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  • Ann Rutherford is starving to death during Carnival. After tripping a baker and stealing some pastries, which she smears on a gendarme, she hides in a museum where some old scholars are arguing about three mummies. She emerges to discover ambitious janitor Henry Brandon.

    With the closing down of the independent shorts producers like Hal Roach in the preceding years, MGM, like the other majors, went heavily in shorts production, relying on them as a place to try out rising talent. While series like "Crime Does Not Pay" and Pete Smith's comedy specials were well received, they also produced some overproduced shorts, like this one, making extensive use of their props department.

    It's a pleasant effort, mainly due to Miss Rutherford and her chemistry with Mr. Brandon. But it's still weird.
  • SnoopyStyle7 November 2020
    There is a street carnival in Paris. Starving Lisette (Ann Rutherford) steals a cake and is hiding from the police in a museum. The janitor Louis (Henry Brandon) finds her hiding in a box. My main takeaway is that Ann Rutherford looks cute and the only distinguishing factor for any poor person is a few tears in their clothes. This is a musical and comedy. It's very light and mostly harmless.
  • Warning: Spoilers
    . . . Louis harshly snarls to starving amoral streetwalker Lisette midway through CARNIVAL IN PARIS. "Carnival," of course, comes from the same root-canal word as "carnal," which describes seral thief, moocher and vandal Lisette to a tee. The Mangy-Grumbling-Mope outfit (aka, The Tangle that Leo Coughed Up) behind CARNIVAL IN PARIS specializes in perverse portrayals of sleazy jezebels such as Lisette. "You think I pity you because you're a woman?" Louis barks upon meeting this wicked wench of iniquity. "I'd do the same thing for a stray cat or a dog." Tragically, Lilith-like Lisette soon seduces the soft-headed Louis, while trashing the 5,000-year-old antiquities supposedly "secured" at his workplace. This tawdry tart corrupts everything that she places her paws upon. Her ilk of hysterical harlots typifies the Real Life breed of vile vixens which still makes Paris infamous Today. Though this live-action short concludes with the witch-whipped Louis thinking that he may have a future with loathsome Lisette, astute viewers will realize that no one lives "happily ever after" with such a sordid salacious strumpet.
  • Carnival in Paris (1937)

    ** 1/2 (out of 4)

    Charming short from MGM about a janitor (Henry Brandon) working in an Egytology department who finds a poor girl (Ann Rutherford) hiding from the police. The two strike up a friendship when she asks to get dressed up in some of the museum costumes to have some fun. CARNIVAL IN Paris is pretty much like countless other MGM shorts in that it mixes light comedy with romance and music. Two of those three things work pretty well here but I must admit that I thought the three music numbers were pretty forgettable and I think the film would have been much better without them. The music numbers are pretty bland but the chemistry between Brandon and Rutherford is actually very strong and the two of them make this film worth sitting through. I thought the film had some pretty funny stuff early on dealing with a mummy inside the museum and especially the sequence where the two adults first "hear" one another. The romance is done in a believable way but it's the chemistry that really works. Fans of Rutherford will certainly enjoy her charming performance here.
  • This is a most curious short subject with a lot of singing and dancing and merriment. Everyone's having a gay old time at Mardi Gras in Paris and waif Ann Rutherford persuades museum janitor Henry Brandon to join in the fun.

    Brandon wants to be an archeologist and the museum gives him a great place to study in the job, That's all I can say except he proves that formal education is not always needed for some folks.

    It's all real silly.
  • Warning: Spoilers
    Starving peasant girl Ann Rutherford is on the run from the police for stealing a pastry from one of the restaurants celebrating carnival. She sneaks into a museum where Egyptologists are debating the story of the three mummies they have just received. Janitor and hopeful Egyptologist Henry Brandon finds her inside one of the mummy's coffins and after learning her story offers to help her. Dressing up in costumes made for the museum display, they venture out to party and find excitement, romance and awards for best costume (unrecognizable by head Egyptologist judge Ferdinand Gottschalk) and the truth about the identity of the three mummies they discover. This will never be given points for accuracy or historical fact, but it is presented in such a romantic and entertaining way that it almost deserves to have been made a lavish feature film with someone other than Nelson Eddy and Jeanette MacDonald playing the leads. On the thrust of her long running part as Andy Hardy's girlfriend (and Scarlet O'Hara's long-suffering sister), Ann Rutherford looks nothing like a homeless waif, but she is still enjoyable in this part, and Henry Brandon is likable as the romantic hero. Lavishly filmed as if it was one of MGM's A-list features, this is definitely an award worthy short!
  • pabrucefan3 November 2020
    Watching this short put a big smile on my face. Henry Brandon and Ann Rutherford delight in their roles and look like they are having a grand old time. Add to it a couple of snappy Tunes and some no harm fun and you have an entertaining short of the kind you wish they still made today.