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  • bkoganbing24 October 2018
    Ace Of Aces casts Richard Dix as a sculptor who is determined just not to get involved in the war even after the USA enters. But those were jingoistic years and when his own girlfriend Elizabeth Allan shames him into it he joins the Army and gets into the new Army Air Corps.

    Once he's involved Dix discovers he has a taste for war and gets real good at combat flying. Others who aren't as good get dead and soon. But he's taken up by the media and is soon like Eddie Rickenbacker, the Ace Of Aces. And Elizabeth Allan does not like what she sees when she visits the front doing war work.

    Dix gives a fine performance, one of the best I've seen in his talkie period. Very good use is made of the combat footage. It might very well have been outtakes from Howard Hughes's Hell's Angels or Paramount's Wings instead of the real deal or a combination. Still it's effectively added in.

    Kudos also go to Ralph Bellamy as Dix's immediate superior who doesn't like him and has him figured out very well. One big flaw is the film has an obviously tacked on ending.

    Ace Of Aces still holds up well after eight decades and ranks up high with aviation themed films.
  • Idealistic young sculptor Richard Dix (as Rex "Rocky" Thorne) decides not to enlist when President Woodrow Wilson calls for US soldiers to enter the Great War (aka World War I). A pacifist, Mr. Dix explains, "I just don't like the idea of killing my fellow man." His pretty Boston fiancée Elizabeth Allan (as Nancy Adams) calls Dix a coward and joins the war effort as a nurse. Suddenly ashamed, Dix enlists as a fighter pilot. On his first day with the squadron, in France, Dix is sent out on a mission. At first he is unable to kill his fellow man. But, when shot at, Dix turns into the Germans' worst nightmare, killing them at breakneck speed. Soon, Dix holds the record for the most kills...

    During the heat of battle, Dix and Ms. Allan find their views on war have evolved...

    This is a fine 1930s (anti-) war film, with exciting airborne battle scenes. The photography, by Henry Cronjager and Vernon Walker, is a highlight. In the leading role, Dix seems miscast, however. Many older men enlisted in both World Wars, but he appears too old for the role. The script might have been altered to include some mention of him getting a late start in marriage and claiming to be "too old for war." Even then, the part probably should have been played by a more delicate actor. Best supporting player is Theodore Newton (as Foster 'Frogy' Kelley). His first scene, introducing Dix to the squadron, is so good you can almost hear director J Walter Ruben yell, "Cut, print!" Yes, he nailed it.

    ****** Ace of Aces (1933-10-20) J. Walter Ruben ~ Richard Dix, Elizabeth Allan, Theodore Newton, Ralph Bellamy
  • Rocky and Nancy, couple in love, when War is declared (WWI, in spite of their early 30s clothing). Rocky (played by Richard Dix) compares soldiers to lemmings "trying to reach a goal that doesn't exist" - Nancy (Elizabeth Allan) thinks her man is "yellow" as she pushes him into going to battle. Next thing you know, Rocky has joined an Aero Squadron and is encamped in a barracks full of nicknamed comrades and a menagerie of "mascots" not limited to a goat, pig, chimp, parrot, and Rocky's personal mascot, a cute little lion cub (actually, he looked sort of like a leopard to me). Rocky starts out fighting his morals against shooting another man - but not for long, it seems, as Rocky gets pretty darn aggressive amazingly quickly - the war has completely gone to his head as Rocky turns into the fighting ace of all aces!

