Fantômas: In the Shadow of the Guillotine
IMDb RATING
6.9/10
2.2K
YOUR RATING
Inspector Juve is tasked to investigate and capture an infamous criminal Fantomas.Inspector Juve is tasked to investigate and capture an infamous criminal Fantomas.Inspector Juve is tasked to investigate and capture an infamous criminal Fantomas.
IMDb RATING
6.9/10
2.2K
YOUR RATING
- Director
- Writers
- Marcel Allain(novel)
- Louis Feuillade
- Pierre Souvestre(novel)
- Stars
Top credits
- Director
- Writers
- Marcel Allain(novel)
- Louis Feuillade
- Pierre Souvestre(novel)
- Stars
- Awards
- 1 nomination
- Director
- Writers
- Marcel Allain(novel)
- Louis Feuillade
- Pierre Souvestre(novel)
- All cast & crew
- See more cast details at IMDbPro
Storyline
Princess Sonia Danidoff is staying at the Royal Palace Hotel, Paris, and withdraws $20,000 from the cashier's custody, placing the notes in a drawer in company with her magnificent rope of pearls. A few moments after a well-dressed stranger steps from behind the curtains and, with the coolest of sangfroid, steals the valuables in the very presence of the princess, and with a polite bow hands her his card and makes a dignified exit. Upon the card the name "Fantomas" slowly appears. The police are quickly upon the scene, but Fantomas, true to his nom de plume, has vanished. Inspector Robert Juve is the sleuth entrusted to track the mysterious marauder. But before Juve has time to move in the matter of the princess's jewels and cash, another escapade of Fantomas' is thrust upon him to investigate. Lord Beltham is missing. Juve calls on Lady Beltham, and in a man's hat finds the initial "G." With so slight a clue Juve tracks down "Gurn" (none other than the elusive Fantomas) to his lodgings and makes the ghastly discovery of Lord Beltham's dead body in one of "Gurn's" traveling trunks, and a packet of the special Fantomas cards establishes the connection between "Gurn" and Fantomas; they are one and the same man. Three months elapse. "Gurn" has been tried and condemned to die by the guillotine. Lady Beltham's name has not yet appeared in connection with the case, and the story goes that the murder was the outcome of a violent quarrel between "Gurn" and Beltham, yet she is enamored of the gentlemanly scoundrel and sets about seeking a method of escape for him. By means of liberal bribes, the aid of Warden Nibet is enlisted and he arranges an interview between the condemned man and Lady Beltham in a house overlooking the prison. That night a new play has been produced by a famous actor, Valgrand, who, acting the role of a condemned felon, adds a realistic touch by making up exactly to resemble "Gurn." At Lady Beltham's invitation, Valgrand, still made up as "Gurn," visits her at 2 A.M., and partaking of drugged coffee, is rendered incapable of action. Warden Nibet returns and takes back his prisoner, no longer "Gurn," alias Fantomas, but the unfortunate Valgrand, who goes through all the terrible preliminaries of a criminal's execution, aye, even to the point of being led to the guillotine, before inspector Juve makes the startling discovery that Fantomas has once more eluded him. Henceforth it is to be a fight between a clever, scheming, mysterious rogue on one hand, and inspector Juve, Chief of the Detective Dept. of Paris, on the other. —Moving Picture World synopsis
- Taglines
- "Fantomas" The Phantom Crook-A Powerful and Thrilling Gaumont Detective Story in Three Reels. The latest and Most Novel Story of This Famous Cracksman with many Startling and Sensational Scenes Including His Wonderful Escape from Under the Shadow of the Guillotine. (Print Ad- Daily Argus, ((Mount Vernon, NY)) 10 September 1913)
- Genres
- Certificate
- Not Rated
- Parents guide
Did you know
- ConnectionsFeatured in Fantômas 70 (2001)
Top review
The First Serial with a Cliffhanger Ending, And First Crime Serial
Movie serials, consisting of multiple episodes with the same characters ending in cliffhangers, leaving viewers in suspense so they would gladly pay to see the next one, were becoming popular in the early 1910's. The first serial in cinema to some degree was Edison Studio's 1912 "What Happened To Mary." Although the serial consisted of 12 one-reelers, no chapter ended in a cliffhanger.
