Shoulder Arms (1918) User Reviews (51)

a big step forward for chaplin

[mmmuconn · 8/10 · 3 January 2003]

SPOILERS BELOW

`A Dog's Life' was most noteworthy for its excellent comic timing. In Charlie Chaplin's other movie from 1918, `Shoulder Arms', the silent film genius focuses on an entirely different brand of humor. His war comedy specializes in surreal, exaggerated set pieces in which Chaplin demonstrates unprecedented creativity and mastery of composition. When the soldier's bunker gets flooded, the water level reaches just the right height so that Chaplin can execute his gags most successfully. In a later scene, the soldier dresses up as a tree, a disguise that belies Chaplin's much increased ingenuity and goofiness. Naturally, when the enemy discovers his ruse, the soldier darts straight for the forest. The ensuing chase is a visual marvel: Chaplin not only hides the soldier from the Germans, but he uses the forest to mask the soldier from the audience, as well, such that the camouflaged soldier stands unblocked in the middle of the frame yet somehow remains invisible. All the while we thought our little hero was pulling a fast one on the German army; to our delight, the joke is on us, too.

Rating: 8

Very good Charlie Chaplin film, as a brave soldier who is assigned a dangerous mission behind the enemy lines

[ma-cortes · 8/10 · 17 March 2019]

Chaplin took so long to direct this 3 reel comedy, his longest to that old date. Once in France and dealing with with Chaplin as a Boot Hill soldier who still looks like an awkward tramp . At the military quarter he doesn't obtain letter from home, at last, he achieves a pack containing limburger cheese. After that, he has the cheese from a mousetrap. Later on, he volunteers to wander behind German lines and posing as a tree takes 13 prisoners , surrendering them from the enemy trench . Finally, with the help a beautiful French girl, Edna Purviance, captures the Kaiser, Syd Chaplin, and the Crown Prince.

The picture had success at boxoffice and the public liked it, specially the following scenes : when Charlie under a gas mask eats the cheese and subsequently he throws it over the enemy lines, as Charlie disguises as a tree trunk and kicks German soldiers in the seat of their pants , and when he takes the Kaiser and is given a statue of victory . In the picture appears two Chaplin's regular : Edna Purviance and Syd Chaplin in a double role as The Kaiser and Charlie's comrade.

This was the longest film to that date and it premiered only 3 weeks before the end of the WWII. This was a 3 reel comedy, he previously directed 1 or 2 reel short movies, such as : Our hero, Night at the show, The fireman, The adventurer, The count, The floorwalker, The circus, The cure, The inmigrant, Burlesque on Carmen, 3 Charlies and one phoney, among others. Shortly after, he directed long time films as The gold rush, the Kid, City lights, Modern times, The great dictator, Monsieur Verdoux, Limelight, A King in NY, and his last one : A countess from Hong Kong. Rating 7.5/10. Better than average Chalie movie. Essential and indispensable watching for Charles Chaplin fans. Well worth seeing

"Over there"

[Steffi_P · 7/10 · 17 July 2010]

One of the prices of superstardom is that you have to become adaptable. When the US joined the World War in 1917 Charlie Chaplin was at the height of his popularity. Naturally, he was expected to make some sort of contribution. Chaplin had already set his short films in all sorts of locations, even at different time periods, and had given his little tramp all manner of occupations, so soldiering in the trenches shouldn't have been too big a step. However, Shoulder Arms is, if not a propaganda piece (it was released a bit late for that), at least one that had to have a certain outlook. As a result Chaplin was constrained somewhat, and it shows.

The first half of the picture, which is set during Charlie's training and among his comrades in the trench seems a little muted compared to other Chaplin pictures of this period. The reason for this is clear – it wouldn't have had the right effect if there were seen to be too much antagonism between soldiers. Characters like the burly drill sergeant or Charlie's buddy (played his brother Syd) would make ideal bugbears in any other picture, but here all we get is a bit of appropriately brotherly tussling between Charlie and Syd. When you see how weak these opening ten minutes are you realise how much of Chaplin's comedy depended upon playing off others and pricking pomposity.