    This film is a bit hit or miss - parts of it are good, other parts are quite slow-moving and boring. Richard Dix gives a somewhat hammy performance and there are some pretty fake looking kisses between the two leads, a real lack of chemistry there, I would say. BUT - there is some interesting photography in the air battle scenes, and a few other interesting scenes here and there, especially notable is a scene where Dix is confronted by one of the German soldiers he shot down, now on his death bed. Okay film.
  • I never liked Richard Dix very much. He's just awful in the wonderful film, Cimarron, which earned him an Oscar nomination. Any other film I've seen in him seems to show him off as a hammy, middle-aged actor just going through the paces. But Ace of Aces was a slight surprise. This WW I story about a pacifist artist who joins up and become a bloodthirsty killer under the guise of being a flying "ace" seems like the kind of role he needed. In a way it's similar to the role of Yancy in Cimarron, but minus the "Wahoos" he lets out sporadically in that film. Plus in Cimarron Dix pales in comparison to the great performance turned in by Irene Dunne. In Ace of Aces, Dix is the star. No one else registers very strongly. Elizabeth Allan is the girl friend, Ralph Bellamy the commanding officer, Theodore Newton the best friend, Nella Walker the socialite, and the Stroud twins (Claude and Clarence) play fellow flyers. Not a great film by any means, but a solid story certainly helps. The aerial dogfights are good but not as good as in Hell's Angels. Check it out.
  • Warning: Spoilers
    It's 1918 and the war is being waged on the battlefields of France -- and over those battlefields too. Richard Dix wants no part of it. However, his girl friend, the cute and saucy Elizabeth Allen, shames him into enlisting, and he becomes a fighter pilot in the U.S. Army Air Corpe and is sent overseas, where he is soon joined by Allen as a nurse. In his first combat mission, he flies as part of the squadron, manages to get on the six o'clock position of a "Heinie" but can't bring himself to pull the trigger on his machine guns. His superior officer, Ralph Bellamy, chews him out.

    On a later flight, after watching a friend being shot down, he become animated and scores his first "kill." And, actually, he feels pretty good about when he thinks it over. He shoots down numerous other Heinies and his score creeps up until it's about 40. (Historically, Eddie Rickenbacker was the highest scoring American ace with 26 aerial victories.) By now, Dix has begun to enjoy his job and has a sneaky tactic whereby he leaves the squadron and pulls up into a position that puts his airplane between the enemy and the sun, thus blinding the Heinies to his attack. In World War II, we accused the Japanese of being sneaky for doing the same thing. (You can ignore that gloss if you want.)

    Meanwhile, his commanding officer, Ralph Bellamy, is getting furious. In not playing with the team, Dix has lessened its strength by one airplane, and all for his own self aggrandizement. "You'll do as you're told -- and that's an order!", or words to the same effect. But does Dix do it? Are you kidding? He's not about to submerge his identity, his prowess, into that of his squadron.

    And he's still up there, lingering around in the vicinity of the sun, when a Heinie plane flies over the base and drops a message about a squadron member who had been shot down and captured, reassuring the boys that the prisoner is alive and doing well Then Dix dives out of the sun and wrecks the German airplane with aplomb.

    The Heinie had no chance to defend himself but somehow Dix's scalp has been grazed and he winds up in the hospital. His bed is next to that of a very young pilot who constantly moans in pain and begs for water. Dix tells him to shut up but learns from a nurse that the patient can't drink anything because he's been shot through the stomach and is dying. While listening to the wounded boy Dix is stunned to learn that this is the Heinie pilot he'd just shot down, only a cadet with few hours flying time. Chagrin time for Dix. He accepts Bellamy's offer of an instructor's job back in the states but when taunted by some of his squadron mates, he decides to regress and go back to killing.

    The only problem is that once in the air, again at a Heinie's six, he can't bring himself to pull the trigger. He and his cute and saucy girl friend are finally together, hugging each other decorously among the wildflowers and dreaming of a home and four children.

    It's an anti-war movie from 1933, with World War I safely behind the audience. Nobody's performance stands out especially, nor does anyone's performance torpedo the movie. There is some genuine flight footage and a lot of model work. There's little ambiguity about a defeat. Just about everyone who is downed does a nose dive into the earth but -- this being 1933 -- there are not yet bouquets of exploding fireballs with each mishap.

    The moral evolution of Dix's character is kind of interesting and I rather enjoyed it for all its primitive techniques. I liked it too because it SHOWS us how to dislike war without a single sermon being preached. Not that I mind the pep talks that show up so often in movies about war but they're usually so unoriginal, so filled with clichés. It's not often we hear anything like "when the blast of war blows in our ears, then imitate the action of the tiger."
  • jimel9812 July 2014
    Warning: Spoilers
    Potential SPOILER.

