One in a Million (1936) User Reviews (19)

Sonia's Debut

[bkoganbing · 6/10 · 23 March 2008]

It's the stuff of Hollywood legend how shrewd a businesswoman Sonia Henie was. She had just won her third gold medal for figure skating in the 1936 Olympics and was an international superstar, not to mention a national heroine in her native Norway. Darryl F. Zanuck beat off competition from the other studios for her and she made him pay dear because she was well aware of her star status. Very much like that other international sensation from Scandinavia, Jenny Lind in the previous century.

Zanuck hedged his bets a bit on her. One In A Million did not quite have the budget that Sonia's succeeding vehicles did. You can tell by looking at it. What he didn't cheapen was her skating routines because that purportedly is what the movie-going public was paying to see. He also gave her good support with a cast that included Don Ameche, Jean Hersholt, Ned Sparks, Arline Judge, the Ritz Brothers, Montagu Love, and Adolphe Menjou.

Sonia's life was destined to change dramatically in One In A Million. Adolphe Menjou, a Barnum style promoter is stranded in a small Swiss town after a mysterious fire burns down the town's leading hotel. That owner's bad luck is good luck for Jean Hersholt who owns a small inn and suddenly finds himself booked with Menjou's troupe. A pair of reporters, Don Ameche and Ned Sparks, also arrive smelling a story about that hotel fire. Their appetites for a story are whetted with the presence of a mysterious stranger also at the hotel, Montagu Love.

Hersholt is a former Olympic champion who is training his daughter for the 1936 Olympics. He was disqualified like Jim Thorpe for being a professional and he's worried about his daughter's amateur status. That's not of concern to Adolphe Menjou who sees a meal ticket as a professional. Ameche gets sidetracked from his hotel fire story to follow Henie's progress when he finds out who she is.

Arline Judge gets some of the best sharp shooter lines in this film as Menjou's wife, constantly deflating her ego ridden husband.

As was known to the world Sonia Henie won her third gold medal and this film was raced into production to capitalize on the event. The only mention of the German location is the presence of someone in a Nazi uniform in the crowd behind Ameche and Sparks. Also the Ritz Brothers get into an argument with some folks in the stand and one of them tells the other two very obviously Jewish looking siblings that 'we're not in Brooklyn'.

With the success of this film, especially in the European market, Sonia got bigger budgets for her succeeding films at 20th Century Fox. She was a bona fide movie star like no other the figure skating world ever produced. I do recall Carol Heiss the champion from the 1960 Olympics trying, but failing in a film career. Somehow I can't envision any of today's figure skaters doing what Henie did.

I could be wrong though.

There's one big strike against this one....the Ritz Brothers!

[planktonrules · 5/10 · 13 June 2019]

Sometimes, you look back at something that was popular in Hollywood in the old days and you find it hard to understand it. A great example is the career of Sonja Henie. Henie was an Olympic champion figure skater who was signed to a multi-film contract by Twentieth Century-Fox...and she starred in about a dozen pictures even though she was Norwegian and didn't seem at all the movie star type. Another inexplicable Hollywood decision was to put the Ritz Brothers in films, as they were about as appealing as syphilis.

"One in a Million" is one of Henie's films....and unfortunately she was given the god-awful Ritz Brothers as supporting actors. While this might sound like hyperbole, I consider them the absolute worst comedy team in movie history...and only marginally less annoying than a case of ringworm! Most of their schtick consisted of being annoying, brash and singing humorous (???) ditties. Fortunately, the team never was that popular and they only made a few more movies than Henie.

Tad Spencer (Adolph Menjou) is a theatrical manager traveling through Europe with a bunch of talented folks...as well as the Ritz Brothers. When they stay at a small hotel in Switzerland, Tad discovers a very talented lady practicing for the upcoming Olympics. Soon, a lonely newspaper man (Don Ameche) arrives and discovers her as well...and the two work together to make Greta (Henie) a star.



