The World and the Flesh (1932)

  |  Drama


The World and the Flesh (1932) Poster

During the 1917 Russian revolution, a group of artistocrats find themselves in the custody of a brutal Communist revolutionary. He lusts after one of them, a ballerina, and gives her an ... See full summary »


5.7/10
26

Get More From IMDb

For an enhanced browsing experience, get the IMDb app on your smartphone or tablet.

Get the IMDb app

Reviews & Commentary

Add a Review


User Reviews


21 May 2004 | rsoonsa
10
| A GENERALLY UNRECOGNIZED WORK OF HIGH QUALITY.
The working title for this Paramount production, "Red Harvest", was discarded before its release due to popularity of Dashiell Hammett's novel of the same name published three years before the motion picture was completed (its replacement title signifies, of course, nothing). Although an excellent work, it was largely ignored because of its charitable depiction of Russian aristocrats during the 1919 Revolution, a latter day event in the experience of most contemporary critics in Depression devastated United States who viewed it as portal to a bold and promising proletarian adventure. John Cromwell, always a capable craftsman and noted for his close rapport with actors, has to deal here with two of the most temperamental: George Bancroft and Miriam Hopkins, the former's overweening ego and the insistence by the difficult Hopkins upon achievement of visual perfection for each of her scenes defeating most directors. Nonetheless, Cromwell, as is his custom, responds to a good script, as does any effectual talespinner, and as this example by Oliver Garrett, freely adapted from an original play of Philip Zeska and Ernst Spitz, is a very fine one indeed, he sagely permits Hopkins to create her own performance that consequently is only strengthened, while the director concentrates upon the overall achitectonics, including masterful use of montage. The scenario tells of grim resistance to captivity by members of the Tsarist aristocracy fleeing from a Red Russian brigade that is intent upon bringing about their execution before they can reach Sevastopol, White Russian stronghold along the Crimean coast. The film is interestingly cast, with Alan Mowbray excelling as a patrician refusing to accept hegemony by Communists, and the storyline evolves in engrossing fashion, as twists and turns abound to the very closing moments. True auteur of the film is its cinematographer, Karl Struss, a celebrated still photographer whose work today is frequently exhibited and very collectable. A creative technician of the first order, ever inspired to seek an appropriate aesthetic for each film, Struss here fashions images that are among the most memorable in cinema, his camera's eye a vicarious observer during artistically lighted scenes wherein effects upon tangential characters describe action in this splendid motion picture that has been wrongly relegated into The Memory Hole

Critic Reviews


More Like This

Two Kinds of Women

Two Kinds of Women

The Story of Temple Drake

The Story of Temple Drake

Dancers in the Dark

Dancers in the Dark

Fast and Loose

Fast and Loose

Hollywood Horror House

Hollywood Horror House

Design for Living

Design for Living

Beauty Parlor

Beauty Parlor

The Sin of Nora Moran

The Sin of Nora Moran

The Silver Cord

The Silver Cord

Dr. Jekyll and Mr. Hyde

Dr. Jekyll and Mr. Hyde

The Postman Always Rings Twice

The Postman Always Rings Twice

Red Harvest

Red Harvest

Storyline

Plot Summary


Genres

Drama

'Hamilton' Stars Through the Years

From Jack in Mary Poppins Returns to Lee Scoresby in "His Dark Materials," take a look back at the TV and movie roles of Lin-Manuel Miranda and the stars of Hamilton.

See the full gallery

Around The Web

 | 

Powered by ZergNet

More To Explore

Search on Amazon.com