    OK, so it's not a great movie. For it's time, it was probably considered pretty damn good but some movies, and this is just my humble opinion, just don't hold up over time. Albert Fin....sorry, Richard Dix was a pretty OK actor, as one other reviewer put it, a bit hammy, but over all, for the 30s, not bad but I have to admit, his maniacal killer stuff was the stuff that modern film considers parody. His obsession with the kill (a guy who was very much a pacifist) was maybe a tad overdone. However, from a psychological standpoint, what a very interesting character study. I'd LOVE to see this movie remade with a more gradual change in the character instead of almost immediately, though you can see how getting MAD can change a person's outlook.

    I'm not sure if that was really a spoiler, but I'll click the box to be on the safe side.

    Mr. Finney...DAMMNIT, Mr. Dix plays crazy well, I'll give him that, campy, hammy, but well and as I said, almost funny. I fully enjoyed him. I find it sad that almost every war movie made up until the 1960s seemed to find a need for a love story. Blech! This one had one and maybe it was needed to help show his transformation, but, ah, whatever. I enjoyed it and would never tell anyone not to see it. 'Nuff said.
  • Warning: Spoilers
    He's an artist, not a fighter pilot, so the disgust of war takes its toll on Richard Dix who seems to care more about claiming victims, not strategy to end the war and bring about piece. So basically he's betraying his artistic side by becoming a butcher, and his methods cause fellowed allied pilots to be killed, something that makes his commanding officer Ralph Bellamy believe him to be a monster. It's only through the presence of his fiancee (Elizabeth Allen, now a nurse) and the meeting of one of the German soldiers that he shot down that seems to wake him up to what he's become.

    One of many dozen pre-code films post "Wings" and "All Quiet on the Western Front", this is also one of the more thoughtful. With issues in Europe looming around the corner, first world war films were not made to the point that they were prior to this, and if they were, they had a different moral than previous ones. This is anti-war in theme, so that type of theme would disappear for patriotic reasons until World War II ended.

    Excellent performances by Dix and Bellamy and well rounded characterizations along with great aerial photography and editing aides this in being enjoyable, as does the presence of a baby chimp, a growling lion cub and a squealing piglet, along with the troop's puppy. This is slightly creaky compared to other 1933 releases, but that's minor considering all of the film's other assets.
  • Richard Dix gets above the title on this war time flick. Co-stars british Elizabeth Allan and Ralph Bellamy. Actor Dix was already forty, much older than everyone else in the troop of foreign flyers, fighting the germans in the sky. He is a great pilot and strategist, and racks up many kills. Keep an eye out for the awesome Grady Sutton, when he comes in with news of the war. Had mostly uncredited roles before this, and even this one was uncredited. It's the typical war time flick. Men went off to war, and came back changed. How will the experience change his relationship with his girl Nancy from back home? And he gets a little too philosophical near the end... does the viewer really need a discussion on the pros and cons of going to war? Bellamy was just getting started in hollywood... this was one of TWELVE films released in 1933 for him. Granted, it wasn't a big role. Story based on bird of prey by John Saunders. Directed by walt ruben. Married to actress Virginia Bruce when he died at 43 of a bad heart. Dix also died young at 56, of heart problems.
  • Warning: Spoilers
    J. Walter Ruben directs this air combat movie based on Bird Of Prey by John Monk Saunders. Some of the aerial scenes are actually borrowed from Howard Hughes's HELL'S ANGELS(1930). By no means ACE OF ACE'S is no masterpiece, but very worthy of your time. Richard Dix plays Rex Thorne, a sculptor who registers as a conscientious objector at the outbreak of WWI. He thinks nothing more of being shy of taking up arms and going to war. His sweetheart Nancy(Elizabeth Allen)sees him differently. She sees him as a coward and shames him into joining the Army as a fighter pilot. Soon Thorne does an about face and unlikely becomes reckless and ruthless and one of the most prolific flying aces. At the same time, Nancy has joined the Red Cross as a nurse and is appalled at the transformation of her 'Rocky' now a arrogant hero of the skies. The apt list of players includes: Ralph Bellamy, Frank Conroy, Theodore Newton, and James Cagney's look-alike brother William Cagney. Look for this one on Turner Classic Movies.
  • SnoopyStyle29 May 2022
    United States has entered WWI. Sculptor Rocky Thorne (Richard Dix) is cynical about the patriotic display and the rush to join. His girlfriend Nancy Adams despises his selfishness, his aloofness, and his pacifism. She has joined the Red Cross nurses. He decides to join the new Air Force.

