The Devil's Holiday (1930) User Reviews (10)

Nancy Carroll gets Phillips Holmes

[wes-connors · 7/10 · 13 July 2010]

Beautiful manicurist Nancy Carroll (as Hallie Hobart) sets her sights on handsome Philips Holmes (as David Stone), the son of wealthy wheat farmer Hobart Bosworth (as Ezra Stone). Professing to hate men, Ms. Carroll is only interested in luring Mr. Holmes in for a lucrative business deal. Holmes easily falls in love, but older brother James Kirkwood (as Mark Stone) brands Carroll a low-life gold-digger. To get even with the straight-laced Stone family, Carroll accepts Holmes' marriage proposal. Then, while Carroll and the family negotiate the cost of her departure, she falls unexpectedly in love…

Well, make that expectedly… "The Devil's Holiday" is a creaky, but worthwhile "early talkie" drama. First of all, it features Carroll's second-place finishing "Academy Award" performance as "Best Actress" (Norma Shearer won for her "Divorcée"). At the time, Carroll was a considered a "new" talking pictures star; in that respect, she was the first "talkie"-dominant actress to move in on the "Quigley Poll" top ten list of established "silent" stars. Carroll was #10 in 1929, and seemed assured of super-stardom with the new dramatic range she showed in "Devil's Holiday" (where she displayed real sweat and tears).

Holmes is also at his best, playing the love-struck rich kid with wide-eyed innocence. And, he gets one of those great "smacked on the staircase" scenes. Holmes falls in love three times in this movie, but only for Nancy Carroll. She and Holmes had great chemistry, as you'll see; and, box office returns dictated they would be re-teamed fairly quickly (for the close to, but not quite "Stolen Heaven"). Writer/director Edmund Goulding manages well considering it was early 1930. You also get two pioneer players, Messrs. Kirkwood and Bosworth, in featured roles; and, the minor cast members are used very well.

******* The Devil's Holiday (5/9/30) Edmund Goulding ~ Nancy Carroll, Phillips Holmes, James Kirkwood, Hobart Bosworth

bearable if you like the stars

[mukava991 · 5/10 · 3 June 2011]

Edmund Goulding's morality tale stars Nancy Carroll as a pretty, gold digging manicurist who attracts the wealthy heir to a harvesting machine fortune (Phillips Holmes). After he pursues her energetically, she agrees to marry him, but when he brings her home to his family's country estate, his father (Hobart Bosworth in a plummy performance right out of 19th century melodrama) summons her to his den for a confrontation about her true motives. There, he swiftly draws out the worst in her and offers her $50,000 to end the marriage. Meanwhile, out on the staircase, the young husband falls and injures himself severely during a violent confrontation with his disapproving older brother. Nouveau riche Nancy nevertheless high tails it back to the big city to spend freely and pack for a dream trip to Paris. Trouble is, she slowly realizes she actually loves Holmes, now a semi-invalid. Can she, will she, redeem herself? It doesn't take long to find out in the perfunctorily structured plot resolution. Holmes and Carroll are more convincing here than in another pairing from around the same time ("Stolen Heaven," 1931).

Phillips Holmes and Nancy Carroll Are Fine

[drednm · 11 June 2007]

Turgid by today's standards and pretty stagy, yet THE DEVIL'S HOLIDAY offers solid performances by Nancy Carroll as a party girl who lands a hick (Phillips Holmes), in from the wheat belt, in a scam. As Hallie, a woman who no scruples and who hates men, Carroll won an Oscar nomination in a flashy role. Holmes is also excellent as the sensitive and naive youth.

Hobart Bosworth and James Kirkwood (as the father and brother) are oddly effective in their stereotypical roles. Ned Sparks and Jed Prouty play a couple of sharpies, and Zasu Pitts has a small role as the hotel operator. Paul Lukas shows up (badly cast) as a rural doctor.

While the plot veers toward the ludicrous, the actors remain solid and convincing, no easy job.

This feels much more modern than a typical 1930 film.

[1930s_Time_Machine · 7/10 · 1 July 2023]

Right from the start, you know what you're going to get. A well made (amazingly well made for 1930) fast-paced, crazy romance with a subtle sense of humour. Possibly it's Nancy Carroll's best film?