Today, you wonder how folks could enjoy and even love Henie and her films. It was simply a product of the times...much like the Esther Williams movies of the 1940s and 50s....hard to understand now but which really clicked with audiences. And, while Henie's films were odd, they also were likable...and Henie's non-threatening smile and 'nice girl' looks endeared her to folks. Overall, I found the film a mildly enjoyable films...even with the Ritz Brothers doing their best to make me want to stop watching the picture!

one in a million...well, not really

[blanche-2 · 6/10 · 22 April 2006]

Twentieth Century Fox's "One in a Million" provides some light entertainment as well as the skating of Sonja Henie. The film has historic interest in that part of it takes place at the 1936 Olympics in Nazi Germany, though politics are never mentioned. Henie actually won the Olympics in 1928, 1932, and 1936. This film was released in December 1936 and apparently was done before the 1936 Winter Olympics took place.

It's a slight story - Menjou and his troupe of performers arrive to work at a Swiss hotel, but find it has been burned down. They seek shelter at a nearby inn, run by Greta (Henie) and her father (Jean Hersholt). Reporter Don Ameche arrives to get the dope on the burnt hotel, apparently destroyed by an anarchist. Instead, he becomes interested in Greta and her Olympic quest and also her father's story. He was stripped of his Olympic medal in 1908 because he supposedly had worked as a professional, though he really hadn't. Menjou winds up endangering Greta's Olympic status in his zeal of signing her for his show.

There is lots of music in "One in a Million" but most of it, including the title song, isn't all that great. "Who's Afraid of Love?" is pretty, particularly when sung by Ameche, who had a lovely, light tenor voice that matched his charming film persona. Though Ameche continued to star in 20th Century Fox films and had a marvelous career, after Tyrone Power arrived, the roles that would have been intended for him went to Power, including Power's breakout role in "Lloyds of London." Menjou is a little over the top, and the Ritz Brothers I'm sure entertained the kiddie crowd with their slapstick. Arline Judge, as Menjou's wife, gives one of the best performances with her dry delivery. She had the best lines, too, so I suppose that helped. Hersholt as usual is sympathetic and wonderful.

Pretty, petite Henie was a natural for film. A vibrant presence on the ice, her skating, of course, was much less athletic than one sees today. As far as speed, spins, and showmanship, she could compete today. Some of her moves are no longer done - the pirouettes, which were really lovely, and that trademark dancing on "point" like a ballerina. The jump landings are interesting - rather than getting out of the jump quickly, the style in those days was to let the front leg continue to turn the skater into several circles, and jumps were landed with the head and body pointed downward. Some turns were done with a bent back leg, which looks really strange when viewed now. But Henie in her day elevated the sport of skating and should be appreciated for what she brought to it.

"One in a Million" is interesting for being Henie's debut. If you fast forward through the Ritz Brothers, you'll find it a lot more palatable.

Skating Lady

[lugonian · 8/10 · 28 September 2013]

ONE IN A MILLION (20th Century-Fox, 1936), directed by Sidney Lanfield, started a new dimension to the movie musical, dancing on ice. It's been said that if Fred Astaire can use dancing shoes, why not one doing the same on ice skates? So marked the motion picture debut of three time Olympic figure skating champion, Sonja Henie (1913-1969) in her adult Shirley Temple, dimple-smiling, curly blonde hair likeness. Though she's the main attraction, acquiring plenty of camera range close-ups, Henie has stiff competition contending with specialty acts incorporated into the plot as the wacky antics of Harry, Jimmy and Al, better known as The Ritz Brothers; Borrah Minevitch ("Javoh") and his harmonica playing rascals; the vocalizing of Leah Ray, and the amiable presence of the up-and-coming Don Ameche, sans mustache, shortly before achieving top leading man status for the studio.

