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  • Hopalong Cassidy Returns has two unusual attributes for the series. For the one and only time in the series Hoppy had a younger brother as a sidekick played by William Janney. And for the one and only time Hoppy had a love interest. In this case, in spite of himself.

    After prospector Irving Bacon and city editor of the town newspaper John Beck are killed, Gabby Hayes who's visiting the town of Mesa Grande sends for his old pal Hopalong Cassidy. Lawlessness has gotten completely out of hand in this city and its up to the cowboy hero to set things right.

    On the way into town Hoppy saves the life of Evelyn Brent who's been thrown from her horse. The next time he meets her he finds she's the owner of the town saloon and the boss of a gang of outlaws who's been robbing and killing the prospectors in the vicinity. She's got a couple of nasty henchmen in Grant Richards and Morris Ankrum.

    Hoppy's got three problems to deal with, his kid brother Janney is wanting to sow some wild oats, but there's a good girl in town played by Gail Sheridan who might be the answer there. There's the problem of lawlessness and the romantic problem with Evelyn Brent.

    More her problem than is because she's in a quandary. Her brains say one thing, but her hormones say something else about William Boyd.

    There's more than a passing resemblance to the plot of Destry Rides Again in Hopalong Cassidy Returns. The screen credits for this film say it is based on one of Hoppy creator Clarence Mulford's stories. The original novel that Destry Rides Again was written by Max Brand, so it's anybody's guess who might have copied from who, consciously or unconsciously.

    If you've seen the James Stewart-Marlene Dietrich classic you know how Hopalong Cassidy Returns will end. Still it's an unusual entry in the series and not a bad one.
  • I enjoy the Hopalong Cassidy B-westerns, though I am not so enamored with them that I won't admit that sometimes the plots are a bit predictable. This is especially true with "Hopalong Cassidy Returns".

    When the story begins, Peg-leg comes into town making a ruckus....as he's just discovered a rich vein of gold in his mine. He's so loud about this strike that you KNOW sooner or later someone will kill him and take his mine before the old prospector can file his claim...which is exactly what happens. And, when Hoppy comes to town to investigate, it's not like he needs to be Nostradamus to realize that a guy named 'Blackie' is one of the folks behind the murder and stolen claim! To make it more obvious, Morris Akrum plays Blackie....and he ALWAYS is a bad guy when he appears in a Hopalong Cassidy flick....always. You might want to note that in this film, Akrum is inexplicably billed as 'Stephen Morris'...but it's obviously him. As for Blackie's confederate, it's also pretty obvious that the local madame, Lilli Marsh, is involved...as she files a claim for a big strike the day AFTER Peg-leg is killed!! It doesn't take Sherlock Holmes or Charlie Chan to figure out who's behind the murder!

    This film is a bit unusual in that it is the only one of 66 Hopalong Cassidy films that features his brother, Buddy (William Janney), as one of his sidekicks...the other is Windy (Gabby Hayes), who was one of the sidekicks in the earlier Cassidy pictures. Why his brother never appeared in another film, I have no idea...but he was pretty much like Lucky or Jimmy...young, headstrong and kind of stupid...but brave when it counts.

    So is this film any good despite being a bit predictable? Yes. I think one thing that really helped the film was how violent it was. While I wouldn't say it was grisly, it was more action-packed and featured some amazingly tough scenes...such as the guy in the wheelchair being drug to his death and the final showdown with Blackie. Gritty and exciting...and, of course, a bit predictable. But overall a very good film.
  • Who ever heard of a town called Big Table? Anyway, it was over run with the criminal element who would knock off stupid gold miners who didn't have brains enough not to come to town and shoot off their mouths about the big strike they just made at their secret gold mine. When Hoppy comes to town as the new marshall things change, you can bet. Good action western with lots of gunplay; and Hoppy even found himself a girlfriend.
  • Apple-eating killers, great costumes for the female villain (a different, dazzling costume for almost every scene) and the impressive California Sierras make this Hopalong Cassidy adventure one of the best of the 60. It was so good in fact that Harry Sherman and his crew recycled the plot elements in another fairly good Hopalong titled, Wide Open Town. Although Hopalong Cassidy Returns is by far the better of the two, not only by virtue of being first, but also because more money was spent on the production and each had a different director: Nate Watt for HCR and Lesley Selander for WOT.

    The dark-haired Miss Brent in satin and sequins plays well against the shimmering, silvery haired William Boyd. Their final scene is worth waiting for, if not for the emotional content then for the technical aspects of lighting and photography.

