A relationship gradually develops between a savvy New York street girl and a good-hearted cab driver, but other matters keep getting in their way, including financial problems and a murder.A relationship gradually develops between a savvy New York street girl and a good-hearted cab driver, but other matters keep getting in their way, including financial problems and a murder.A relationship gradually develops between a savvy New York street girl and a good-hearted cab driver, but other matters keep getting in their way, including financial problems and a murder.
IMDb RATING
6.9/10
828
YOUR RATING
- Director
- Writers
- Robert Riskin(screen play)
- Ethel Hill(story)
- Stars
Top credits
- Director
- Writers
- Robert Riskin(screen play)
- Ethel Hill(story)
- Stars
Vance Carroll
- Policemanas Policeman
- (uncredited)
Sherry Hall
- Charlieas Charlie
- (uncredited)
Edward LeSaint
- Judgeas Judge
- (uncredited)
Charles McMurphy
- Ryanas Ryan
- (uncredited)
Lew Meehan
- 2nd Detectiveas 2nd Detective
- (uncredited)
- Director
- Writers
- Robert Riskin(screen play)
- Ethel Hill(story)
- Production, box office & more at IMDbPro
- All cast & crew
Storyline
Taxicab driver Jimmy Doyle (Pat O'Brien) marries a girl of the streets, Mae (Carole Lombard and, overlooking her past, sets out to make a honest woman of her. But, during the reformation period, Mae returns to a hotel of ill repute to collect the $200 she once loaned to a street-walking girlfriend. Jimmy mistakenly thinks she has turned pro again and her situation worsens when she is implicated in a murder and jailed awaiting a court trial. —Les Adams <longhorn1939@suddenlink.net>
- Taglines
- YESTERDAY A LADY WITH A PAST...TODAY THE WIFE OF THE MAN SHE LOVED! (original three-sheet poster-all caps)
- Genres
- Certificate
- Passed
- Parents guide
Did you know
- TriviaCarole Lombard and the president of Columbia Pictures, Harry Cohn, met for the first time right before production on this film began. Cohn, famous for his opinionated and profanity-laced comments, told Lombard that her hair was too white and made her look like a whore. Not missing a beat, Lombard responded, "if anyone would know a whore it would be you." After this rocky start, the two developed a mutual respect that lasted the rest of their careers.
- Quotes
[first lines]
Flanagan: [at the ticket window at a train station] Pretty soft for you, sister, getting the city to pay your fare to Danbury.
Mae: Pretty soft for the city I don't live in Australia. C'mon, grandpa.
Flanagan: [on the train, placing Mae's luggage on the rack] There y'are.
[to the conductor]
Flanagan: The lady goes to Danbury, chief.
[to Mae]
Flanagan: Now take my advice, sister, and keep out of New York.
Mae: [snidely] OK, grandpa. I'll remember all your advice: I'll watch my diet, go to the dentist twice a year, keep my nose clean, and pray for you every night - to break a couple of legs.
[closeup on Mae's gams as she crosses them; fadeout]
- Alternate versionsYears later, Columbia reissued the film to capitalize on the subsequent stardom of Lombard and O'Brien. The Breen Office demanded the removal of the opening courtroom scene (which clearly establishes Lombard as a prostitute) to conform to the Production Code. In restoring the film, the original soundtrack was located, but the image is still missing, thus current prints have a slug (blank footage) for the opening scene, leading some viewers to believe the black image was intentional.
- ConnectionsReferenced in Hollywood Hist-o-Rama: Carole Lombard (1961)
Top review
This precode has a little bit of everything
This one has a prostitute trying to go straight, a tough-talking cab driver whose harsh words hide a heart of gold, and there is even a murder tucked away in the plot.
The story opens on prostitute Mae(Carole Lombard) being escorted to a train that will take her out of New York City - a condition of her not serving jail time for street walking is that she leave town. As soon as the police are gone she gets right off the train. Having no money, she has to ditch Jimmy Doyle (Pat O'Brien), the cabby that takes her back into the city, without paying him. However, Mae is a woman without options, not a woman who is basically dishonest, so as soon as she has the money she pays Jimmy the fare, although at the worst possible time - watch the film to see what I'm talking about.
Jimmy and Mae hit it off and even get married, but they're basically two people looking for love that have two big problems. Mae can't take back her past, and Jimmy can't - with dignity - take back the words he has said about him being all-knowing when it comes to "dames", especially after he learns of his wife's past occupation at a most inopportune time. From that point forward the two have a good relationship on the surface, but underneath Jimmy always has his doubts as to whether Mae's past is really behind her, and Mae feels like she's on probation. Then something comes up that brings all of these feelings to the surface.
Mayo Methot plays Lil Blair, an aging woman of the streets and friend to Mae whose boyfriend Toots is more than happy to have Lil support him and more than unhappy when she can't come up with quite enough money to keep him in race track forms. Lil winds up playing a bigger part in the whole story than her small amount of screen time would make you believe.
This fast moving little precode with heart is everything that the best precodes of the early 30's should be. Many of the precodes that came out of Columbia in the early 30's had a paint-by-numbers feel about them, like they were just going through the motions. This one has very good performances by the entire cast and a storyline that draws you into the everyday lives of these not so everyday people.
The story opens on prostitute Mae(Carole Lombard) being escorted to a train that will take her out of New York City - a condition of her not serving jail time for street walking is that she leave town. As soon as the police are gone she gets right off the train. Having no money, she has to ditch Jimmy Doyle (Pat O'Brien), the cabby that takes her back into the city, without paying him. However, Mae is a woman without options, not a woman who is basically dishonest, so as soon as she has the money she pays Jimmy the fare, although at the worst possible time - watch the film to see what I'm talking about.
Jimmy and Mae hit it off and even get married, but they're basically two people looking for love that have two big problems. Mae can't take back her past, and Jimmy can't - with dignity - take back the words he has said about him being all-knowing when it comes to "dames", especially after he learns of his wife's past occupation at a most inopportune time. From that point forward the two have a good relationship on the surface, but underneath Jimmy always has his doubts as to whether Mae's past is really behind her, and Mae feels like she's on probation. Then something comes up that brings all of these feelings to the surface.
Mayo Methot plays Lil Blair, an aging woman of the streets and friend to Mae whose boyfriend Toots is more than happy to have Lil support him and more than unhappy when she can't come up with quite enough money to keep him in race track forms. Lil winds up playing a bigger part in the whole story than her small amount of screen time would make you believe.
This fast moving little precode with heart is everything that the best precodes of the early 30's should be. Many of the precodes that came out of Columbia in the early 30's had a paint-by-numbers feel about them, like they were just going through the motions. This one has very good performances by the entire cast and a storyline that draws you into the everyday lives of these not so everyday people.
helpful•102
- AlsExGal
- Nov 26, 2009
Details
- Runtime1 hour 8 minutes
- Color
- Aspect ratio
- 1.37 : 1
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