in France, but returned to Germany in 1984 when love turned to friendship. After him came Lothar Köllner (1985-86), owner of a hi-fi shop in Murnau, and she even obtained her driver's license at the age of 38 to see him more often. Then came film director Dieter Wedel (1988-91), whom she shared with another woman. At least, he starred her in his TV series Wilder Westen inclusive (1988) and Der große Bellheim (1993), giving her a chance for some serious acting.

Then she met Tom LaBlanc, an American Indian of the Dakota tribe, at a World Uranium hearing and they got married in a rush in August 1992. Nobody gave them much of a chance, because he didn't speak German and she didn't speak much English. Most photos show them side by side, Tom having to wear Indian clothing with feather headdress for the photographers, holding Ingrid's dachshund and looking very uneasy. Nevertheless, the press never accepted him. The couple was always referred to as "Ingrid and her Indian". Soon he was spending most of his time in America, fighting for the rights of his people while Ingrid was left at home. They divorced in October 1995.

Next was Swiss actor Bernd Seebacher. Immediately following her divorce from LaBlanc, she fell in love with Bernd and August 1996 was set as the date for the wedding. The couple was shown in magazines, choosing rings and posing in their wedding dresses, but at the last possible moment the wedding was postponed. Unfortunately, Ingrid had already sold her apartment in Munich to live with her husband in Switzerland. Now that she remained a foreigner, she had to leave the country. Her only true friend in all those years was her dachshund Felix. There is scarcely one private photo of Ingrid without her dog. When Felix was killed in France by a hit-and-run driver, she mourned a long time and finally got Felix II. This one even went on stage with her in "Champagner-Complex" and was said to have been the matchmaker when she met Dieter Wedel. When Felix II had to be put to sleep in 1995, she didn't want another one, but Wedel kept up the tradition by presenting her with a young dachshund called Lucky Luke.