Fortunately, Chaplin gets to make up for all this when his little tramp goes out to face the German foe. Here he can go all out with making his enemies look ridiculous, getting the most out of his varyingly-sized supporting players. We have Henry Bergman as a roly-poly German, Albert Austin as a gangly one, and best of all Loyal Underwood as a short but self-important German officer. This is Underwood's finest moment, and he really puts a lot of energy and spirit into the part. And Chaplin gets to set up some great routines, with some ingenious ways of defeating foes, not to mention one of his best ever entrances when he appears out of the landscape in his tree disguise.

And Chaplin was clearly savvy enough to realise that the beginning of the picture contained some fairly poor material. Consequently he edits in a handful of shots of antics in the German trench (with Underwood at his most animated), which serve as nothing more than a little touch of uproar, and a promise of things to come.

And now we must have that all-important statistic – Number of kicks up the arse: 7 (1 for, 0 against, 6 other)

The Tramp Goes To War

[Cineanalyst · 7/10 · 29 August 2005]

The big names in cinema tried to do their part for the war effort, and Charlie Chaplin was no exception. This patriotic and propagandist picture, "Shoulder Arms", is part of his contribution, although the war was nearly over by the time of its release. The Tramp goes to the front, humorously accomplishes acts of heroism and kicks the Kaiser in the bum. It's a very funny film, although I don't think it nearly one of his best. It's with "A Dog's Life" as his better output for First National before he made his early masterpiece "The Kid". They were his first three-reelers, which contain sustained, more elaborate gags than he could usually orchestrate in his two-reel shorts at Mutual.

It can be difficult to balance a pro-war message with slapstick antics and scenes of burlesque in battle, but one wouldn't think so watching "Shoulder Arms". It's also preferable in many respects to a "more serious", dramatic work with a similar message, such as Griffith's "Hearts of the World". Chaplin had become a true virtuoso of screen comedy by this time; he makes it look effortless. He knew very well by then that a film with fewer gags--with more elaboration, refinement and careful timing--could be better than any knockabout, Keystone-type farce with a dozen pratfalls a minute. The sequence where Chaplin is disguised as a tree is a pertinent example. Even with wars raging, Chaplin can lift the spirits of millions.

Little Man, What Now?

[krorie · 9/10 · 16 September 2006]

Charlie Chaplin's Little Tramp or Little Man character wins World War I, called The Great War at the time, single handedly, even capturing the Kaiser, something the entire Allied armed forces were unable to do. Too bad it all turns out to be a dream, which is somewhat of a cop out and the weakest part of this mesmerizing silent short (almost a feature film at 46 minutes).

There are inventive gags galore including Charlie having to put on a gas mask to eat Limburger cheese sent from home, then using the cheese as a weapon against the Germans; Charlie sleeping underwater in a flooded trench next to a soldier he continues to annoy; Charlie disguising himself as a tree--one of his best sketches ever--and Charlie pretending to beat up his friend who has become a POW, then hugging him when the enemy is out of sight.

One amazing feature is how much Charlie, when he is behind enemy lines dressed as a German, resembles Hitler over ten years before Hitler and his Nazi thugs rose to dominate German politics. Obviously Hitler patterned his appearance after Charlie's from this film.

Love The Tree

[SnoopyStyle · 6/10 · 6 March 2014]

It's a comedy about the trench warfare just as WWI is about to come to an end. Charlie Chaplin is a doughboy in boot camp. In a series of scenes, he defeats many Germans. Then he wakes up.

It's a pretty long film at 45 minutes. There are some pretty funny scenes. The limburger cheese gag is somewhat weak. Capturing the 13 Germans could have used more slapstick. I do love the part where he's in enemy territories disguised as a tree. The Germans try to chop him down for firewood. That is by far my favorite part. The movie's success probably had a lot to do with the timing and the subject. However I can see the immense risk Chaplin was taking by making a comedy about trench warfare.