    Right off the bat, I don't like the look of Richard Dix. He feels like a snooty rich boyfriend of a debutante. I would diminish that feeling by giving him a regular working man job. How does a sculptor become a pilot anyways? The film seems to want a stereotypical anti-war artistic type. It's the liberal type before hippies. It would make more sense if he's a mechanic who turns into an ace pilot. He fits more after the personality change. He has a natural anger to his performance. This seems to be an anti-war film but Rocky Thorne is not a particularly good voice for that. The flying sequences are all miniatures. There are some real planes but the action is mostly miniatures and rear projection. It's hard to distinguish between anybody in the dogfights. This is an interesting attempt but it may not be a successful one.
  • First, you have to buy Richard Dix as an upper-crust sculptor and pacifist named "Rocky." Then you have to accept that after one dogfight he turns into a cold-blooded killing machine. There's no middle road with this guy! The aerial combat scenes are well done with an excellent use of miniatures, but they aren't in the same league as the ones in "Wings," "Hell's Angels" or "The Dawn Patrol." The squadron banter has a realistic feel to it unlike any of the other dialogue in the film. There's a particularly bad scene where the heroine is a warfront nurse and the wounded Private Exposition is brought in to fill her in on the story so far. Dix's rapid changes in personality are given no real reason and make hash of his character and anything profound the film is trying to say. Obviously modeled after "Journey's End" and all the other anti-war plays of the time, "Ace Of Aces" ends up making a travesty of both pacifism and soldiering.
  • This movie, along with the similar EAGLE AND THE HAWK and ALL QUIET ON THE WESTERN FRONT, is an excellent anti-war film made during the 1930s. It's completely original and unusual enough to merit you watching it. So what's so unusual about it? Well, Richard Dix plays a pacifist who only reluctantly agrees to go to war. However, once he becomes a fighter pilot and gets a taste for blood, his personality changes dramatically. Gone is the decent soul who had once longed to become a famous sculptor and in its place was a man who lived to kill--enjoying every minute of it! While this certainly isn't true of everyone who goes to war, the notion that personalities can dramatically change thanks to the carnage is an excellent point to make indeed.
  • As America decides to enter WWI, an artist (Richard Dix) tells his patriotic girlfriend (Elizabeth Allan) that he objects to getting involved in a pointless war "like a lemming." Feeling guilty over her rebuke, he signs up, and after overcoming initial qualms about killing, quickly becomes the best fighter pilot in his squadron, having killed 43 of the enemy. When the pair happen to run into one another on a weekend pass he has in Paris, he tells her that he'll only spend the time with her if she'll have sex with him - that's what he's looking for from other women - and she reluctantly consents (certainly a pre-Code moment). He's gone through quite a transformation, oozing masculinity and aggression so much that even fighting seems to be mostly about personal glory, but he's shaken when he sees real suffering in the hospital, including a man he personally shot down.

    The film has elements glorifying war, such as the ragtag fighter crew and their aerial exploits, but it also has elements condemning it, such as the men suffering cruel, lingering deaths, PTSD, and a suicide. Despite having secured an instructor's position, the man feels compelled to go back out and earn more kills to beat some other hotshot's record, something I initially thought might be a metaphor for humanity inevitably continuing the crazy cycle of warfare, but his subsequent actions show a nice (if rather forced) sense of enlightenment.

