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Follows a legacy Hollywood movie studio striving to survive in a world where it is increasingly difficult for art and business to live together.

Los Angeles private investigator Harry Moseby is hired by a client to find her runaway teenage daughter. Moseby tracks the daughter down, only to stumble upon something much more intriguing and sinister.

Tony is accused of arson, and Bill and Ralph must find evidence to clear his name.

A Hart employee is murdered during an exploration in the jungle. The Harts are off to Peru to solve the mystery.

Hunter's nemesis, a killer named Bluebird, returns, leaving a toll of victims that leads Hunter and Marty to discover a Russian plot to discredits the design of an electric plant using nuclear power.

Ed Glenn is cleared of a murder charge thanks to an alibi found by Matt Helm. But when Glenn announces he's marrying the victim's sister, Helm becomes suspicious.

Stopped at a traffic light while driving to work, Crowley notices the driver of the next car is unusually nervous and sweaty, and apparently has "made" Crowley as a cop. Crowley shows his badge and orders the driver to pull over, which he does. After questioning the man, Crowley forces his car trunk -- and finds a woman inside, unconscious from multiple stab wounds. The driver flees on foot, but Crowley tackles him. But Crowley had no legal justification to search the car, as a furious police captain reminds him, and the man -- who was the assailant -- is released from custody. The woman dies without regaining consciousness. Pepper and Crowley soon find evidence that the man is a totally psychotic woman-hater and that the woman in the trunk (played by a pre-"Vegas" Phyllis Davis in one very short scene) was his third victim after insulting him. With the boss still breathing down their necks, Pepper and Crowley dog the man, his wife and his "real" mistress, hoping to get one or the other to break down and force the killer's hand again. Contains an incredibly stupid final chase scene.

A paramilitary group targets people they deem "threats to society".

Sarah, Derek and Cameron try to prevent a nuclear meltdown, Charley has to fill in Michelle when James shows up at their home, and John meets someone new.

Matt Remnick is named the new head of Continental Studios and put in charge of a project that threatens public humiliation.

Matt feels nervous about giving legendary director Ron Howard a difficult piece of feedback.