France's Gaumont Studios gets the crown for producing the first serial with dangling suspenseful endings to each episode. Gaumont bought the rights to Marcel Allain and Pierre Souvestre's very popular crime books (32 books in all) "Fantomas," published beginning in 1911. The studio's director, Louis Feuillade ("A Roman Orgy--1911), was assigned to direct a five-part serial based on the criminal portrayed in the books. Each episode concluded either in suspense or unanswered questions of what would happen next.
"Fantomas" is cinema's first crime serial portraying movie's first super-villain, a slick criminal as well as leader of a gang of masked thieves. The serial kicked off in May 1913, with the release of "In The Shadow of the Guillotine." That followed with "Juve vs. Fantomas" "The Murderous Corpse," "Fantomas vs. Fantomas," and lastly "The False Magistrate." The entire series totaled five hours and 30 minutes, with each episode was one hour to 90 minutes long. All are available for viewing.
The work of Feuillade, as seen in his 1911's "A Roman Orgy," is fluid but not innovative. His camera sits filming a tableaux of exciting action, which doesn't linger too long on a sequence. The serials' pacing in editing also gives the episodes a rapid pulse of showing events unfolding, something other early movie makers were continually learning to grasp. With a diabolical villain who was a bridge between the 19th century Victorian criminal and the 20th century serial killer, "Fantomas" entertained audiences with his numerous disguises and trickery, performing almost implausible escapes from his arch nemesis, Police Inspector Juve.
The serial would go on to inspire a wave of crime and adventure serials in the next decade, most notably Fritz Lang's "Dr. Mabuse." Feuillade himself would go on in a couple of years to write and direct his masterpiece, the much-heralded "Les Vampires," which influenced such notable directors as Alfred Hitchcock and Luis Bunuel.
France's Gaumont Studios gets the crown for producing the first serial with dangling suspenseful endings to each episode. Gaumont bought the rights to Marcel Allain and Pierre Souvestre's very popular crime books (32 books in all) "Fantomas," published beginning in 1911. The studio's director, Louis Feuillade ("A Roman Orgy--1911), was assigned to direct a five-part serial based on the criminal portrayed in the books. Each episode concluded either in suspense or unanswered questions of what would happen next.
"Fantomas" is cinema's first crime serial portraying movie's first super-villain, a slick criminal as well as leader of a gang of masked thieves. The serial kicked off in May 1913, with the release of "In The Shadow of the Guillotine." That followed with "Juve vs. Fantomas" "The Murderous Corpse," "Fantomas vs. Fantomas," and lastly "The False Magistrate." The entire series totaled five hours and 30 minutes, with each episode was one hour to 90 minutes long. All are available for viewing.
The work of Feuillade, as seen in his 1911's "A Roman Orgy," is fluid but not innovative. His camera sits filming a tableaux of exciting action, which doesn't linger too long on a sequence. The serials' pacing in editing also gives the episodes a rapid pulse of showing events unfolding, something other early movie makers were continually learning to grasp. With a diabolical villain who was a bridge between the 19th century Victorian criminal and the 20th century serial killer, "Fantomas" entertained audiences with his numerous disguises and trickery, performing almost implausible escapes from his arch nemesis, Police Inspector Juve.
The serial would go on to inspire a wave of crime and adventure serials in the next decade, most notably Fritz Lang's "Dr. Mabuse." Feuillade himself would go on in a couple of years to write and direct his masterpiece, the much-heralded "Les Vampires," which influenced such notable directors as Alfred Hitchcock and Luis Bunuel.
helpful•00
- springfieldrental
- Apr 28, 2021
Details
- Runtime54 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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By what name was Fantômas - À l'ombre de la guillotine (1913) officially released in Canada in English?
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