Chaplin in his biggest hit, and one of the biggest of all time

[Nazi_Fighter_David · 9/10 · 24 July 2005]

In reaction to the dullness of the films of actual combat in that time, the wartime public increasingly turned to humor as escape from monotony and anxiety…

Charlie Chaplin feared that his great "Shoulder Arms" would offend people, but it became his greatest hit… In it, Charlie, by luck, courage, and devilish ingenuity wins the war singlehanded and brings a captive Kaiser in triumph to London…

The chief difference between this hilarious burlesque and some of the serious war dramas was that in Charlie's case it all turned out to be a dream…

A Wonderful Combination Of Comedy, Commentary, And Adventure

[Snow Leopard · 18 September 2001]

One of Charlie Chaplin's very best shorter features, "Shoulder Arms" is a wonderful combination of comedy, commentary, and adventure. Charlie plays a soldier who heads off to World War I, and in the course of 40 minutes or so, it provides a light-hearted but in many respects believable portrayal of what life was like in the trenches. The story also combines some fine slapstick with some exciting adventures.

In this movie, Chaplin hits the perfect balance between humor and substance, helping us to sympathize with those who bore the burdens of the war, without ever becoming sentimental. The other characters are nicely conceived and acted, with the engaging Edna Purviance, the versatile Syd Chaplin, and other talented supporting players pitching in.

The story has many creative turns, plus a couple of good surprises. It's great entertainment, and thoughtful as well. Make sure to take a look if you enjoy Chaplin or silent comedies in general.

Old School Chaplin

[gavin6942 · 7/10 · 13 June 2016]

Charlie is a boot camp private who has a dream of being a hero who goes on a daring mission behind enemy lines.

"Shoulder Arms" proved to be Chaplin's most popular film, critically and commercially, up to that point. This is understandable given the interesting themes and visual gags. The tree is pretty funny, and the underwater sleeping arrangements are amusing.

What I find particularly interesting about this film's success is how it seems to be now more or less forgotten. I mean, of course any Chaplin film or silent comedy fan will know it. But compared to "The Kid" or "Modern Times" or "City Lights", it is far removed... is this now even one of the top ten most popular Chaplin films?

one of Chaplin's best shorts

[planktonrules · 9/10 · 3 May 2006]

This film was one of three that were later combined by Chapin into a compilation that was released to theaters in the late 1950s under the title "The Chaplin Review".

This was an odd film in some ways because later in life, Chaplin was anti-war and his movies stressed peace and brotherhood. This film, in contrast, is a propaganda comedy meant to bolster the US efforts in WWI. It's truly odd to see Charlie as the "super soldier" who single-handedly captures 13 Germans, casually and coolly shoots several Germans in mere seconds as a marksman and then goes behind enemy lines to try to capture the Kaiser himself! Truly, this was a major departure for the Little Tramp, though it was, at the same time, very very entertaining and funny. The film is exceptionally well-paced, well made and I'm sure did a lot to bolster support at home for our troops (too bad it was such a pointless and costly war).

The Best Movie of 1918

[caspian1978 · 7/10 · 23 September 2004]

This is one of the funniest and most daring movies of its time. For a short film, it rivals most if not all the feature films shot that year. For a comedy on World War 1, during the war, is not only daring by genius. Chaplin's original humor and art of storytelling proved to young Hollywood that he was the greatest comedian, showman, and film maker that the world had to offer. The story of the common allied solider, living in the trenches of World War 1, under savage conditions with comic relief is terrific. Chaplin captured both the real horrors of the living conditions and made the audience laugh at the same time. The camera work for 1918 is also surprising. The use of montage and double framed shots was beyond 1918, but Chaplin did it. The spoiler of having the movie be the Tramp's dream is also unique for the time. Chaplin re-discovered film making and produced one of the all time greatest comedy shorts of the 20th Century with Shoulder Arms.

A Lot Of Creativity And Talent

[FerdinandVonGalitzien · 8/10 · 11 January 2007]

In these modern times (as subject known quite well to the director of the short film that this German count is going to talk about…), politically correct films are the "leitmotiv" of the modern young filmmakers' projects. "Shoulder Arms" directed by Herr Charlie Chaplin during WWI (the film was released only a few weeks before the armistice) is an obvious example of why the early cinema pioneers were a very bold people, certainly! To direct a humorous film inspired in the terrible, bloody First World War was a complicated matter that only few directors with those dangerous and daring ideas could be allowed to do… to venture upon such delicate enterprise and with success was reserved only to geniuses.

