The Son of Kong (1933)

Passed   |    |  Adventure, Comedy

The Son of Kong (1933) Poster

The men who captured the giant ape King Kong return to Skull Island and find his likewise gigantic but far more friendly son.

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  • Robert Armstrong and Helen Mack in The Son of Kong (1933)
  • Robert Armstrong and Helen Mack in The Son of Kong (1933)
  • Robert Armstrong and Helen Mack in The Son of Kong (1933)
  • Robert Armstrong and Helen Mack in The Son of Kong (1933)
  • Helen Mack in The Son of Kong (1933)
  • Robert Armstrong in The Son of Kong (1933)

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4 April 2010 | lost-in-limbo
| Will daddy Kong be proud?
Brought out within the same year, the quickly handled sequel "The Son of Kong" would pale in comparison to its milestone original, but would remain enjoyably lightweight with a more prominent comic tone and consisting of a mildly robustness to the action. Too bad it just goes on to rush things, then actually thinking it out because the story isn't as compelling as it could have been. Little creativity shows, despite its stringy sub-plots. The story follows on from "King Kong", as promoter/producer Carl Denham finds himself in a lot of hot water for introducing Kong to New York. So to escape the lawsuits and reporters, he and the sea captain end heading out to sea. Although things change when they're told there's treasure on Skull Island, and before coming across this they encounter a miniature Kong.

After an amusing opening (Denham hiding out) it only goes on to feel like its slogging it out in an stretched out manner, until the lively nature picks up (when they reach Skull island --- which takes them quite awhile) and then it breezes by in no time. Kong's son doesn't have that menace and uncontrollable aggression like fatherÂ… instead it has a child's temperament; curious, lovable and friendly. Due to that there's little in the way of dark moments and the suspense is faintly structured, with a more playful style winning out and these three stooges antics is even played up to the camera. *Shrug*. Nonetheless the interactions especially between Denham and baby Kong remains charming, if goofy. Even the wrestlemania between Kong and prehistoric beasties can be diverting, if lacking the punch. The likable Robert Armstrong, Frank Reicher and Victor Wong effortlessly reprise their roles. Helen Mack is okay as the female siren. Ernest B. Schoedsack's steadfast direction is measurably controlled due to obvious time/budget constrictions, but decent animation FX is used for Kong.

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