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  • boblipton10 October 2018
    James Kirkwood and Marion Leonard have a daughter. The parents go back to their society routines, Kirkwood to business and his club, Leonard to her whist parties. When the girl becomes ill, Kirkwood grows concerned and tells his wife should should take care of their daughter. She, however, thinks he is being unreasonable and returns to her friends.

    By the end of 1909, D.W. Griffith had all his techniques well in hand, including strong acting, good crowd direction and his Victorian story-telling to guide the plot, which s a trifle underwritten for two reels of film. The copy I looked at, on the Library of Congress' National Screening Room, was in good shape for the first half, but the second half had large parts so light they were unwatchable: the portions set in the couple's home.
  • One of D. W. Griffith's longer early films - it's running time is actually 16 minutes, not 11 as currently stated on this site - is a relatively subdued affair considering its subject matter. James Kirkwood and Marion Leonard play the socialite parents of an eight-year-old girl who find that their neglect of their daughter has unexpectedly tragic circumstances. It must have seemed far-fetched even back in 1909. Given the emotional subject matter, it's surprising Griffith didn't think to get his camera a little closer to his players - two or three years later, this would have been an altogether different film.
  • MissSimonetta30 January 2021
    Marion Leonard and James Kirkwood are a society couple who neglect their daughter. The kid sickens, drawing the attention of the father, who insists Marion take a hiatus from partying to play nursemaid. Marion ignores this request, then the kid dies, causing what might be an un-mendable rift in the marriage.

    The story is flagrantly sentimental, but impressive for its composition and use of cross-cutting for the time. Marion Leonard sometimes goes a bit overboard, but James Kirkwood is pretty good. On the whole, this is one of the better Griffith domestic melodramas.
  • The 34 year old D.W. Griffith began to develop his style of directing by adapting novels and tales by Edgar Allan Poe on to the screen. When he directed original pieces like this particular project, they had no substance in it except to pad out his career and pay his bills.
  • Warning: Spoilers
    An alarming rumor having spread around New York City that the famous Biograph girl, our girl, our only girl, whom we have silently worshiped in effigy these many months, and to whom, by the way, in this column we have made many references which surely indicate our favorable opinion of this lady, rumor having gone around that "she" was no longer to be seen in the Biograph pictures, we went specially to inspect Monday's release for the purpose of satisfying not only our own doubts on the point, but those of many of our readers. For the number of this lady's admirers is legion. She is the heroine of many charming stories on the silent stage. Indeed, she is just as much a personality in the Biograph Stock Company as any well-known actress would be at a Broadway house. Our doubts were set at rest as soon as the film "Through the Breakers" commenced to appear. "Through the Breakers" is a society story, written, as it were, from life. A pleasure loving wife and a club loving husband neglect a little child who suffers and dies before our eyes whilst her parents join in the social whirl. This is a Fifth avenue tragedy and it works out as all stories do: strictly according to law. The parents come to their senses when it is too late. The subject is, perhaps, somewhat melancholy, but it is well carried out by the Biograph Company, who show us some very finished acting. But we do not like the morbid or the melancholy on the moving picture stage and we prefer to see our own heroine in light comedy. Anyhow there she is, and we hope to see her again taking her part in the well dressed, well mounted, well finished Biograph pictures which are always such fine, rich, even, uniform specimens of moving picture photography, flawless of their kind, and object lessons in technique to recent entrants into the moving picture making field. - The Moving Picture World, December 18, 1909