    You won't see another like it in the series.
  • Warning: Spoilers
    **spoilers*** The only thing that makes this movie worthwhile is the fine flirtation scenes between Hoppy and Evelyn Brent, a long-time distinguished actress, who plays the leader of the bad guys here. She runs the local saloon-gambling hall, a ranch full of rustlers and a mine she stole from a witless old prospector. Her really terrific scene is at the end after she saves Hoppy's life and asks for a final kiss. At about that time there is some fine cinema photography when Hoppy, at night, shoots Morris Ankrum through a darkened window into a lighted room.

    The story is quite thin and senseless. One bad guy takes a shot, for no good reason, at Gabby Hays just because he is riding near Brent's mine. The bad guy ends up in jail and is killed there by the worried gang (afraid he'd talk). Then Brent's lieutenant throws a guy out of the saloon and pulls a gun on him, an offense against the local ordinance. So he is incarcerated, the townsfolk inexplicably threaten to lynch him for that (!), so to save his neck he confesses everything to Cassidy.
  • I have lately been revisiting these black and white B-Westerns, for a variety of reasons. For one thing, the story of William Boyd, and how he made the character of Hopalong Cassidy his own (not to mention how the Hoppy role changed Boyd) is more interesting to me now as an adult than when I first watched these films in the 1950s. Second, I've been reacquainting myself with a broad spectrum of retro/nostalgic film/TV/radio media generally, and these films are excellent examples. Also, Watching the B-Western films of John Wayne (especially the Republic/Lone Star films), the early work of Roy Rogers, and the Hoppy films themselves all have a common element in the sidekick persona of George "Gabby" Hayes, one of the character actors who defined the sidekick role. This particular Hoppy story features some unusual elements, like Hoppy's kid brother Buddy, an apple-chomping villain, a wheelchair-bound good guy, but especially a "woman gone wrong" who falls for Hoppy in a big way, even to the point of letting her feelings endanger the criminal empire she's built for herself. Excellent acting performances also make this film above average for the Hopalong Cassidy body of work. I guess I'd have to say I like them all, but I love this one.
  • *Hopalong Cassidy Returns* is the seventh in the HC series, released in late 1936, and with William Janney (Buddy Cassidy) standing in for James Ellison (Johnny Nelson) as Hoppy's mischievous sidekick, in this case his own brother. William Boyd as Hoppy is back, this time as a new town Marshal bent on cleaning out corrupt saloon owner Lili Marsh. A number of the familiar early Cassidy 'heavies' are here; Joe Rickson, Ernie Adams, Morris Ankrum (appearing as Steven Morris), and Al St John. George 'Gabby' Hayes is back in yet another incarnation of the fuzzy headed 'Windy'. Practically all these early Hoppy films were tongue-in-cheek, and this one is no exception. Fast-paced action leading up to an exciting climax, with great fun having been had by all. Recommended!!
  • Warning: Spoilers
    On the surface, this western may seem just another story about a saloon owner who doubles as the brains of a local criminal empire. Indeed, in many ways, it resembles the screenplay of the previous offering in this series. But, in this story, the crooked saloon owner is a woman, and that creates interesting tensions with the newly arrived Hoppy. The woman is Lilli Marsh(Evelyn Brent), who typically wears very fancy dresses when in her saloon. Among the men who are associated with her, two stand out as having special status. Handsome, debonair, mustached Bob Claiborne, mostly is seen in her saloon, where he makes sure it runs smoothly. He's probably also her lover, as he is frequently seen in her upstairs sanctuary. Then, there is the dark, brooding Blackie(Morris Arkrum): her primary hatchet man. In the beginning, he's officially the usually drunk marshal, who heads a gang of badmen, who work in collaboration with Lilli. Presumably,(later confirmed), he orchestrated the murder of old gold miner Peg Leg Holden(Irving Bacon), at Lilli's command. Peg Leg unwisely came shooting up the town, to announce his gold strike. He already had his claim papers filled out, and was about to go to the county seat to register his claim. But, he shot off his mouth in the saloon the evening before, and was found dead the next morning, minus his claim papers. The very next day, news got around that Lilli's men had discovered a gold mine. A later assay determined that a sample from her mine matched the sample Peg Leg had left with the newspaper editor, in it's total chemical composition. According to Mary Saunders, daughter of editor Bob Saunders, Peg Leg wasn't the first local miner to mysteriously die soon after announcing his gold strike. Others had been swindled out of their claim or gold at the gambling table. ........After Peg Leg's death, the wheelchair-bound Saunders wrote a piece about the need to clean up the local criminal element. As a result, in a strange turn of events, Lilli suggested that he be made sheriff, to carry out his reform suggestions. He was duly elected by a mob, deposing Blackie, who didn't seem to care. A few days later, Saunders was lassoed along with his wheelchair, and dragged backwards along the main street, until his wheelchair slammed to a parked wagon. He suffered fatal injuries, and never knew who did this. The viewers know that Blackie was guilty, but, strangely, no one in the town saw the incident! Serendipitously, Hoppy, along with his younger brother, Buddy, arrived in town just as Saunders was dying. In a strange twist, soon after Saunders dies, we see Hoppy wearing his sheriff's badge. No election or appointment or proclamation. He just assumed Saunders now vacant office, and got away with it! ........Now, as to the tumultuous relationship between Hoppy and Lilli: As Hoppy was riding toward town, he spotted Lilli on her runaway horse, frightened by a rattlesnake. He managed to bring the horse to a halt, and Lilli was quite grateful. Later, she came to know that her savior was the noted Hopalong. Lilli's cohorts were nervous about her friendly attitude toward Hoppy. Eventually, their relationship would sour. To placate Hoppy, she offered to give him the job of supervisor of her mining operations. Of course, he turned it down. As he sauntered toward the door, she pulled out a pistol and aimed it at him. But, she couldn't bring herself to pull the trigger, even though she knew that a dead Hoppy would probably save her criminal empire........Then , at the end of the film, when it was clear that Hoppy would soon succeed in exposing the local criminals, she was in her room with Blackie, who had sneaked back into town after being exiled by Hoppy. Looking out her window, Blackie spotted Hoppy coming down the sidewalk. As he aimed his pistol at Hoppy, Lilli ran to the window, and called Hoppy to look out. Blackie just missed him with a shot. She continued to push at him, as he continued to look for Hoppy. Blackie pushed her backwards, into the desk where she kept her pistol. She leveled her pistol toward Blackie, but he turned around and shot first. As he went over to check on her, Hoppy climbed up the outside to the balcony outside Blackie's window. With Blackie still standing over Lilli's body, Hoppy looked through the window and shot Blackie dead. He then checked out the mortally wounded Lilli. She said some regrets, then requested that he kiss her, which he did, with her last breaths. Should he have honored her request? - after all the deaths and other criminal acts she had a hand in? But then, she had probably saved his life in warning him of Blackie's intentions........See it at YouTube.
  • Ace Hoppy western, a little long on talk but with a number of good touches. Hoppy is summoned to a corrupt town after a gold prospector is murdered for his claim. In town he finds a number of sinister types, including a crafty saloon hostess, a mustachioed bad guy, and a tough gunslinger. Good thing Buddy (Janney) and Windy (Hayes) are there to help.

