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  • Leda Gloria agrees to marry Guido Celano if he wins the Palio for their ward. When he is chosen to ride for Lupe, there is much jubilation. There are offers of bribes, which he rejects. But the evening before the race, a singer slips him the key to her room. The next morning, he is found in the street with a concussion.

    The Palio is a bareback horse race run in July and August each year in Siena. In 1590, bullfighting was outlawed in Tuscany, so the people replaced it with a buffalo riding race, then donkeys. In 1633 in became a bareback horse race. Ten of the seventeen wards puts up a rider, and after a day of festivities, it's run after seven. Typically the race takes only ninety seconds, and a lot of horses finish without a rider.

    The movie was shot in Siena, so there's lots of its medieval architecture on view, as well as the pageantry that accompanies the race; that makes this movie worth watching, even more than than the beefy Celano, who doesn't look like anyone I would think of as a jockey. Cameraman Anchise Brizzi shoots him like they're planning a revive Maciste with Celano as the strong man -- Brizzi had shot the last few starring Bartolomeo Pagano.
  • Warning: Spoilers
    (Spoilers) This vivacious early sound film by Alessandro Blasetti takes the great medieval festival of the Tuscan city of Siena, the "Palio" and fleshes it out into a romance drama with a great deal of music. The festival takes place twice a year, once in July, then again in August and culminates in a horse race in the main square. Participants are ten of the seventeen "contradas" or neighborhoods, each drawn by lot, as are the horses.

    It seems that Zarre (Guido Celano), the man chosen to be the jockey for the Lupa contrada, and fiance' to Fiora (Leda Gloria), becomes enamored of a café chanteuse. Bachicche, the jockey of a rival neighborhood, wants to get even with Zarre for a past offense and enlists the help of the chanteuse, Liliana (Laura Nucci). Needless to say, it is Zarre's horse that comes in first, winning the day for the Lupa neighborhood, after a neck-in-neck race with Bachicche and his horse, spurns the chanteuse, and embraces his true beloved, providing a joyous ending to a thrilling spectacle.

    Much of the merit of the film is the way it is imbued with the local color of the events.. The black and white photographic compositions by Anchise Brizzi, who employs a very mobile camera, immerse us in the events and in the exciting climax.

    I would love to have seen this film in a Siena theater at the time of its first showings there. The Sienese take their Palio very seriously. I'm sure they were equally as passionate about this cinematic rendition of it.
  • silori24 September 2005
    An anticipation of Blasetti's style. A great movie about the Siena Palio. Guido Celano (Zarre) is a very good actress and Leda Gloria too. The Tuscany environment is very well depicted. The performing style is influenced by the period, but it is quite good anyway. It is a very uncommon movie and the best representation of Palio, a religious and sporting event in Siena. Blasetti, then, after Il Palio and Terre Sole, start a wonderful career as director and will anticipates the "neorealism" with his 1942's movie "Quattro passi fra le nuvole". Very impressive the opening scene with Zarre riding a horse in the Siena countryside.