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  • When we last left them, Torchy Blane (Glenda Farrell) and Steve MacBride (Barton MacLane were still about to get married,. In this one, what keeps them apart is that her fellow reporters decide the way to keep her on the paper is to have her report a fake murder. So they set it up with Leyland Howard, only to discover that he is, indeed dead. So MacLane and Miss Farrell investigate at cross purposes.

    The nine Torchy Blane movies produced by Warner's B unit from 1937 through 1939 are a lot of silly fun, mostly because Miss Farrell was Warner's champion motormouth, and MacLane was tops at playing a solid guy; together they are surprisingly charming. Tom Kennedy, Charley Foy, and Jimmy Conlin appear for their own brands of comic action, and while these were never intended as great movies, they were always solidly entertaining.
  • This is the 3rd film of the Torchy Blane series and once again Glenda Farrell and Barton MacLane are in the leads once again. The film begins with the Lieutenant (MacLane) getting a slight dressing down by his boss. It seems that since Torchy is the lieutenant's fiancée, she gets an inside scoop of crimes that other newspaper people are now complaining about--after all, should the Lieutenant's girl get stories that no other reporter has access to? In addition, the reporters decide to play a trick on the couple to get revenge--they'll stage a fake murder and make them look like idiots when they investigate. The problem is that this fake murder turns out to be a real one--and once again, Torchy gets the scoop.

    Throughout the film, Torchy takes the law into her own hands--making guesses and playing hunches again and again. And, since this IS a Torchy Blane film, you know that all of it will work out in the end. Unfortunately, compared to the earlier Torchy Blane films, this one more contrived and less believable. Enjoyable, sure--just not particularly outstanding in its execution.
  • Warning: Spoilers
    Professional jealousy kickstarts the plot of the third Torchy Blane installment, The Adventurous Blonde (1937), which is a direct sequel to the previous two films. The title is a bit curious since there is minimal adventure but plenty of mystery. In the fine tradition of classic detective stories the suspects are ultimately assembled in a room where the master sleuth - in this case Torchy - unmasks the culprit. The subtext of marriage vs. career rears it's head again and the two leads must make some hard decisions by the end of the story. This added dimension makes the film more thoughtful than the typical Warner Brothers B quickie.

    The cinematic tale commences soon after the previous one - Fly Away Baby - concluded: Torchy returns from the Chicago convention she was covering prepared to be married. Meanwhile Steve's superior Captain McTavish suggests to Steve that Torchy switch newspaper assignments to avoid the appearance of her receiving preferential treatment. He references the events of the previous two films while Steve boasts she was instrumental in cracking those cases. Four reporters from her rival newspaper hatch an idea to denigrate her by creating a phony murder, having her write the story, and then discredit her by revealing the hoax. Their boss, Mortimer Gray, is at first resistant to the idea but then suggests ham actor Harvey Hammond as the "victim" and convinces Hammond to partake in their scheme citing the publicity it will create. The boys unfold their plan, Torchy phones in the story, and - surprise! - Hammond is discovered to have actually been murdered.

    Fortunately there are plenty of suspects as Hammond had been quite the ladies man: his wife, the leading lady in his current production Grace, her jealous boyfriend Hugo, and Mortimer's wife, Theresa Gray, who'd just been jilted following an affair with Hammond. As per the established formula Steve arrests the wrong person and it's up to Torchy to set things right. She makes a few deductions and masterfully plays the suspects off each other until the true culprit finally confesses. Hint: lots of self-sacrifice going on.

    Glenda Farrell is her usual quick-witted, energetic self as Torchy. She's determined to be married but feels the murder must be solved before her wedding bells chime. Naturally her impeccable instincts convince her the police are botching another investigation so she sets a trap by manipulating the suspects and assembling them in Steve's office. She's actually pretty cold-blooded in the way she lies to a couple of them and puts them through the ringer to force a confession from real murderer. Through it all Miss Farrell is superb with her flawless diction, staccato delivery, and remarkable vitality.

    Barton MacLane is a lot more mellow as Steve McBride in this offering; he's eager to get married, supportive of Torchy, and even nice to Gahagan. Early on he regards Torchy as an impediment to his speed at wrapping up his investigation although this is likely a plot contrivance to build suspense as to whether or not Torchy will be on hand for the planned hoax. Unfortunately in his zeal to get married he nearly railroads the wrong man to the chair. MacLane was a solid actor who's yelling routine sometimes got tiresome but he gives a pleasant performance here.