    Wow, catch hostess Lila's frilly black gown-- looks like it may eat her head; also, looks like her whole wardrobe comes from Ming the Merciless. I love that opening face-off between Peg-leg and Windy for the Grouchy Old Geezer Championship. And catch Morris Ankrum as scary bad guy Blackie; I'm glad he converted to a lordly scientist so he could save 50's audiences from all those horrible space monsters (e.g. Rocketship XM {1950}).

    Anyway, wait for the end when all the expected hard riding, fast guns, and open spaces fill the screen. Also, note the unusual relationship between Hoppy and good-bad girl Lila; it's got some depth to it. In fact, the 74-minutes is rather philosophical in places as the dialog suggests. Anyway, it's a little different Hoppy showing again what a fine actor he was, something not expected of the usual matinee hero.

    (In Passing-- back in the 1950's Hoppy and Topper would ride in LA's New Years Day Rose Parade. He always made a point of waving to the kids and stopping in places to say 'Hi'. Boy, did that make kids like me feel special. Thanks Mr. Boyd.)
  • Warning: Spoilers
    Why is it, that people who run the sites believe that they are the one who should edit out whatever they please. My old grandpappy used to say, they're tripping over dollars to pick up dimes. It seems to fit with the whole lot of your reviews when you edit out the film locations that these movies were shot in on location. Kernville or more accurately Kern River Valley was probably more wild than any of the movies depicted in these efforts to show the old Wild West. When you edit out the locations the backdrops the scenes that these movies depict you're taking out 75% of the movies entertainment. You will lose overtime your major viewing audience. I am 72 years old and I have lived in a generation that spans a great deal of this country's growth. Born on a working cattle ranch I like these movies because it reminds me of how things used to be. But when you take the meat out of the stew you have nothing but broth. And that's what's happening when you edit out the locations that these films were shot in. Corriganville, Vasquez Rocks, Red Rock Canyon, Kernville, Alabama Hills. Just a few of the locations that you have so haphazardly decided to yank from our memories and share with the new generation simply by omitting their presents as important. I watch these movies all my life and this new generation just pisses me off how they think they can offhandedly change history. Good luck