As this German count said, "Shoulder Arms" was made during WWI, that time in where definitely the whole world lost its innocence (fortunately not the German fat heiresses of this aristocrat…) and it is a hilarious, inventive social satire about that and any war. The film it is full of great gags and entertaining film continuity for a story in where that tramp will live though risky and courageous adventures in the front …whether a hero for the allies… or not.

To mock the war trenches, the unhealthiness, the frontal attacks and the Germans (how you dare!!... by the way, there are a lot of inaccuracies in the film … the German soldiers by that time had moustaches and longer beards not to mention that the Kaiser lacks many medals in his uniform…) in an elegant, funny and delicate way it is even today a film miracle impossible of being surpassed. Keeping in mind those terrible wartime circumstances, the difficult task is only possible thanks to a lot of creativity and talent. Obviously Herr Charlie Chaplin had very much of it.

And now, if you'll allow me, I must temporarily take my leave because this German Count must go back to the Schloss trenches.

Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/

Early Chaplin boosted morale during WWI...

[Doylenf · 6/10 · 10 March 2008]

Chaplin's sense of humor in depicting an Army private dreaming of heroism was apparently enough to boost the morale of Americans everywhere just before the Armistice that ended WWI.

But the film, running only 46 minutes and a salute to the guys in the trenches, while containing moments of inventive sight gags (sleeping in water filled bunks, impersonating a tree trunk to fool the enemy, etc.), certainly doesn't rank among Chaplin's best works. There's a hurried feel to the editing which makes one suspect a lot of cutting was done in order to trim the movie down to size, exhibitors wanting a short film--not a feature.

CHARLIE CHAPLIN has the tramp-like appearance throughout (especially in the marching scenes where he can't seem to put his best foot forward), and EDNA PURVIANCE is once again his leading lady, doing nicely as a French gal who helps him defeat the enemy.

Too bad he didn't redo this one later on when his films had more polish.

Interesting only for its political context

[Horst_In_Translation · 4/10 · 29 December 2015]

"Shoulder Arms" is an American silent (don't be fooled by the music) movie, black-and-white obviously and stars Charlie Chaplin as writer, director and lead actor. He cast his regular Edna Purviance as lead lady and half-brother Syd is in here again as well. It is not among his shorter works at 45 minutes, but also not among his longest films, not even close. In my opinion, the same is true when it comes to quality. Not one of Chaplin's best, not one of his worst. The year is 1918, so this one will soon have its 100th anniversary. It was made at the end of World War I and Germany are already the enemies in this film. Yep, Chaplin made (like the Stooges) a couple anti-German propaganda films, and here his target are still the enemy forces from World War I, later on from World War II when he went more into full features. I believe the action in "Shoulder Arms" is fairly uninteresting compared to his finest pieces and the emotion is also not really effective. The comedy is okay I guess. The most interesting aspect, however, are the political references. If anything makes these 45 minutes worth a watch, then it is these. As a whole, still fairly underwhelming and I do not recommend it.

Early Chaplin Comedy.

[rmax304823 · 7/10 · 25 May 2009]

Pretty funny stuff. Charlie was still working towards his peak when he made this rather daring short about soldiers in the trenches of World War One. Daring because, after all, the war was still going on and this was a comedy about a serious business.

The gags are amusing without being either hilarious or tear jerking. One successful scene follows another, as Chaplin and his comrades try to sleep in a bunker that is knee deep in water. (That's where we got the term "trench foot" from.) Probably the most ludicrous episode has Chaplin disguised as a tree and foiling any number of German soldiers as they try to execute an Allied soldier caught behind the lines. Edna Purviance, Chaplin's main squeeze at the time, is a woman who cooperates with the Americans and is saved from execution too.