    Unfortunately, despite all these great concepts, the film is rather clunky in its mechanics for delivering them. At times it feels abrupt and at others, confused. It needed some other element with an edge - someone bringing up how ridiculous this particular war was in the first place, a darker change in Dix's character, some kind of arc to Allan's character, or an ending that was less saccharine - to have truly succeeded. It could also have used a little more star power and flair in its performances. I liked the antiwar components and how they reflected the psyche of the country in between the wars, but this one was just average, and not terribly special.
  • Warning: Spoilers
    Rocky is a first class heel to everyone, the whole time. It's never clear why he gets away with it, why he has a fiance, friends.

    Her talks about being "taught to kill" and so on, but there's no evidence of this. It cuts from the studio to showing up at the squadron in France, and he's just the same smug artist jerk, now a pilot jerk.

    He flatly murders a guy, assaults an enlisted guy (might have permanently scarred him), violates orders and at least once steals a plane, destroys it and is slightly injured and... that's it. Back to the estate to be romanced.

    Rocky should be in Leavenworth at the end.
  • A mild-mannered sculptor who hates war becomes the ACE OF ACES in World War One.

    Although nearly forgotten for decades, this powerful little anti-war film packs a punch as it focuses on the young men of an American flying squadron stationed in France. Cynical & flippant, they know the odds are against them surviving the war and they each deal with that knowledge in their own way.

    Richard Dix, an excellent actor who has become undeservedly obscure, gives a powerful performance as a pilot embittered by war's savagery yet delighting in his ability to kill. His reaction at finally meeting one of the Germans he has mortally wounded is only one moment which gives the actor much scope to display his craft. Lovely Elizabeth Allan portrays the weary front-line nurse, once Dix's fiancée, who brings some humanity back into his life.

    Ralph Bellamy plays Dix's no-nonsense superior officer; Theodore Newton does well as Dix's barracks mate. Movie mavens will recognize an uncredited Grady Sutton as an excited house guest.

    RKO has given the film fine production values, with the flying sequences especially well mounted. The movie is marred slightly by the ending, which is rather unbelievable considering the moments leading up to it. And whatever happened to the chimp & the lion?
  • eflapinskas15 August 2006
    Considering the era it was made this film was very well made. Of all the fluff that came out of Hollywood I'm sure this was a pleasant change of pace for moviegoers of the day and is still worth watching some 70 + years later.

    War and especially combat change a man and usually not for the better for a long time if not for life. This movie went into the dark corners of these human transformations. Great acting, writing, and directing was put into this effort.

    Richard Dix was well chosen for the lead of this film as the role called for a tough character in this lead role of fighter pilot ace. Although Mr. Dix is not as well known in film history as Gable or Bogart he was very popular back in the 30's and 40's and a leading man. His untimely death at age 56 shortened a great career. If you get the chance to see this movie, please seize the opportunity to view some real Hollywood history.
  • Plot in a Nutshell: Spurned by his lover for his pacifist views, a man (Richard Dix) enters the fray of WWI as a fighter pilot and becomes a one-man wrecking crew in the skies over France.

    Why I rated it an '8': Several reasons. The anti-war sentiment of Rocky Thorne was an interesting centerpiece and serves to remind us that a fair percentage of the population wound up believing (in hindsight) that the U.S.'s involvement in WWI was perhaps not such a great idea after all (similar to Vietnam and the Iraq war). The pre-code hotel conversation between Rocky and Nancy certainly got my attention. In it, Rocky uses Nancy's words against her - "everyone should do their part" and "give what they can give" - in a successful seduction where Nancy gives in to his sexual demands, in essence as part of the 'war effort.' It does not endear one to Thorne, as he comes across as callous and manipulative, but it's something you wouldn't see in a film just a few years later I'm sure.