Rather than presenting a biographical story of the Norweigian born Henie playing herself, followed by struggles and accomplishments leading to her Olympic skating success, the Leonare Praskins and Mark Kelly screenplay uses a thin ice story centering upon a struggling all girl orchestra troupe traveling through Europe by train lead by quick thinking Thadius "Tad" Spencer (Adolphe Menjou) and his sassy younger wife, Billie (Arline Judge). Arriving in Switzerland for their upcoming engagement, the troupe encounters some bad luck when the Grand Palace Hotel, where they're supposed to be staying and performing, has burned down. With no upcoming jobs in the horizon, they venture over towards a nearby inn run by Heinrich Muller (Jean Hersholt) and his young attractive daughter, Greta (Sonja Henie). Though initially having only one guest, Ratoffsky (Montagu Love), a mysterious man keeping only to himself, the inn is soon filled with forthcoming guests as Bob Harris (Don Ameche), an American reporter from the Paris Herald, and his ace photographer, Daniel Simpson (Ned Sparks), on an assignment. Learning that Muller, a former ice skating champion in the 1908 Olympics with controversy linked to his name, has been training Greta since childhood for the upcoming 1936 Olympics, Spencer schemes his way for some easy money to help pay the bill by promoting Greta's name while Bob comes upon some disturbing news that might disqualify the young ice skater from fulfilling her father's dream in competing.

Capitalizing on both the Henie name and the 1936 Olympics, the simple story contains a handful of agreeable new tunes that extend a 60 minute screenplay into a 94 minute production. With music and lyrics by Sidney D. Mitchell and Lew Pollack, the musical interludes consist of: "One in a Million" (sung by Leah Ray); Stephen Foster's "My Old Kentucky Home" (sung by The Ritz Brothers); "The Moonlight Waltz" (instrumental, skated by Sonja Henie and ensemble); "We're Back in Circulation Again" (sung by Dixie Dunbar, Adolphe Menjou, Sonja Henie, cast); "Lovely Lady in White" (instrumental/skating by Henie); "The Horror Boys from Hollywood: Karloff, Laughton and Lorre" (The Ritz Brothers); "Who's Afraid of Love?" (sung by Leah Ray and Don Ameche); "One in a Million" (six minute harmonica specialty by Borrah Minevitch and his Rascals); "Lovely Lady in White" (instrumental number skated by Henie); "The Skating Waltz," and Georges Bizet's "The Toreador Song" (both with the Ritz Brothers); and "One in a Million" (sung by chorus, skated by Henie).

With the title tune getting enough reprises to score a hit, it's interesting to note there was different song titled "One in a Million" by Jack Scholl introduced to the screen by Ross Alexander in a minor Warner Brothers comedy, GOING HIGHBROW (1935). In fact, there was even a very recent programmer titled ONE IN A MILLION (Chesterfield, 1935) starring Dorothy Wilson, but it's this edition of ONE IN A MILLION that became the big event of the season. The ice skating ensembles choreographed by Jack Haskell is quite eye-filling, with the introductory number somewhat influenced by the imaginative Busby Berkeley.

Almost forgotten today as the Sonie Henie name herself, ONE IN A MILLION became a handful of Henie musicals (1936-1943) distributed by 20th Century-Fox Home Video during the 1990s. Cable television presentations to ONE IN A MILLION have consisted of the USA Channel (late 1980s); American Movie Classics (1993-94); and eventually the Fox Movie Channel. For being the first ice skating musical, it still gets by for Henie enthusiasts as one in a million. (***1/2 Olympic trophies)

Sonja Henie's Lighthearted American Debut

[Kalaman · 21 October 2003]

"One in a Million" is a cheery, lighthearted mix of comedy, romance, songs and ice skating dances, directed by Sidney Lanfield ("Sing, Baby, Sing"). It is an admirable vehicle and showcase for the Norwegian Olympic skating champion Sonja Henie in her American debut. The film derives some aspects from Sonja's career. Sonja plays an amateur Swiss skater who is discovered by an American theatrical troupe leader (Adolphe Menjou) and almost spoils her by putting in a professional show until a charismatic reporter (Don Ameche) rescues her and convinces her into making the right decision, leading to her spectacular performance at Madison Square Garden.