Chaplin would go on to do funnier and more ambitious things but this is better than most of his shorts during this early period.

Chaplin's brilliant take on World War I.

[Anonymous_Maxine · 10/10 · 11 March 2007]

In one of the best of Charlie Chaplin's lengthier short films, he places the Little Fellow in the trenches of WWI, where he brings his intolerable politeness and endless patience to the drudgery of trench life, where troops lived for months at a time before finally going over the top to overtake the enemy, and usually to their deaths. It takes someone of Chaplin's skill as a comedian to make something as dreary as trench warfare into such a brilliant comedy, but the irony that he uses in the film makes even the most uncomfortable conditions highly amusing.

Like all of the best of Chaplin's films, short films and otherwise, this one is packed with brilliant and memorable scenes, such as the scene where he marks off kills with a piece of chalk on a board in the trench, erasing one when he gets his helmet shot off, the scene where he and his fellow soldiers are sleeping underwater, the opening of the beer bottle and lighting of the cigarette, and of course, the overtaking of the enemy. All of these scenes are show-stoppers, reminiscent of the most wonderful Chaplin scenes. This one should not be missed!

World War slapstick.

[st-shot · 7/10 · 16 January 2012]

Shoulder Arms may well be the first war comedy ever released while the conflict was still going on. Opening before the Armistice Charlie Chaplin pokes fun at trench warfare and German officers from the Kaiser to field officers with Napoleonic complexes. In that it had never been done before Chaplin may well have put his career on the line with its release since the public's positive response was not a given.

Recruit Charlie drives his drill instructor crazy with his inability to drill properly. Driven to exhaustion Charlie collapses in his tent but is soon on the front lines dealing with the deprivations of fox hole life. On the battlefield he encounters an arrogant German officer, meets a pretty French farm girl and captures the Kaiser.

Shoulder Arms serious subject does not get in the way of Charlie's mirth making. A flooded trench with men sleeping in a foot of water, shooting the enemy and keeping score and the over the top charge to the wire are played for laughs and get them. After a hilarious segment with Charlie camouflaged as a tree the films pace slows a little when he impersonates a German officer and captures the Kaiser. Pace killer that it is, it more than likely must have brought cheers from a war weary audience in 1918.

Charlie's War Efforts (1917 - 1918)

[theowinthrop · 8/10 · 11 March 2008]

This film as it is now is far shorter than it was when released in 1918. In fact, it is now more available with two other medium sized silent Chaplin features (A DOG'S LIFE, and THE PILGRIM) that Chaplin re-released in the 1950s. In it's day SHOULDER ARMS was a big hit because of it's humor in uniform approach. It still is very funny (Chaplin in disguise as a tree, spying on the Germans, is so ridiculous it's hysterical), but it suffers from being set in it's own age. Charlie's dealing with World War I, a hideous conflict that killed 20 million people, but not the worst war (horrible to say) of the 20th Century. Chaplin would live to see that war too, and would spoof it's main architects in THE GREAT DICTATOR. But the latter is more accessible to modern audiences because that movie is a talking picture. Also, Hitler as a target seems more important to audiences in 2008 than Kaiser Wilhelm II and his general staff.

SHOULDER ARMS was to take us through the drafting of the tramp, his training, his getting use to trench warfare, and his actual fighting against the "Huns" on the Western Front. Much of this is now gone - one segment (when Albert Austin is a Doctor examining Chaplin in his office at the draft center) is still in existence and was shown completely in the documentary UNKNOWN CHAPLIN. This is unfortunate, because the film is now roughly forty five minutes long, and there seems to be gaps that these scenes filled out. What remains is first rate but one leaves wanting more...and feeling a trifle cheated.

Sydney Chaplin and Henry Bergman do well in supporting parts, especially Sydney as Wilhelm. He had done it before in a short with Charlie for the sale of bonds, giving a militaristic speech before being clobbered by the tramp with a huge hammer labeled "War Bonds"). Here we see the tramp succeed in capturing Wilhelm and the general staff at the conclusion. It was only topped by Stan and Ollie capturing the German army with a tank and barbed wire in PACK UP YOUR TROUBLES.