    Series regulars Tom Kennedy and George Guhl return as Gahagan and Desk Sergeant Graves, respectively. Kennedy's screen time continues to increase although he isn't given much substantial to do here. People who remember football coach John McKay will get a chuckle when Kennedy and Charley Foy perform one of McKay's most famous quips: after attempting to hit a musical note Kennedy asks Foy "How d'ya like my execution?" to which Foy responds "I'm in favor of it".

    Making his first appearance is Frank Shannon as Captain McTavish who lays down the law with the smitten Steve regarding Torchy and goes so far as to suggest Steve could lose his job. Shannon is perhaps most famous for portraying Dr. Zarkhov in the Flash Gordon serials. Raymond Hatton makes his second and final appearance as Maxie; he provides some key assistance to Torchy in her investigation and, as always, is her staunch ally. Also returning in bit roles are Carole Landis as a waitress (very difficult to spot) and John Harron as a police dispatcher. Another familiar face, Willard Parker, has a brief scene as the telegram clerk.

    The main supporting cast performs its tasks competently. Anne Nagel snares third billing for her minor role as Grace while Anderson Lawler isn't particularly memorable as Hugo. The one standout is Leyland Hodgson as Harvey Hammond who encapsulates the essense of "ham actor" with his flamboyant performance.

    Once the mystery is wrapped up one would suppose that Torchy and Steve will finally become "spliced" as several so quaintly describe it. However, in a bittersweet ending it becomes obvious that the characters are more interested in their careers: Steve wants to achieve the rank of Captain while Torchy doesn't need much prodding from Maxie to board a plane and head off to cover the Cleveland air races as a natural follow up to winning the round the world race in Fly Away Baby. As Torchy says to Steve earlier on their way to the Hammond estate, "You're the guy that swapped fireside for homicide."
  • Barton MacLane, William Hopper and George E. Stone all appeared in TV's Perry Mason. Hopper as a main character PI Paul Drake, Stone as the court reporter in many episodes and MacLane as a guest star.
  • Third in WB's fun Torchy Blane series. This time Torchy and Steve are about to get married but get sidetracked with another murder investigation. The particulars of this murder are a doozy. Four of Torchy's rival reporters stage a murder to stop the wedding but then the actor playing the victim actually winds up killed. Cast includes Anne Nagel, George E. Stone, William Hopper, Charley Foy, and Natalie Moorhead. Glenda Farrell and Barton MacLane are especially cute together in this one.
  • This is the Poverty Row take on films like The Front Page/His Girl Friday, one of a series with perky Glenda Farrell playing a reporter called Torchy Blane. In this one she gets herself involved in the solving of a murder mystery: who strangled the matinée idol? Like The Front Page, there's a running gag about a postponed wedding. There are several nifty one-liners, too, and actors run in and out of scenes so fast that it's easy to forgive the implausibility of the plot, and to forget that this is all talk. It's nice to see Barton MacLane in a lead role for a change, and the supporting cast, especially character actors such as Frank Shannon, Jimmy Conlin, George Guhl and Houseley Stevenson, are worth the price of admission alone. Hardly a comedy masterpiece but there are worse ways to while away an hour. This is the second in the Torchy Blane series.
  • The Adventurous Blonde (1937)

    *** (out of 4)

    The third film in the series has Torchy Blane (Glenda Farrell) and Lt. MacBride (Barton MacLane) soon to be married, which drives her fellow reporters crazy because they feel she'll get all the scoops. To get even with her they get a famous actor needing publicity to pretend to be murdered so that Torchy will report the story and then get in trouble. The tables turn however when the actor ends up murdered just the way the joke was supposed to happen. This third film in the series is actually the best up to this point thanks in large part to the cast doing a fine job but the story here is also extremely well-done with a couple nice twists at the end. The idea of a "joke" murder getting into the newspaper is a bit far-fetched but I really thought this was rather fun at the start of the picture. The jealousy of the male reporters was quite funny but once the murder takes place things get a lot more serious. As someone who watches every "B" murder/mystery that comes on TCM, I must admit that the story here was quite good and especially the various suspects and their connection to the victim. Farrell and MacLane are both at the top of their game here with the chemistry flying high. Anne Nagel, George E. Stone and Tom Kennedy are all good in their supporting bits as is Anderson Lawler, , Leyland Hodgson and Virginia Brissac. The twist at the end is something I won't give away but I serious doubt anyone will see it coming.
  • Warning: Spoilers
    In 1937 Glenda Farrell was finally given her own series that completely suited her snappy and sassy personality. She was Torchy Blane and the series kicked off with "Smart Blonde" (a very apt title). "Adventurous Blonde" was the third but didn't keep up the high standard that the first programmer had started unfortunately. Farrell being Torchy was always two jumps ahead of Lt. Steve McBride (the gravel voiced Barton MacLaine) who in spite of the fact that they were supposed to be sweethearts, seemed to have a love/hate relationship going on. In the first movie, Wini Shaw was the main lady, in this one it was Natalie Moorehead, who in 1937 may have elicted a "I seem to recall that name" but now with the accessibility of pre-code movies conjures up (to me anyway) a sophisticated "other woman"!! Heroines could not neglect their man if Natalie Moorehead was in the cast!!!