The first few minutes set the scene: in a stylishly lit hotel telephone exchange, chiseller Ned Sparks is searching, like many others for Hallie, a girl whose talent is to persuade businessmen by her 'favours' to sign any deal. This scene is a symphony seediness with wonderful 1930s accents: Zasu Pitt's a droning midwest descant against Ned Sparks' crazy deadpan Gangsterville. In just those first minutes, you know two things: 1) this is going to be good and 2) this is NOT one of those typically terrible, stagey, static pictures so common in very early talkies. It has a much more modern feel than you might expect from 1930. If you didn't know you might guess that this was made years later.

Then the screen lights up a Hallie, Nancy Carroll appears. It's probably the lighting but it seems like all the light, the life and the energy is coming from Nancy Carroll. For the next hour she glows and completely owns every frame. You can see exactly why these businessmen would be persuaded by her presence to agree to whatever deal she is being paid to promote. It's not just her pretty face, it's her joy, love of life and bubbly personality which makes her so irresistible to men. It's an astonishing performance - she should have won the Oscar instead of Norma Shearer in THE DIVORCEE; she's ten times more believable.

In fact the whole film is ten times more believable than Norma Shearer's film. Well, it is when you're watching it - but don't think about the plot too much. Besides Nancy Carroll, the other reason this is so good is down to its director Edmund Goulding. He actually wrote this (and wrote the music too!) so this was his pet project - he loved this film and put all his skills and efforts into it.

The result is a completely enthralling, naturally acted pot boiler. You don't notice how stupid the plot gets, you don't notice that Hallie's love interest, Phillips Holmes is the most pathetic, feeble-minded drip in the world. That someone so full of life as Hallie could love someone like this is absurd but you'll be so drawn into this that you'll not question it. That's the skill of a good movie: to make the unbelievable believable.

Nothing memorable

[Philipp_Flersheim · 6/10 · 26 May 2022]

Yesterday night I watched 'The Devil's Holiday'. It says a lot about the quality of the film that this morning I am struggling to remember enough of it to jot down a few brief impressions. Nancy Carroll definitely looks nice and plays (mostly) well, at least she is putting in a lot of effort. Hobart Bosworth (who plays the father of the man she marries) and James Kirkwood (the older brother) are likewise doing well. I found Phillip Holmes (as Carroll's husband) annoying: He is overacting and all in all unconvincing. The storyline is alright, but director Edmund Goulding wastes several chances for making more of the plot and giving it some wit and sparkle. The dialogues are somwhere between uninspired and awful - awful especially toward the end of the film, which has an irritating sickly-sentimental quality that I found offputting. All in all nothing memorable, I am afraid.

Poorly acted garbage

[AAdaSC · 3/10 · 22 November 2010]

Hallie (Nancy Carroll) is put to work by Charlie (Ned Sparks). She has to wine and dine wealthy David Stone (Phillips Holmes) so that he falls in love with her. He can then be influenced into buying farm machinery from Charlie. But David's brother Mark (James Kirkwood) confronts Hallie and calls her a prostitute. Her reaction to get even with Mark is to marry David. She is given a $50,000 pay-off by David's father Ezra (Hobart Bosworth) if she leaves David forever and gets out of their lives. She accepts and goes. However, in the meantime, David becomes ill and Hallie has a change of heart....

This is one boring film. The acting is very poor, especially from the retard that plays David Stone - a terrible actor. He starts well but becomes laughably bad, eg, the scenes where he slaps his brother Mark, and towards the end when he relapses into his illness. Ha ha ha....but it's not meant to be funny....ha ha ....Then there are the gruesome twosome of Mark and Ezra Stone who belong in a horror movie along with Dr Reynolds as played by Paul Lukas. He must surely have been considered for the role of Dracula with his stupid accent. Bela Lugosi is a carbon copy of this guy. Throw in the very irritating Ned Sparks with his annoying chirpy character, and that stupid voice that he affects and this film is one very big, unfunny joke. And to round things off, Nancy Carroll isn't particularly good either.

The story also sucks and is completely unbelievable. Every relationship between every character doesn't work and it is laughable how Nancy Carroll, who doesn't give a fig about Phillips Holmes, suddenly falls in love with him. What a nonsense! The only way you will enjoy this is if you laugh coz it's so bad. It really is a pile of dung.