"One in a Million" is not one of the better Fox musicals, but there are enjoyably fine moments, including some very funny comic acts by the Ritz Brothers, especially toward the end, and one memorable musical number "Who's Afraid Of Love", sung by Ameche.

Good stuff.

Don't judge Henie by this debut movie...awfully dull script...

[Doylenf · 4/10 · 5 December 2005]

SONJA HENIE made a few very dazzling skating films but this is not one of them. The only saving grace for watching this is to see DON AMECHE as her singing co-star who does nicely with an uninspired song number and gives his usual charming and natural performance.

Unfortunately, surrounding Henie with a talented supporting cast did not work in this case. THE RITZ BROS. routines wear thin pretty fast and carry on for much too lengthy a time. The Harmonica Gang is a clever act but, again, too much footage devoted to their antics which, I believe, were shown to better advantage later on by The Ed Sullivan Show TV appearances.

The thin story is loosely based on Henie's own beginning as an Olympic Champion but is strictly formulaic in the telling. Henie's skating routines are hardly the best she ever offered on film. Indeed, one has to sit through long stretches of film dominated by the supporting actors in order to see even a glimpse of her on ice.

Adolphe Menjou must have thought the microphones weren't carrying his voice properly. He shouts all of his lines in what has to be one of his poorest performances in a comedy role. Arline Judge has some snappy one-liners to throw at him, but most of them are so mild that they fall flat. Fortunately, Jean Hersholt gives a nice, low-key performance as Sonja's caring dad.

Sorry to be so negative, but I did look forward to seeing Sonja in her American debut on film. She was later given much better material in her subsequent films--especially in SUN VALLEY SERENADE and WINTERTIME.

Her camera style had not yet been developed. The make-up artist has given her an unflattering hairdo (the plastered down curls in typical '30s style) and the cameraman did not capture the Henie personality as was done in all of her later films. Zanuck obviously decided to keep her lines to a minimum and throw most of the story and routines to the supporting cast. It doesn't work.

Strictly thumbs down on this one. Thankfully, there were better films in her future.

One in a BILLION was Sonja Henie in the skating world of the times

[weezeralfalfa · 7/10 · 1 August 2018]

The first of a series of musical romances over the next decade that centered around the ice skating or skiing of Norway's Sonja Henie. Most of these films included at least one charismatic supporting talent, in addition to a leading man to become her paramour. Here, we have the up and coming leading man Don Ameche as her new beau. He exuded easy charm, looks, and a good singing voice. Former big band singer Leah Ray was the lead female singer in several songs......Adolphe Menjou, as Ted Spencer, was the ever present owner and promoter of a traveling girl's band, traveling in Switzerland, which soon added comedic talent in the form of the Ritz Brothers, and Borrah Minevitch, with his harmonica rascals. Lastly, Adolphe added Sonja and other ice skaters to his shows.......The first part of the film is relatively tame, introducing the various characters. At first, Adolphe fails to grasp the importance of Sonja winning the 1936 Olympic skiing gold metal(Never mind that, in reality, she had already won that honor in the previous 2 Olympics!). Adolphe wants her to join his program immediately, until his wife, Billie(Arline Judge) points out the long term benefit of having a lead skater who can claim to be an Olympic champion. Unfortunately, her participation in an exposition sponsored by Adolphe seemed to jeopardize her status as an amateur, even though she personally didn't receive any money or other perks. This issue would again crop up after she had apparently won the title. The authorities went back and forth as to whether this disqualified her, until it was decided this didn't mark her as a professional skater........The three Ritz brothers put on 2 appearances on ice. In the first, they are dressed up as Charles Laughton(playing Cpt. Bligh), Boris Karloff(playing Frankenstein's monster), and Peter Lorre, respectively. They clown around, singing some wacky songs. Later, during the post-Olympic show, 2 don a bull partial costume, and the third is dressed as a matador. They then have a wacky bull fight on ice skates........Before Sonja skates for the title, Leah Ray sings the best song in the movie: "Who's Afraid of Love". Ameche then follows with his rendition, which is clearly directed at blushing Sonja. Then, Minevitch and his harmonica rascals comically play a variety of songs, which may be too long for you. Previously, Minevitch, alone, had played his harmonica on several occasions......After winning the title, Sonja tells Adolphe she wants to compete in the 1940 Olympics, instead of joining his troupe. But, he says, if that's the case, he will bring up her participation in his exposition, which may disqualify her for the present Olympics, as well as the ones in 1940. She toes the line, and joins his show in Madison Square Garden. ...... The film was a hit with contemporary audiences. But, today, Olympic skaters can do some more difficult tricks, and we see it in color. But, if you want to see the lady who started the modern age of show ice skating, check out one or two of her films. Although seldom shown on TV, nearly all her films are currently available on expensive DVDs. A few, including this one, are also available free, at YouTube. I prefer Sun Valley Serenade, which has the big advantage of including Glenn Miller's orchestra, in a rare film appearance. However, it more features her skiing than ice skating. That film is currently available at YouTube.