    Here she plays Theresa Gray, who, while on a cross country train trip, is given the wrong wire by a porter. Sitting next to her is Torchy Blane - ace reporter - who happens to get her wire which is a callous message advising Theresa that Harvey Hammond is through with her!! McBride and Torchy are almost married but as his superior points out to him - "you haven't done anything for two weeks but run around acting like a love sick kid"!!! Torchy's reporter colleagues want to play a trick on her - so they invent a hoax murder involving a ham actor, Harvey Hammond, the only problem is he actually turns up dead!!!

    The suspects (of which there are many) are rounded up - Hugo, the butler (Anderson Lawler), Miss Brown, the nurse (Anne Nagel) and Aunt Jenny, a bed ridden invalid (Virginia Brissac) but Torchy soon realises that she is as sprightly as anyone in the house. In this confused mystery everyone is playing a part - Hugo and Miss Brown are actors who were in on the hoax and Aunt Jenny was in reality Harvey's wife who was fed up with his philandering ways.

    Although it was interesting to see a very youthful William Hopper long before his Perry Mason days, I agree with the other reviewers it definitely wasn't up to the first in the series. Poor Glenda didn't seem quite so adventurous in this one - it seemed to be top heavy with comedy and the murder and sleuthing took a back seat.
  • For what was considered a Warner Brothers B series, the Torchy Blane series was fantastic. Torchy (Glenda Farrell) is a reporter and spitfire engaged to police detective Steve McBride (Barton McLane) who is equally tough. They don't have traditionally romantic moments, but they are a great team for solving murders and have great chemistry. You can see them probably acting the same to each other the day before they are married, the day after, ten years later, twenty years later. They are tough people in tough jobs and they get one another. Should everybody be that lucky.

    In this installment of the series, the reporters of the other papers are talking about how Torchy always scoops them because of her close association to McBride. So they decide to set up a fake murder, let Torchy report on it and have it go to press, and then reveal that the whole thing was a fake just to embarrass her. They get a ham actor (Harvey Hammond) to play the part of the corpse. They get an assistant at the coroner's office to pronounce death and probably cause of death - strangling, and then have other actors that they have hired to play the servants. Well the whole thing blows up in their face when it turns out Hammond actually HAS been strangled! So Torchy scoops the other reporters again because their hoax is a real murder.

    Now to find out who did it. It turns out that there are any multitude of suspects, and that strangely enough that Hammond was a lady's man, although he had been married for twenty years and honestly he came across like a stuffed shirt and was not good looking at all. What was the attraction? Torchy solves this one, but she makes one leap of logic that you have to rewind to the beginning of the film to figure out HOW she figured it out. Several people persuade various suspects to falsely confess, and one of these false confessions outs the murderer.

    You know, watching this fast paced entertaining film brings up a few questions. For one thing, why does Torchy think of doing standard investigative techniques that the cops should have thought of? Does Torchy REALLY want to get married? You can tell she loves McBride, but it is he that seems to be the sentimental one, and she always seems to be coming up with excuses as to why they need to wait. As she drives off at one point McBride is frantically waving at her, and when several other detectives think he is hailing them he seems suddenly embarrassed by this display of affection by "a tough guy" like himself.

    Highly recommended if you like the B crime movies of the 30's and 40's. Oh, and Barton McLane and Glenda Farrell were so good together that outside of the Torchy Blane series they did "Prison Break" together for Universal in 1938.
  • Glenda farrell is torchy blane, on a train, heading east to get married. Co-stars the usual barton maclane and tom kennedy. It's a battle of newspapers, and the other reporters want to put torchy in her place. So they stage a fake murder. Which turns out not to be fake. Will she ever get married? Some funny lines. Fast action. Well done who-dunnit, wrapped up in sixty one minutes. We were still pretty happy go lucky, between the two wars. I really liked the energy of this one... not a minute wasted. It really moved along. Fun stuff. Directed by frank mcdonald; he made six films with farrell. Torchy blane character by writer fred nebel.
  • I like the Torchy Blane character and the way Glenda Farrell played her in the Warner Brothers series. But this third episode probably could have sank the whole series.

