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The sequences of Native American life were shot in Technicolor, while the rest of the film was photographed in black and white and tinted amber. This was actually an accident, (see also If.... (1968)). The financial backers for the film ran out of money to spend on the then very expensive color film and ordered the filmmakers to immediately switch to black-and-white. Upon hearing this, the filmmakers realized that all the scenes at the Native American village had been shot.
The American Film Institute's print of Redskin, in the Library of Congress, contains Technicolor sequences and amber tints over the rest of the scenes.
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