The funny thing is that Chaplin actually had a major crisis as a result of his wartime activities. He was not a naturalized American - not in 1917 or in 1952, when Attorney General McGranery publicly announced that Chaplin could not return to the U.S. because he was an enemy alien (Chaplin and his family were in Europe on a trip - in anger Charlie settled in Switzerland for the rest of his life, except when he made A COUNTESS FROM HONG KONG and when he went to Hollywood for his special career "Oscar" in the 1970s). Because he was not an American he could not be drafted by the U.S. So he sold (with Douglas Fairbanks Sr. and Mary Pickford) U. S. War Bonds. But in Great Britain tens of thousands had perished in World War One battlefields, and the public there was upset at Chaplin, who they considered a "slacker" and a coward. Chaplin eventually did overcome this, but remnants of the resentment followed him until he died. This does not detract from the success of SHOULDER ARMS as a film, but it does suggest why Chaplin did not do another modern war film until 1940, and a worthier target.

A Time Capsule Curiosity - Chaplin in the Trenches of WWI

[drqshadow-reviews · 6/10 · 22 June 2020]

A burgeoning Charlie Chaplin tackles World War I, before the gunsmoke had even cleared from the trenches. Actually, this was released two weeks before the Armistice(!), which serves as a pretty darn good frame of reference. Nobody was really sure how ready the public might be to laugh at such a fresh conflict - most studios opted to steer far clear - but Chaplin, ever the bold one, was perfectly willing to jab at it.

Here he portrays the usual: a sad sack caught in the midst of chaos, racing to stay a half-step ahead of his own inevitable destiny. He stumbles through boot camp, mires in flooded field barracks, mourns a lack of care packages, goes undercover (as a tree) and confronts the enemy; a breakneck tour that maintains a charmingly light attitude despite the grave subject matter. On sharpshooter duty, he notches kills with chalk on a nearby fence, then scrubs the mark when an unexpected return volley blows off his helmet. It's gallows humor that doesn't allow itself to get too hung up on the gallows.

The whole production is stuffed with this brand of quaint, silly, observational irreverence, but it's short on really big, resonant laughs. Comedy with a light foot, then, which makes sense considering the aforementioned misgivings about the topic. Shoulder Arms is fascinating from a historical perspective, and important in a developmental one, but several steps below the silent movie star's best material.

Magnificent

[Balthazar-5 · 9/10 · 4 February 2005]

This is one of Chaplin's First National films from the period between his glorious Mutual shorts and the more mature United Artists features. More opulent than the Mutual films, it continues Chaplin's quest for perfecting his comic expression. Most people forget that the film is actually a dream that Charlie has while awaiting being sent off to the front.

There is plenty of slapstick via the Limburger cheese being used to gas the enemy, and Chaplin's foray into enemy territory dressed as a tree.

By this stage in this career, the great man had become so immersed in filmic expression that his films give the impression of making themselves. Doubtless this was not the case, but still, it gives as convincingly realistic view of life at the front as I can remember, albeit from an ironically humorous perspective.

As far as I am concerned, familiarity with the entirety of Chaplin's work should be a prerequisite for all cinephiles - do not delay!

World War I Comedy

[romanorum1 · 7/10 · 15 March 2012]

Halfway between a short and a feature, Shoulder Arms is a comedy about army life and war on the Western Front. It is certainly unusual for such a film to be made during a war, even if it were done towards the war's end (released in October 1918). Apparently the film was edited down from nearly feature length, as there are not always smooth changes from one scene to another. Despite these shortcomings, Chaplin again demonstrates his creative comic genius that began in 1914 (ironically, at the beginning of the war). A few years later, Chaplin will begin writing, directing, and acting in a string of notable silent features, like The Kid (1921), The Gold Rush (1925), The Circus (1928), and City Lights (1931).

