A chronicle of the lives of a group of sisters growing up in nineteenth-century America.A chronicle of the lives of a group of sisters growing up in nineteenth-century America.A chronicle of the lives of a group of sisters growing up in nineteenth-century America.
- Director
- Writers
- Louisa May Alcott(by)
- Sarah Y. Mason(screen play)
- Victor Heerman(screen play)
- Stars
- Director
- Writers
- Louisa May Alcott(by)
- Sarah Y. Mason(screen play)
- Victor Heerman(screen play)
- Stars
- Won 1 Oscar
- 4 wins & 3 nominations total
Videos1
- Brookeas Brooke
- (as John Davis Lodge)
- Mr. Marchas Mr. March
- (as Samuel Hinds)
- Housekeeperas Housekeeper
- (uncredited)
- Old Manas Old Man
- (uncredited)
- Director
- Writers
- Louisa May Alcott(by)
- Sarah Y. Mason(screen play)
- Victor Heerman(screen play)
- Production, box office & more at IMDbPro
- All cast & crew
Storyline
- Taglines
- Acclaimed Universally as One of the Finest Pictures in History of the Screen! (Print Ad- Buffalo Courier-Express, ((Buffalo, NY)) 8 December 1933)
- Genres
- Certificate
- Passed
- Parents guide
Did you know
- TriviaKatharine Hepburn asked costume designer Walter Plunkett to copy a dress her maternal grandmother wore in a tintype photograph.
- GoofsIn the Christmas play when the prop tower falls down Jo says everything is all right, her lips aren't moving.
- Quotes
[first lines]
Marmee March: So you're going to Washington?
Elderly man: Yes, ma'am; my son is sick in the hospital there.
Marmee March: Oh, this will be an anxious Christmas for you.
Marmee March: [finding him a coat] I think this one will do; let's try this. Is it your only son?
Elderly man: No, ma'am. I had four; two were killed, one is a prisoner.
Marmee March: [deeply moved] You've done a great deal for your country, sir.
Elderly man: Oh, not a mite more than I ought, ma'am. I'd go myself if I was any use. Thank you for the overcoat.
Marmee March: Wait a minute...
Marmee March: [giving him some money] I hope you find him better.
Elderly man: Thank you, ma'am. God bless you; merry Christmas. Merry Christmas!
Marmee March: Merry Christmas!
- Alternate versionsOlder video and television prints remove the original RKO logo in the opening and replace it with the one from Selznick International.
- ConnectionsFeatured in David O. Selznick: 'Your New Producer' (1935)
- SoundtracksThe Girl I Left Behind Me
(uncredited)
Traditional
Played during the opening scene
A fairly lavish affair, with one of my favorite directors, George Cukor, making the most of his growing fame as a "woman's director." Of course, the leads here are four girls and their mother, among the children the rising star, Katherine Hepburn, in her second film (after Bill of Divorcement, also by Cukor, and a better film in many ways).
The standards here are high, the acting solid, the sets uncompromised. The plot is very goody-goody, for lack of a better word. There is a lot of family sweetness, growing young love affairs, charity to the poor, and a feeling of life being simply terrific, whatever its worries (worries like the Civil War, raging quietly in the background, never seen and rarely felt).
Cukor makes the most of Alcott's novel, I think, and Hepburn is wonderful, with all the hints of her real greatness on screen to come. The basic structure of the plot (or plots) is how each girl matures, overcoming personality flaws to become truly admirable people. It might be frustrating that human flaws are simply to be overcome, but we shouldn't resent a little optimism, and reaching higher goals, now and then. A heartfelt and really well made American drama. And I admit freely, I cried several times. That's better than any words.
- secondtake
- Apr 10, 2010
Details
Box office
- Budget
- $424,000 (estimated)
- Runtime1 hour 55 minutes
- Aspect ratio
- 1.37 : 1
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