| Biography, Drama, History
A copyright dispute over which music soundtrack should be performed with "Napoleon" exists between Zoetrope Studios/Francis Ford Coppola and the BFI/Kevin Brownlow/Carl Davis. When Brownlow assembled the original restored version in 1981, two scores were eventually produced, one (apparently for the American market) by Carmine Coppola (Francis' father) and another (apparently for the UK market) by Carl Davis, veteran of many new scores for old silent movies. Prior to two live performances of the Davis score in December 2004 to accompany a new five-hour-plus restoration of "Napoleon", Coppola attempted to prevent the performances going ahead without his late father's score on the grounds that his family owns the copyright over the film, even though Carmine Coppola's score was written for the short four-hour restoration. In the end the performances went ahead with Davis' score being used, although the dispute remains unresolved. Brownlow commented on this issue (comparing Coppola's behavior to that of Nazi propaganda minister Joseph Goebbels) before Davis himself conducted the two London performances (Davis was recovering from a foot operation and was brought on stage in a wheelchair).
When the teacher introduces the island of Saint Helena, Napoleon's quill varies between being in his hand and being on his book.
The film was deemed lost until film historian Kevin Brownlow managed to locate and restore many segments from various sources. In 1981 it was finally reissued in a 235-minutes version with a new music score by Carmine Coppola.