    SFX were decent for the time period. The German character actually spoke German and/or broken English which was a realistic touch. My only real complaint is why Thorne swings from one extreme to the other without much prodding (pacifist to remorseless killer). The best one can say is perhaps 'kill or be killed' - perhaps - but of course he didn't need to enlist as a pilot in the first place. He could have been an ambulance driver like Ernest Hemingway and avoided the requirement to kill altogether. Even so, a pretty enjoyable pre-code WWI flick.

    Best Line: Rocky Thorne (to Nancy): "Courage? At a time like this it takes courage to stick to one's principles."

    Times watched: 1. Would I watch again (Y/N)?: Yes.
  • The Great War is declared, and every man and woman must do his or her duty. Sculptor Richard Dix doesn't want to do his duty, but fiancee Elizabeth Allan expresses his contempt. The next we see of Dix, he's joining the Lafayette Escadrille, where he becomes the top American ace. And he loves it.

    John Monk Saunders' script offers the aerial cavalry not as boys having a grand adventure, but as a brutalizing affair. Dix seems a odd choice as an artist yearning to express himself, but when it turns out his efforts at self-expression are to shoot down other aviators, and to strike the enlisted man who loads his gunbelt wrong, that seems more him. Throughout his sound career, Dix played the stalwart, but occasionally he essayed the role of the big man who went to pieces under stress, and he was frighteningly believable in those movies.
  • An Anti-War Movie that is Filled with Dread. The Brooding, Sensitive Richard Dix Plays a Pacifist Goaded into Entering WWI with the rest of the Lemmings by His Cute Girlfriend (Elizabeth Allan). Once there He is Propelled into a Flying Killing Machine.

    He becomes and Ace of Aces as His near Psychotic Exploits are Turned when He is Forced to Confront His Death Talley by an Unarmed Kid He Shoots Down and Nearly Kills. After this He Snaps back to His Senses and All is Well, sort of.

    This has some Pre-Code Violence (suicide and a bloody face mashing) among its Sexual Take on a Relinquished Virginity brought on by the Uncertainty of War. Some of the Dialog has a Bite and it makes it Clear in its Anti-War Sentiments.

    Above Average in Theme and Wit, this will most likely Disappoint those Seeking Aerial Dogfights and Rah-Rah Action. But it makes up for it with a Strong, Sombre Stance and an Edgy Screenplay.
  • Warning: Spoilers
    Check this one out. This is a film that uses the truncated running times of the early 30's to its advantage. While it's a rule of thumb in film-making to slowly develop characters, Ace of Aces, perhaps because it's a programmer and simply doesn't have the time, skips the usual intermediate stages -- you know, like introspection. Characters here go from pacifism to bloodthirsty insanity in the time it takes to cut from one scene to the next.

    Richard Dix is a sculptor who is accosted in his studio one day by "girlfriend" Elizabeth Allen, who, in the space of about three seconds, threatens to break up with him if he doesn't give up his fancies about art and get his head blown off in WWI ( and there is the tantalizing suggestion that she is sexually unsatisfied with him and is using the war as an opportunity to slake her lust. ) Three more seconds go by, and suddenly Dix has metamorphosed into the Red Baron, gunning down his hapless victims from his elevated perch in the sky. Meanwhile we get lots of superimposed heraldic animal heads, dragons, lions, falcons and such layered on top of the soldiers in their bunker, leering, grimacing beasts of war that give the film a haunting medieval flavor. When the soldiers talk to each other, the tone is unlike any other war film -- we aren't meant to reflect poignantly on their impending deaths or get to know them as individuals so that we're caught up in their fates. Instead their conversation is fairly eloquent-sounding ( a lot of these guys are swanky Brits ) yet subtly drained of meaning so that we hear their witty, boastful words almost as the squawks, barks and roars of barnyard animals. Not one character is sympathetic.