One in a barrel

[JohnHowardReid · 6/10 · 8 June 2016]

This talkative Sonja Henie musical comedy is saddled with a cornball script by Leonard Praskins and Mark Kelly. In addition to its so-so comedy routines, it also features a number of musical numbers directed by Jack Haskell. Other credits are likewise inviting, but don't actually amount to anything much, even though Sidney Lanfield was the director and Raymond Griffith, the producer. Alas, for some unknown reason, this movie is well below their best work. In fact, it could justly be described as a completely undistinguished programmer, that manages to end up as a really terrible waste of a talented support cast led by Adolphe Menjou, Arline Judge, Don Ameche, Ned Sparks, Dixie Dunbar and Montagu Love.

One in a Million was a pretty entertaining first feature for skater Sonja Henie

[tavm · 7/10 · 15 September 2018]

Having first watched this on American Movie Classics back in the '90s, I just rewatched this first Sonja Henie starring feature just now on YouTube. The upload seemed a bit chaotic with some zooms I don't remember from my previous viewing. Since this was her first real time being showcased on film, Ms. Henie doesn't dominate the proceedings with her ice dancing and scenes which are shared with leading man Don Ameche, comedians The Ritz Brothers, supporting players like Adolphe Menjou, Arline Judge, Ned Sparks, and Jean Hersholt as Sonja's father. There's also an all-girl band and a harmonica player who is later joined by likewise players who do some good slapstick. The Ritzes are also pretty amusing if not completely hilarious. In summary, One in a Million is entertaining fluff.

Terribly disappointing Sonja Henie film

[melnar1 · 2/10 · 14 June 2014]

I am a long-time, huge Sonja Henie fan. In the figure skating world, she was an innovator and a champion; she also had a wonderful personality which always shone through.

Today, the art of ice skating has progressed to the degree that almost any young figure skater can easily replicate what she did and more. But that's beside the point.

Unfortunately this, her first movie, was not a good vehicle for her, and her subsequent movies for 20th-Century-Fox were very much better.

I think OIAM would have been so much better without the childish shenanigans of the Ritz Brothers and the silly antics of Borrah Minevitch who happened to be a first-class harmonica player and should have been allowed to play his music without the comedy.

The rest of the cast was all right, but nothing to rave about.

The songs were instantly forgettable and I'm pretty sure that no one came out of the cinema whistling the title song – or, for that matter, any of the others.

I don't think this was a marvelously entertaining movie and cannot recommend it to any but the most die-hard Sonja Henie fan. By all means, go for any of the others.

Sonja Henie Glides Into Her American Movie Debut

[Ron Oliver · 10/10 · 28 August 2000]

A pretty ice skating Swiss Miss has a ONE IN A MILLION chance to become a road show star, but she will jeopardize her chances for competing in the 1936 Winter Olympics. Will a young American reporter help woo her into making the right decision?