    Glenda Farrell and Barton MacLane are about to be married which of course will make them even closer. Both the police and Farrell's fellow reporters see problems. But the reporters in their infinite wisdom decide to do something about it.

    Can you believe these lugnuts decide to stage a fake murder of and hire a ham actor to play the part? But then the ham actor really does turn up dead, leaving another mystery for Farrell and MacLane to solve.

    Call me just an old fuddy duddy but I seem to remember their being laws against this sort of thing. There sure is in making a false report of a crime. In real life a lot of the working press of Torchy's city would have been filing their stories from the big house. And that's even if this thing had stayed just a gag.

    Incredibly stupid movie.
  • Torchy and Steve just might get married this time around: they've got the license and the minister and are meeting at the station. But wait—the boys from the rival paper hatch a plan: they stage a phony murder, arrange for Steve to be called in to investigate, and hire an actor to play the corpse.

    —Heavy on the comedy so far, but when the "corpse" is really murdered, the plot thickens into a somewhat convoluted but very funny comedy-mystery, the third film in the Torchy Blane series (and third of the same year!).

    Barton McLane is fine in his third go-round as Steve McBride, serious-minded police detective; gruff but loyal and tenacious, Lieutenant McBride seems to be getting smarter and more appealing as the series progresses.

    Glenda Farrell is just great as reporter Torchy Blane, once again mixed up in a murder investigation…once again scooping her rival reporters…and once again staying approximately one step of Steve in a case that sorely interferes with their wedding plans.

    Tom Kennedy is also back as Officer Gahagan, composing poetry in his spare moments and hopefully asking, "Siren and all?" every time McBride orders him to drive somewhere in a hurry.

    It's an unsettled first fifteen minutes; that phony murder plot really makes little sense. Once the real plot starts rolling, however—and once Torchy is on the case—this picture is great fun and moves at a terrific pace.

    The supporting cast is steady if unspectacular; the plot itself is rather complicated at times, partly because Farrell talks so fast. Luckily, the appealing main characters, and a script that gives them some good moments together, do keep things zipping right along, whether they're talking murder or marriage:

    Steve: "I never know what you're gonna do next." Torchy: "You wait'll we're married."

    Exceedingly light but delicious.
  • Warning: Spoilers
    Leonard Maltin calls this film one of the better entries in the Torchy Blane series, but I think it is easily the worst one out of the first three at least. The premise that sets the plot in motion (rival reporters staging a fake murder to discredit Torchy and delay her wedding to Steve) is dated at best, stupid at worst (is a hoax like that worth risking your job at the very least, and possibly spending a few years behind bars?). The crime plot itself begins with a classic setup of the genre (the "fake" murder happens for real), but soon gets muddled, not helped by the fact that two important female characters look so much alike. One very funny line, though: - humming Gahagan: "How do you like my execution?" - angry reporter: "I'm in favor of it!". *1/2 out of 4.
  • The whodunit part is fairly complicated involving a newspaper rivalry, a faked murder that turns real, along with Torchy and her cop buddy trying to stay out of trouble. Logic-wise, the plot's more than the usual stretch.

    I haven't seen other entries in the Blaine series so I can't compare. This programmer, however, carries the earmarks of 30's style WB—fast paced, lots of street-wise mugs, few lengthy talk scenes, and a sassy blonde. Torchy (Farrell) is a cannily aggressive reporter who pairs up with cop Steve (Mac Lane) to scoop rival reporters. Note how, in one scene, she even takes over Steve's seat at the station house. There's some typical lowbrow humor from the likes of Tom Kennedy who specialized in such roles. And catch tough guy Mac Lane in what's almost a leading man role, certainly a departure for him. Likely a handsomer Lawler (Hugo) was added to compensate in the looks department. I guess I missed Perry Mason's William Hopper who's in the credits, but short on screen time.

    Anyway, the programmer's okay as a time passer, especially if you keep a note pad to keep up with the plot, but otherwise it's nothing special.

    (In passing—Over the years, I've surmised that whenever viewers see a city street closed off at one end by a cross street, that means it's a back lot set, as is the case here.)