Nancy Carroll gives the performance of her life

[kidboots · 8/10 · 5 March 2009]

Nancy Carroll's opportunity to show Hollywood that she could handle more substantial parts than the musical fluff she was always given came about by the death of another actress. Jeanne Eagels was a top Broadway actress who had originated the role of Sadie Thompson in "Rain". She had appeared in a few films when she suddenly died of a heroin overdose. "The Devil's Holiday' was to have been her next film. After Ruth Chatterton's name was mentioned, people remembered the impression Nancy had made as the hardened chorus girl in "The Shopworn Angel" (1928) and the role was hers. This was also her first pairing with Phillips Holmes.

Hallie Hobart (Nancy Carroll) is a manicurist who earns most of her money in commissions, entertaining out of town buyers of farm machinery and persuading them to purchase from her associates. Charlie Thorn (the brilliant Ned Sparkes) has a proposition for "the little fella" as he calls her. He wants to introduce her to David Stone (Phillips Holmes), the youngest son of one of the wealthiest men in the country. He is a country "hick" and Hallie believes she will have no trouble in taking him to the cleaners. She gets him in her clutches and Kent Carr ( Jed Prouty) a rival salesman sends for David's brother Mark (James Kirkwood). He talks to Hallie and they have a showdown. He tells her that "her kind" have been hunted off the streets and are now masquerading as decent working girls. David then proposes to her and she agrees, thinking that she will demand $50,000 to abandon him if his father will agree.

Back at the farm Hallie finds she is having feelings for David, who is doing his best to make her feel wanted and loved, but she manages to fight them off. David's father Ezra (Hobart Bosworth) does offer her $50,000 to leave the house and she accepts. Meanwhile David and Mark have a fight on the stairs and David is hurt.

Hallie is now back in the city, but she has changed, she has become melancholy and surrounds herself with hangers on and alcohol. David has recovered but Dr. Reynolds (Paul Lucas) the only doctor David feels understands him, thinks the only sure cure would be Hallie's return. Ezra goes to the city to bring her back, but when he sees Hallie drinking and carousing, disgustedly returns to the farm. Hallie has a change of heart and has sold everything she owns to return the money to Ezra. After another confrontation with the family, David has a relapse when he realises that initially Hallie was bought off, but he then rallies knowing that now he has Hallie's unconditional love.

This was a really great movie and unlike many old films did not play on viewers emotions. It showed that Nancy Carroll was up there with the film greats and not just a song and dance cutie.

Highly Recommended.

Excellent: Amongst the Best of the 30's Oscar Nominee

[carving-1 · 10/10 · 5 February 2016]

Stellar performances by Nancy Carroll and Phillips Holmes as well as supporting actors and you are in for a real treat if you like human drama. The directing by Edmund Goulding is able to achieve the right conclusion and you can see that a lot of effort was put into this movie which was produced in 1930, a time when talkies have been out for only a few years. Edmund Goulding also wrote the screenplay for the movie. This movie has substance. There is character development by several characters and spiritual overtones. What is greater than being selfish and "bad" and admitting it? With inimitable virtuosity, Nancy Carroll is able to traverse this course of human change. She incidentally was nominated for an Oscar in 1930 for this movie. Phillips Holmes is able to play his difficult part to the hilt as a naive and sweet character hopelessly in love. Actually, these two are magic together as can be seen in the movies Stolen Heaven and Broken Lullaby.

Yokel Meets Party Girl

[GManfred · 11 August 2015]

Hallie Hobart (Nancy Carroll), veteran party girl, works the conventions in the Big City and makes money from the agents who sic her on to prospective buyers - in this case, for farm equipment. Into her clutches falls David Stone (Philips Holmes), fresh from a fall off a turnip truck, and Wowzers! David falls head-over-heels for her and wants to marry her. His family is loaded with money and advice, but David is hearing none of it. He marries her and brings her home to his horrified family.

What follows is hard to swallow. Suffice it to say there is much pathos, contrivance, animosity, strife and bitterness. There is also reconciliation but, as I say, this second half of the picture must be taken cum grano salis. The main reason to watch this soaper is to watch Nancy Carroll's best acting job. Prior to "The Devil's Holiday" she made several lightweight musical comedies, so her performance here is a jolt. In fact, she was nominated for an Oscar for this film but lost to Norma Shearer in "The Divorcée". 1930's audiences were probably prostrate with grief as the weepy plot unfolds, but 1930 is a long time ago.