Sonja Henie was Norway's ice queen when she won Olympic gold medals in 1928, 1932 & 1936. Quickly going professional, she began a celebrated movie career at 20th Century Fox in 1936. ONE IN A MILLION was her American film debut. Beautiful & talented, as well as being a natural in front of the cameras, she carved out her niche during Hollywood's Golden Age. Although Henie's ice routines may look antiquated by comparison to modern champions, there was nothing antique about her dazzling smile or sparkling personality. Some of today's snowflake princesses could still learn a great deal from her.

The Studio surrounded 24-year old Miss Henie with an experienced supporting cast: Jean Hersholt as her gentle father; Adolphe Menjou as a penniless, brash road show impresario & Arline Judge as his plain spoken wife; Don Ameche as the American reporter who falls for Henie; acerbic Ned Sparks as a cantankerous photographer; and Montague Love as a mysterious stranger. Fans of the Ritz Brothers will appreciate their routines; Russian Borrah Minevitch and His Harmonica Gang are zany enough to almost make you forget how talented they were.

Ultimately, though, this is Sonja's show. She glides into the viewer's heart, while balancing on a thin edge of steel over frozen water.

Interesting as Henie's debut, nothing else

[vandino1 · 13 January 2006]

This first Sonja Henie film was a surprise hit in 1936 and launched her onto a successful film career. Not bad considering how rare it was for those coming from successful sports careers to sustain such a thing (Johnny Weissmuller and Buster Crabbe possibly the only others---Esther Williams' sports background was negligible). This film's release coincided with her third straight gold medal performance at the Winter Olympics (she was champ in 1928 and 1932). (As a side note, it should be remembered that not only were the 1936 Summer Olympics held in Nazi Germany, so were that year's Winter Olympics. Granted this has nothing to do with Ms. Henie, but reviewers are bringing up the subject, so this note may quell any potential confusion over the Olympics issue.) As for "One in a Million" it is a light concoction that features Don Ameche in only his third film role and the Ritz Brothers in only their second feature film. So, lots of early work here. The results: miserable to okay. Ameche already shows his easy charm, here playing a reporter tracking an anarchist bomber story to Switzerland where he meets up with hotel proprietor Hersholt and his "gifted amateur" ice skating daughter Henie. The anarchist story fizzles but Ameche moves on to romance with Henie and her shot at the Olympics. Menjou is the brassy (maybe too much so) wheeler-dealer showman who gets Henie to perform in his show and nearly costs her the amateur standing that she needs in order to qualify for the Olympics. Along for the knockabout ride is the inimitable Ned Sparks, as Ameche's photographer partner, doing what he does best: providing that Buster Keaton-lookalike face and steely foghorn monotone delivery. Also, as part of Menjou's show, we get the Ritz Brothers who provide some strenuously awful comedy (Harry Ritz mugging so ferociously he looks as if he's herniating himself). Henie acquits herself adequately. Strangely enough, she was Norway's golden girl athlete, yet the film makes her Swiss for no apparent reason. Couldn't she be a Norwegian hotel proprietor's daughter? The other interesting aspect is her skating. We see the Olympic caliber work of a 1930's era skater, which is far simpler and less dazzling than what we've grown accustom to. Her "show-stopping" number at the end would be a warm-up for today's super-skaters. So, as a time capsule involving Henie this film is worth watching, but otherwise it's mostly light-headed knockabout nonsense not worth your time.

Sonia Henie Was Marvelous

[Air America · 8/10 · 6 December 2005]

It would be well to remember Sonia Henie as the prototype ice performer in her day. It would also be well to remember the times this film was made. Certainly it is devoid of all of the special effects and layers of pictorial events contained in todays films (which, by the way, are entirely unrealistic to us who are knowledgeable.)