    This is a film whose transitions are so abrupt that the end result comes close to something like Kleist's play The Prince of Homburg, a jagged, neurotic ride through an insanely arbitrary world. Collective behavior, individual psychology, love relationships, religious impulses all seem to waver and bend like phantom images in the sun. When Dix and Allen get together at the end and fall in each other's arms again, you feel sick.
  • "Ace of Aces" was deliberately acted by Richard Dix while the role of Elizabeth Allen remains unclear. But she did attempt to convey the entire picture of a girlfriend during World War I who sees it as being a true requirement. How many total movies in the 1930s did that? Thus this is a suppressed movie. It's known that the British sent about 300 conscientious objectors to the firing squad during World War I. No one on the allied side in the movie, set of course in a flying squadron base, has any idea what World War I is about. You're not going to find from the movie whether the U.S. entering it helped anything. We know what the ultimate result was. So assuming the movie's value is the precise degree of disparity between Richard Dix and Elizabeth Allen, it is noteworthy that his character, Rocky Thorne, has the same last name as a major freeway exit adjacent to Fort Lewis, Washington. Which is the largest army base in the United States. Suppressed. Federal judge will grant the motion to extend.
  • Warning: Spoilers
    ...because there is never a defining moment where protagonist "Rocky" goes from pacifism to being a war monger. What pushed him to join the US Air Corps in the first place? Dix character strikes me as psychotic; he kills without mercy, then is utterly ruined as a combat pilot after seeing one dying German Faehnrich (officer cadet.) Nearly twenty guys in his squadron die in the air, men he was comrade with. Bad writing attempts to be Hemingway-esque, comes off sounding like War Department training film diologue. Only plus: our hero flys a real French Nieuport biplane fighter, and the enemy seems to be using real German Fokker fighters. A good rainy day WWI film.
  • Early in the film Richard Dix's character is working on A figure he is sculpting out of clay wearing a suit and tie.....shouldn't he have been wearing a smock of some kind?
  • Warning: Spoilers
    J. Walter Ruben's first film as director was in 1931 at RKO with Richard Dix. By the time they made ACE OF ACES two years later, there had been several more collaborations in between. ACE OF ACES was their fifth and final movie together. Leading lady Elizabeth Allan, a British import, had also worked with the director and leading man before. Her approach was much more reserved, but she had a way to mine the simple pathos in a scene; and truly, she is an able match for Dix and a perfect counterpoint, as his style tends to be a bit more bombastic.

    In a story like this, which tries to explore both the pro-war and anti-war aspects of battle, the two leads are going to have to explore a variety of emotional depths. Initially, Dix's character is a sculptor whose artistic work has made him feel intellectually superior to the masses who run off like lemmings, his words, to join the war effort. The First World War has just been declared, and everyone has feelings about it.

    When Allan feels Dix's isolationist stance is a mark of cowardice, she breaks off their engagement. Especially when he criticizes parades with band playing and flag waving as a lot of hysteria. She goes off to serve as a nurse overseas with the Red Cross; while Dix, whose pride has been wounded, decides to enlist and prove her wrong. When he gets to Europe, he becomes an ace flyer, one of the very best, which gives the film its title.

    During the middle stretch of the film, he has predictably turned into a full-fledged killing machine. As he spends time with the other flyers, we here things like "here today and hero tomorrow," to commemorate the men who've already died in the air. And "welcome to the ranks of the undead," to remind us that Dix and the others are still alive with much to prove.

    As his reputation grows, Dix gets caught up in the glory of war. He shoots down over 40 Nazi aircraft and is decorated by a French general. As a result of his notable accomplishments, he gets a 48-hour leave in Paris. While he's there, he runs into Allan again, who's been working at a dressing station that was just bombed. The bombing scene in which she gets shaken up is superbly acted by Allan and various extras.

    As Allan becomes reacquainted with Dix, she realizes how much harder he now is as a man. He challenges her morality, telling her he only has 48 hours of down time, and by gosh, he intends to spend the night with her. She caves in. Since this is a precode and such actions may be morally wrong, her reputation doesn't seem to suffer much of a setback!

    Of course, the story has to eventually come full circle. Dix has to reach a point where he regrets turning into a coldblooded assassin. He has been changed profoundly because of the war, and after it's all said and done, he has to try to forget and return to his life again back home, with Allan as his wife. Is it too much to ask, for him to find the courage to reclaim his original principles?