Shoulder Arms is divided into three segments of unequal length: (1) Military induction/physical examination, (2) Military training/ boot camp, and (3) Combat. Inadvertently signed on to the US army, recruit Charlie Chaplin – a four-F if there ever was one – drives his military instructor mad as he is unable to drill the army way in boot camp. He even walks like the little tramp! One thinks about the great future comedians who later followed the comedic army act, like Laurel and Hardy, the Three Stooges, and Abbot and Costello. Somehow our recruit passes military drill and moves on to the front lines in France, but his situation is not much better. For now he is dealing with the travails and deprivations of foxhole life, including unsanitary conditions and a flooded trench. The latter finds him sleeping (with ingenuity) below the surface! There are other great gags as well, and there is no need to go into them here. The activities inside the German trench across the battlefield are equally uproarious.

The film shows the Germans to be even more incompetent than Charlie. On the battlefield Charlie will capture a 13-man German squad, while encountering the shortest German officer of the war (his explanation: "I surrounded them."). Later Charlie volunteers to undertake a dangerous mission behind enemy lines, disguises himself as a tree, and spies on the Germans. He impersonates a German officer, and hilariously fakes beating up a captured American soldier. Charlie meets a French farm girl and hides in her house; she will help him with his encounters with the enemy. Soon they wind up capturing both the German Crown Prince and the Kaiser! Wow! Then he awakens. Poof!

Charlie Chaplin takes on WW1.

[ofpsmith · 8/10 · 8 July 2014]

I'm going to get straight to the plot with this film. Private Charlie Doughboy (Charlie Chaplin) is in boot camp in the US Army. Then he is sent to the Western Front in France. From there it's normal trench life. Until his platoon goes across no mans land and captures the German trench. From there Private Doughboy goes on an adventure. Disguised as a tree he saves a fellow soldier (Syd Chaplin) from being executed. Then he meets a girl (Edna Purviance) who ran an inn that was destroyed from artillery fire. Purviance is arrested and taken to a German officer but Private Doughboy saves her again and his comrade from earlier and even takes Kaiser Whilhelm (Syd Chaplin) prisoner. And then as it turns out it was all a dream. Although this was not the most correct representation of the trenches as they were way too clean in this film I still find it to be very enjoyable. I say go see this one.

Fine war comedy

[alansabljakovic-39044 · 7/10 · 19 May 2020]

Short but effective film, Chaplin never disappoints with his slapstick comedy. The first part and the third part are really good while the middle part is not that interesting. It's not his best work, yes it's enjoyable movie but it didn't make big impact on me. Chaplin kicking buts since 1910's.

Funny all the way through

[scsu1975 · 7/10 · 29 November 2022]

Despite my blasé attitude towards Chaplin, I did enjoy this film. Charlie plays a soldier in the trenches during World War I and gets involved in some funny situations. He tosses some limburger cheese into the German trenches, scattering the enemy. At one point, disguised as a tree, he takes out several Germans. Edna Purviance, as a French girl, makes an appearance about 15 minutes before the film ends, and she is gets it on some of the slapstick. One of my favorite scenes was when Charlie, disguised as a German, hugs his captured buddy, then beats on him every time the Germans look. Charlie's buddy is played by his brother, Sydney. Sydney also pulls double duty, playing the Kaiser.

For anyone who has never seen a Chaplin film, this would be a nice introduction.

The Tramp Does His Bit

[bkoganbing · 9/10 · 9 March 2008]

Considering all of the comedies with a military situation that have been done in history, someone had to be the first. One could make a case that in Shoulder Arms, Charlie Chaplin invented the genre.

Hard to believe that back then this was a daring move. When you consider that some of the best films involving such people as Bob Hope, Abbott&Costello, Laurel&Hardy involved military service and made during war time, it's just something you accept and laugh at.

In the First World War Chaplin along with fellow stars Douglas Fairbanks and Mary Pickford went out on bond tours. He was a great supporter of the Allied cause, unusual for someone of his left wing views. It would seem only natural that the Tramp would be drafted and unfortunately would flummox around and wreak havoc on all.

A lot of things you'd see in the service comedies of World War II got their start in Shoulder Arms. Chaplin had no more imitators because within a few weeks of the film's release, the war was over.

But a comedy art form had been established by one of comedy's greatest geniuses.