Of course the script follows mid 1930s writing and I did not find any of the actors giving less than other of their performances of the times. Given that this was Sonia's first film, her acting must be given some forgiveness there, though I did not see what others apparently viewed as less than optimal. As to the "other 1936 Olympics film," it was merely a propaganda documentary and therefore not a comparison by any means.

As to Sonia's universal appeal, she went on to make many such films, and was known as a very smart businesswoman who went on to build great riches from investments and was the benefactor of many philanthropic ventures which was virtually unknown among actors of that era. On the strength of her appeal alone, I would rate her among the great women actresses of the time. I would recommend this film to any families who want wholesome "G" rated entertainment shown to their children.

Cautious Fox Debut Vehicle for Sonia Henie

[richardchatten · 5/10 · 22 July 2018]

Fox carefully hedged their bets in their first attempt to showcase Sonja Henie by surrounding her with a fine supporting cast (although few - with the notable exception of Jean Hersholt giving a touching performance as her father - are seen to best advantage; and Ned Sparks is particularly underused) and padding out the proceedings with the egregious Ritz Brothers and Borrah Minevitch and His Harmonica Rascals (who make the Ritz Brothers look restrained).

Henie, however - although her dialogue is kept to a minimum as Don Ameche conducts a very perfunctory romance of her - remains the film's most memorable component. She beams like a hamster and proves incongruously athletic when let loose on the ice, as a bonus revealing a shapely rump when she performs her fast spins.

Some great things, some poor things

[TheLittleSongbird · 5/10 · 19 November 2016]

'One in a Million' is interesting for being Sonja Henie's first American film and raised her to international stardom. Henie does not disappoint and is one of the top attractions, but the film on the whole does.

Henie is one of the two best assets of 'One in a Million'. She is pert and charming, and the camera clearly loves her. Her ice skating is also out of this world. This is advantaged by the choreography for the ice skating sequences, which are enough to make the jaw drop by their imagination and verve.

Furthermore, 'One in a Million' is lavishly shot and sumptuously designed, and while not timeless and none of them are standards the songs are pleasant enough, the best of them being "Who's Afraid of Love".

Don Ameche is a very likable leading man, and his chemistry with Henie charming. Arline Judge brings snappy line delivery to 'One in a Million's' best lines, while Jean Hersholt is a gently low-key father figure and Ned Sparks is amusingly acerbic.

However, the story is wafer thin and lacks energy, with much of the comedy floundering Judge and Sparks aside, while the script is even thinner and even duller. Adolphe Menjou, apart from a few nice moments with Judge, wildly overacts, shouting his way through his lines broadly.

There is too much of the Ritz Brothers, and their slapstick is bizarre and irritatingly childish at times. Also could have done without Borrah Minevitch and his Harmonica Rascals, legendary as musicians but comedy, which is tedious and grating, is not even close to being a forte.

In conclusion, a mixed bag of a film with great things and poor things. 5/10 Bethany Cox

One in a Million review

[JoeytheBrit · 6/10 · 8 May 2020]

"You don't need a phone!" complains Arline Judge to screen husband Adolphe Menjou, and she's right - he bellows many of his lines in a state of high excitement in the musical comedy that introduced Olympic ice skating champion Sonja Henie to moviegoers. Henie's a little wooden off the ice rink, so 20th Century Fox called in big guns like Menjou and a young Don Ameche, who not only sports a naked philtrum but sings (or possibly mimes) for his Norwegian co-star. Supposedly comical interludes are provided by the woeful Ritz Brothers. It's ok, but completely unmemorable.

I Choose The Other 999,999

[Handlinghandel · 1/10 · 1 November 2005]

This is a truly unappealing movie. The humor is as broad as a barn. The Ritz Brothers? Well, apparently they have their fans. Count me as not one (on just this one viewing.) I had never seen Sonja Henie before tonight. Her skating is certainly good but kind of dull to watch. I guess this was her debut so no comment on her acting skills. Now, about that Olympic Games she is preparing for .... Didn't someone named Leni do a whole movie about those games? A very good movie but extremely controversial Games? Adolph Menjou could never carry a movie. He was a reliably capable performer. The same goes for Don Ameche, whose best is "Midnight." Arline Judge is amusing here. But is that a reason to sit through an hour and a half of pratfalls, corny jokes, and clichés?

