The cartoonist, Winsor McCay, brings the Dinosaurus back to life in the figure of his latest creation, Gertie the Dinosaur.
In creating the film, Winsor McCay came up with a number of techniques that would later become standard in the animation industry. He used registration marks to keep the background aligned from frame to frame, so that it did not appear to "swim", as often happened in early cartoons. He avoided some repetitious work by re-using drawings, in what would later be called cycling. He devised what he called the "McCay Split System", the first occurrence of key-frame animation. Rather than draw each frame in sequence, he would start by drawing Gertie's key poses, and then go back and fill in the frames between. McCay was also very concerned with accurate timing and motion; he timed his own breathing to determine how to animate Gertie's breathing, and included subtle details such as the ground sagging beneath Gertie's great weight.
Gentleman:
We've got a puncture. Let's go into the museum while he fixes it.
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