"You don't know what you're passing up, she's one in a million!"

[jarrodmcdonald-1 · 14 April 2024]

A show promoter (Adolphe Menjou) is stuck at a Swiss inn with his group of traveling musicians and his sarcastic wife (Arline Judge, who has some great zingers) when he makes a fortuitous discovery. The discovery is the daughter (Sonja Henie) of the innkeeper (Jean Hersholt), who is a natural ice skater- what else- and someone that Menjou realizes could be a star with his guidance.

Of course Menjou sees dollar signs more than he sees a chance of nurturing talent, but he does have the connections to turn Henie into a bonafide professional, which is something she might like. In the meantime, her father's been training her for the Winter Olympics, which in 1936 were held in Germany. Footage from the '36 Winter Olympics is edited in to the movie. Miss Henie had just competed at those games earlier in the year and won her third gold medal for her home country (Norway not Switzerland), before retiring from amateur competition to become a real-life professional skater.

The events of this film in some respects seem to mirror Henie's own life up to this point. For instance, there is considerable dialogue about amateur sports and professional sports. Also, her character performs at Madison Square Garden at the end of the movie, and by the time Henie had signed with 20th Century Fox, she had also developed a deal to play top venues as a touring ice show performer.

Henie would remain under contract at Fox for the next seven years, appearing in ten films for the studio- nine as the star and one in which she just made a cameo appearance. ONE IN A MILLION was her first hit for Fox; a Hollywood star was born. Her leading man Don Ameche would also team up with her for HAPPY LANDING a year later, which became her most financially successful picture. There are plenty of nice moments between Henie and Ameche, who is cast as a smooth talking newspaperman. But the best parts, obviously, are when Henie's on ice.

As for the supporting cast, Menjou and Hersholt deliver excellent performances, though Menjou's style is more comedic and exaggerated. The plot's most dramatic moment is handed over to Hersholt. This occurs later in the story when there is a mix-up, where Henie is believed to have skated professionally for Menjou, before winning an Olympic medal as an amateur. Hersholt takes the medal back to the committee to disqualify her, and he appeals to the Olympic Secretary (Montagu Love) to be compassionate and spare his daughter from any public embarrassment.

Of course, because it's a mix-up, Henie is not in the wrong. She gets to hold on to the gold medal, retire from amateur competition and work as a professional without any scandal. She also gets to have her happily ever after with Ameche.

The most romantic scene with Henie and Ameche takes place inside a German Hofbräuhaus, with Ameche singing to her. In addition to this musical number, there is a number with an ensemble known as Borrah Minevitch and His Harmonica Rascals; they're certainly energetic and fun to watch even if harmonica music is not your thing. Oh, and the Ritz Brothers, in their second film for 20th Century Fox, pop in and out with their comic shtick. One bit has them doing a horror boys routine.

One final note: Sonja Henie was not married when she made ONE IN A MILLION. Ironically, her first marriage in 1940 would be to future New York Yankees owner Dan Topping, who at this point, in 1937, was married to Henie's costar Arline Judge. Topping had enjoyed the limelight playing on the amateur golf circuit; but I guess he wasn't ambitious enough to forge a side career as an actor in a series of golf musicals!

Fun Film

[jkaplan67890 · 9/10 · 15 September 2018]

Sonja Henie's american film debut, and a great first impression. Of course, the ice skating was marvelous and beautiful. We have Menjou, who plays a theatrical manager who's down on his luck. Arline Judge plays his quick -witted wife. And we have the Ritz Brothers, who are pretty funny. But the best part was Henie's skating, especially the number at the end